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CARRACCI, Annibale
Assumption of the Virgin sdf
CARRACCI, Annibale1.jpg
c. 1590
Oil on canvas, 130 x 97 cm
Museo del Prado, Madrid
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CARRACCI, Annibale
Assumption of the Virgin Mary dfg
CARRACCI, Annibale2.jpg
1600-01
Oil on canvas, 245 x 155 cm
Cerasi Chapel, Santa Maria del Popolo, Rome
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CARRACCI, Annibale
Lamentation of Christ df
CARRACCI, Annibale3.jpg
1606
Oil on canvas, 92,8 x 103,2 cm
National Gallery, London
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CARRACCI, Annibale
The Flight into Egypt dsf
CARRACCI, Annibale4.jpg
1603
Oil on canvas, 122 x 230 cm
Galleria Doria-Pamphili, Rome
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CARRACCI, Annibale
The Choice of Heracles sd
CARRACCI, Annibale5.jpg
c. 1596
Oil on canvas, 167 x 273 cm
Museo Nazionale di Capodimonte, Naples
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CARRACCI, Annibale
Domine quo vadis df
CARRACCI, Annibale6.jpg
1601-02
Oil on panel, 77,4 x 56,3 cm
National Gallery, London
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CARRACCI, Annibale
Rest on Flight into Egypt ff
CARRACCI, Annibale7.jpg
c. 1600
Oil on canvas, diameter 82,5 cm
The Hermitage, St. Petersburg
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CARRACCI, Annibale
Self-Portrait in Profile sdf
CARRACCI, Annibale8.jpg
1590s
Oil on canvas
Galleria degli Uffizi, Florence
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CARRACCI, Annibale
Self-portrait dfg
CARRACCI, Annibale9.jpg
c. 1604
Oil on wood, 42 x 30 cm
The Hermitage, St. Petersburg
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CARRACCI, Annibale
The Martyrdom of St Stephen vcd
CARRACCI, Annibale10.jpg
1603-04
Oil on canvas, 51 x 68 cm
Mus??e du Louvre, Paris
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CARRACCI, Annibale
Triptych dsf
CARRACCI, Annibale11.jpg
1604-05
Oil on copper and panel, 37 x 24 cm (closed)
Galleria Nazionale d'Arte Antica, Rome
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CARRACCI, Annibale
Holy Women at the Tomb of Christ (detail) fg
CARRACCI, Annibale12.jpg
Oil on canvas
The Hermitage, St. Petersburg
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CARRACCI, Annibale
Atlante fgh
CARRACCI, Annibale13.jpg
Sanguine
Mus??e du Louvre, Paris
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CARRACCI, Annibale
Ceiling fresco dfg
CARRACCI, Annibale14.jpg
1597-1602
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
The Galleria Farnese cvdf
CARRACCI, Annibale15.jpg
1597-1602
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
Triumph of Bacchus and Ariadne sdg
CARRACCI, Annibale16.jpg
1597-1602
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
Triumph of Bacchus and Ariadne (detail) dsg
CARRACCI, Annibale17.jpg
1595-1605
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
Homage to Diana ds
CARRACCI, Annibale18.jpg
1597-1602
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
The Cyclops Polyphemus dfg
CARRACCI, Annibale19.jpg
1595-1605
Fresco
Palazzo Farnese, Rome
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CARRACCI, Annibale
Butcher's Shop
new4/CARRACCI, Annibale-373569.jpg
1580s
Oil on canvas, 185 x 266 cm
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CARRACCI, Annibale
Fishing
new4/CARRACCI, Annibale-387933.jpg
before 1595
Oil on canvas, 136 x 253 cm
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CARRACCI, Annibale
Venus with a Satyr and Cupids
new4/CARRACCI, Annibale-842967.jpg
c. 1588
Oil on canvas,
112 x142 cm
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CARRACCI, Annibale
The Virgin Appears to Sts Luke and Catherine
new4/CARRACCI, Annibale-926435.jpg
1592
Oil on canvas, 401 x 226 cm
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CARRACCI, Annibale
The Laughing Youth
new18/CARRACCI, Annibale-773453.jpg
1583
Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task,
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CARRACCI, Annibale
Madonna Enthroned with St Matthew
new21/CARRACCI, Annibale-277753.jpg
1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious
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CARRACCI, Annibale
Triptych
new21/CARRACCI, Annibale-723868.jpg
1604-05 Oil on copper and panel, 37 x 24 cm (central panel), 37 x 12 cm (each wing) Galleria Nazionale d'Arte Antica, Rome The central panel shows the Piet? while on the wings St Cecilia (left) and St Ermenegildus are represented. This small triptych originally belonged to Cardinal Odoardo Farnese, and the Farnese inventories document it as a work of Annibale Carracci as early as 1619. The attribution to Annibale was unquestioned until 1956 when, for stylistic reasons, the tabernacle was assigned to the Carracci workshop and given specifically to the hand of Innocenzo Tacconi. Despite this, the general conception of the work was attributed to Annibale on the basis of a drawing preserved at the Louvre (Paris). More recently, the documentary research has proven that the painting was commissioned directly from the artist by Cardinal Farnese sometime after 1603, the year in which he was obliged to renounce his claims to the succession to the English throne. Considering the importance of the commission, it seems difficult to argue against attribution to Carracci himself. The high quality of the Piet?and stylistic comparison of this central panel to Annibale's many other treatments of the subject lead to the assignment of this part of the execution to the master. It is, however, possible that Annibale allowed assistants (Innocenzo Tacconi or Antonio Carracci) to work on secondary panels, as these are slightly different in some of the details of execution.Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
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CARRACCI, Annibale
Triptych
new21/CARRACCI, Annibale-542866.jpg
1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome The closed triptych represents St Michael the Archangel (left) and the Guardian Angel (right).Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
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CARRACCI, Annibale
Bacchantin, Detail
new22/CARRACCI, Annibale-445428.jpg
c. 1590
112 x 142 cm (44.09 x 55.91 in)
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CARRACCI, Annibale
Italian Baroque Era Painter, 1560-1609
Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.
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