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CASTIGLIONE, Giovanni Benedetto
Christ Chasing the Moneylenders from the Temple f
CASTIGLIONE, Giovanni Benedetto1.jpg
Oil on canvas
Mus??e du Louvre, Paris
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CASTIGLIONE, Giovanni Benedetto
The Fable of Diogenes
CASTIGLIONE, Giovanni Benedetto2.jpg
Oil on canvas, 97 x 145 cm
Museo del Prado, Madrid
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CASTIGLIONE, Giovanni Benedetto
Meeting of Isaac and Rebecca fg
CASTIGLIONE, Giovanni Benedetto3.jpg
Oil on canvas, 124 x 175 cm
The Hermitage, St. Petersburg
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CASTIGLIONE, Giovanni Benedetto
The Miracle of Soriano fg
CASTIGLIONE, Giovanni Benedetto4.jpg
1655
Oil on canvas, 319 x 204 cm
Santa Maria della Cella, Genoa
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CASTIGLIONE, Giovanni Benedetto
Christ Chasing the Moneylenders from the Temple (mk05)
new6/CASTIGLIONE, Giovanni Benedetto-582888.jpg
Canvas 39 1/4 x 49''(100 x 124 cm)Acquired for Louis XV in 1742
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CASTIGLIONE, Giovanni Benedetto
Adoration of the Shepherds (mk05)
new6/CASTIGLIONE, Giovanni Benedetto-522963.jpg
Copper 27 x 20 1/2''(68 x 52 cm)Acquired for the collection of Louis XV in 1742 INV in 1742
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CASTIGLIONE, Giovanni Benedetto
The adoracion of the pastore
new16/CASTIGLIONE, Giovanni Benedetto-759454.jpg
mk166
1663-1665
I Wave on copper 68x52cm Museum of
the Louvre, Paris
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CASTIGLIONE, Giovanni Benedetto
The rest in the flight to Egypt
new16/CASTIGLIONE, Giovanni Benedetto-865898.jpg
mk166
1618
I Wave on cloth 205x186cm Uffizi, Florence
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CASTIGLIONE, Giovanni Benedetto
Embrace the glory of the Son and Our Lady of Angels
new20/CASTIGLIONE, Giovanni Benedetto-935655.jpg
Mantova mk261 years 1510-1515 oil on canvas 20 x 16.5 cm
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CASTIGLIONE, Giovanni Benedetto
Fable of Diogenes
new23/CASTIGLIONE, Giovanni Benedetto-336366.jpg
Year mid-17th century
Technique Oil on canvas
Dimensions 97 X 145 cm
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CASTIGLIONE, Giovanni Benedetto
Entrada dos Animais na Arca de Noe
new24/CASTIGLIONE, Giovanni Benedetto-447343.jpg
1650-64. Óleo sobre tela, 150 x 221 cm. Acervo do Museu Nacional de Belas Artes, Rio de Janeiro, Brasil.
Date 1650 - 1664
cyf
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CASTIGLIONE, Giovanni Benedetto
Italian Baroque Era Painter, ca.1609-1664
Painter, printmaker and draughtsman. Most of his works are scenes of the journeys of the patriarchs (e.g. Noah, Abraham, Isaac, Jacob), drawn from the book of Genesis and filled with animals and still-life detail. His oeuvre also, however, includes many spectacular mythological and religious compositions set in expansive landscapes, and for these he found inspiration in Classical mythology, ancient history, Aesop's Fables, 16th-century Italian literature and the lives of the saints. Early biographers claim that he was also a prolific portrait painter, but few examples, save the so-called portrait of Gianlorenzo Bernini (c. 1648-50; Genoa, Pal. Bianco), have been conclusively identified. His surviving subjects reveal his interest in magic and metamorphosis and in philosophical questions such as the frailty of human life, the inevitability of death and the search for truth.
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