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BALDUNG GRIEN, Hans
The Knight, the Young Girl, and Death ddww
BALDUNG GRIEN, Hans1.jpg
c. 1505
Oil on wood, 355 x 296 cm
Mus??e du Louvre, Paris
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BALDUNG GRIEN, Hans
Eve, the Serpent, and Death
BALDUNG GRIEN, Hans2.jpg
1510-12
Panel
National Gallery of Canada, Ottawa
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BALDUNG GRIEN, Hans
Adam fjj
BALDUNG GRIEN, Hans3.jpg
1524
Wood, 208 x 83,5 cm
Museum of Fine Arts, Budapest
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BALDUNG GRIEN, Hans
Adam (detail)
BALDUNG GRIEN, Hans4.jpg
1524
Wood
Museum of Fine Arts, Budapest
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BALDUNG GRIEN, Hans
Eve lkioyi
BALDUNG GRIEN, Hans5.jpg
1524
Wood, 208 x 83,5 cm
Museum of Fine Arts, Budapest
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BALDUNG GRIEN, Hans
Eve (detail) l97
BALDUNG GRIEN, Hans6.jpg
1524
Wood
Museum of Fine Arts, Budapest
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BALDUNG GRIEN, Hans
Three Ages of the Woman and the Death rt4
BALDUNG GRIEN, Hans7.jpg
1510
Oil on limewood,48 x 32,5 cm
Kunsthistorisches Museum, Vienna
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BALDUNG GRIEN, Hans
The Seven Ages of Woman ww
BALDUNG GRIEN, Hans8.jpg
Oil on oak-wood, 96,5 x 74 cm
Museum der Bildenden K??nste, Leipzig
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BALDUNG GRIEN, Hans
Prudence hhh
BALDUNG GRIEN, Hans9.jpg
1529
Oil on pine panel, 83 x 36 cm
Alte Pinakothek, Munich
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BALDUNG GRIEN, Hans
Music dertete
BALDUNG GRIEN, Hans10.jpg
1529
Oil on pine panel, 83 x 36 cm
Alte Pinakothek, Munich
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BALDUNG GRIEN, Hans
Three Ages of Man and Three Graces
BALDUNG GRIEN, Hans11.jpg
1539
Oil on panel, 151 x 61 cm (each)
Museo del Prado, Madrid
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BALDUNG GRIEN, Hans
Rest on the Flight to Egypt
new19/BALDUNG GRIEN, Hans-876736.jpg
c. 1514
Oil on wood,
48,5 x 38,6 cm
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BALDUNG GRIEN, Hans
St John at Patmos
new19/BALDUNG GRIEN, Hans-682548.jpg
c. 1515
Oil on wood,
87,3 x 75,6 cm
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BALDUNG GRIEN, Hans
Virgin and Child in a Room
new19/BALDUNG GRIEN, Hans-584656.jpg
1516
Oil on wood,
47,9 x 36,6 cm
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BALDUNG GRIEN, Hans
Mater Dolorosa
new19/BALDUNG GRIEN, Hans-296375.jpg
c. 1516 Wood, 153 x 46 cm
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BALDUNG GRIEN, Hans
Adoration of the Magi
new21/BALDUNG GRIEN, Hans-599683.jpg
1507 Oil on wood Staatliche Museen, Berlin In the centre of the altarpiece the donor, Ernst von Wettin, Archbishop of Magdeburg, brother of Emperor Frederic the Wise, is represented. The side panels depict St George and St Maurice, the latter being the patron saint of the Magdeburg archbishopry.Artist:BALDUNG GRIEN, Hans Title: Adoration of the Magi Painted in 1501-1550 , German - - painting : religious
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BALDUNG GRIEN, Hans
Aristotle and Phyllis
new21/BALDUNG GRIEN, Hans-539877.jpg
1513 Woodcut, 330 x 236 mm Germanisches Nationalmuseum, Nuremberg This picture symbolizes the power of the women by representing the phylosopher Aristotle as he brings on his back his lover, Phyllis. This story was often pictured by Renaissance artists.Artist:BALDUNG GRIEN, Hans Title: Aristotle and Phyllis Painted in 1501-1550 , German - - graphics : mythological
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BALDUNG GRIEN, Hans
Crucifixion
new21/BALDUNG GRIEN, Hans-369464.jpg
1511 Chiaroscuro woodcut, 347 x 260 mm Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Crucifixion Painted in 1501-1550 , German - - graphics : religious
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BALDUNG GRIEN, Hans
Witches Sabbath
new21/BALDUNG GRIEN, Hans-878497.jpg
1510 Woodcut Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Witches Sabbath Painted in 1501-1550 , German - - graphics : mythological
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BALDUNG GRIEN, Hans
St Christopher
new21/BALDUNG GRIEN, Hans-552563.jpg
1520 Woodcut, 240 x 163 mm Germanisches Nationalmuseum, Nuremberg Baldung-Grien's paintings are equalled in importance by his extensive body of drawings, engravings, and woodcuts of an intense vitality.Artist:BALDUNG GRIEN, Hans Title: St Christopher Painted in 1501-1550 , German - - graphics : religious
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BALDUNG GRIEN, Hans
The Groom Bewitched
new21/BALDUNG GRIEN, Hans-463488.jpg
1544 Woodcut, 33 x 19,7 cm National Gallery of Art, Washington Hans Baldung was a powerful designer of woodcuts, second only to D?rer in his ability to create an atmosphere in which the familiar becomes strange and eerie. He, like some of his Flemish contemporaries, favoured weird tales of demons and witches, so that many of his scenes deal with diablerie and magic. One of his masterpieces of this genre represents malevolent witches tiding goats in an atmosphere as ominous as that described by Goethe in Faust. We display here the startling representation of a bewitched groom, not only because it is typical of Baldung's favourite subject matter, but because it is so original and inventive. One senses in this artist the same desire to probe the laws and principles of perspective that we find in the earlier Italian masters Paolo Uccello and Piero della Francesca. The fallen groom, daringly foreshortened, with feet extended almost out of the picture and head reaching to the entrance of a second room, recalls a similar experiment of Andrea Mantegna's, the dead Christ in his painting of The Lamentation. The unlucky groom had been caring for his horse when the evil creature appeared at the window on the right and leveled her curse at him. He lies prostrate in a trance. The horse turns his head, obviously sensing something strange. The viewer realizes at once that the artist was as much concerned with his design of picture as with its literary content. On his flat sheet of paper he has succeeded in suggesting deep space: a view that extends from one room into another, and continues through an opening in the back to the open air outside. This print is fairly large and was probably intended as a decoration. The engraved lines are set wide apart except in the back stall, where they are worked into a screenlike effect to suggest a darker area. This is a memorable print, and, for the period, a veritable tour de force.Artist:BALDUNG GRIEN, Hans Title: The Groom Bewitched Painted in 1501-1550 , German - - graphics : mythological
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BALDUNG GRIEN, Hans
Hercules and Antaeus
new24/BALDUNG GRIEN, Hans-997983.jpg
1530(1530)
Medium Oil on panel
Dimensions 73 x 98 cm (28.7 x 38.6 in)
cyf
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BALDUNG GRIEN, Hans
Hercules and Antaeus
new24/BALDUNG GRIEN, Hans-355664.jpg
1530(1530)
Medium Oil on panel
Dimensions 73 x 98 cm (28.7 x 38.6 in)
cyf
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BALDUNG GRIEN, Hans
German Northern Renaissance Painter and Printmaker, ca.1484-1545
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