100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
CIMA da Conegliano The Annunciation dfg
CIMA da Conegliano1.jpg 1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
CIMA da Conegliano The Annunciation (detail) dsg
CIMA da Conegliano2.jpg 1495
Tempera and oil on canvas transferred from wood
The Hermitage, St. Petersburg
CIMA da Conegliano Madonna of the Orange Tree dfg
CIMA da Conegliano4.jpg c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
CIMA da Conegliano The Madonna and Child with St John the Baptist and Mary Magdalen dfg
CIMA da Conegliano6.jpg 1510-15
Wood, 167 x 110 cm
Mus??e du Louvre, Paris
CIMA da Conegliano The Incredulity of St. Thomas with St. Magno Vescovo fg
CIMA da Conegliano9.jpg c. 1505
Tempera and oil on panel, 215 x 151 cm
Gallerie dell'Accademia, Venice
CIMA da Conegliano St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
CIMA da Conegliano10.jpg 1504
Oil on panel, 330 x 216 cm
Pinacoteca di Brera, Milan
CIMA da Conegliano Madonna Enthroned with the Child, St Francis and four Angels (detail) sd
CIMA da Conegliano11.jpg 1278-80
Fresco, 73 x 60 cm (full painting: 320 x 340 cm)
Lower Church, San Francesco, Assisi
CIMA da Conegliano The Madonna and Child with Sts John the Baptist and Mary Magdalen
new24/CIMA da Conegliano-497544.jpg Date between 1511(1511) and 1513(1513)
Medium Oil on wood
Dimensions Height: 167 cm (65.7 in). Width: 110 cm (43.3 in).
cje
CIMA da Conegliano St Christopher with the Infant Christ and St Peter
new25/CIMA da Conegliano-567753.jpg Date between 1504(1504) and 1506(1506)
Medium Oil on poplar
Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in).
cjr
CIMA da Conegliano Incredulity of St Thomas with Bishop Magno
new25/CIMA da Conegliano-844845.jpg Date c. 1505(1505)
Medium tempera and Oil on panel
Dimensions Height: 215 cm (84.6 in). Width: 151 cm (59.4 in).
cjr
CIMA da Conegliano St Jerome in Wilderness Cima da Conegliano
new25/CIMA da Conegliano-647977.jpg Oil on canvas transferred from panel, 48 x 40 cm Washington, National Gallery of Art
Date about 1500-1505
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Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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