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ASAM, Cosmas DamianGerman Baroque Era Sculptor, 1686-1739
Bavarian architects and decorators. After studying in Rome (1711 ?C 13), Cosmas Damian became a prolific fresco painter, and his brother, Egid Quirin, became a sculptor and stuccoist. They developed the effects of dramatic lighting and illusionism originated by Gian Lorenzo Bernini and Andrea Pozzo. Working as a team, they produced magnificent illusionistic decoration in ecclesiastical buildings, combining dramatic lighting and colour. Their works are notable for their profound and dramatic intensity of religious feeling. The brothers became the principal late Baroque exponents of illusionist decoration in religious architecture. Their most notable collaboration is the church of St. John Nepomuk in Munich (1733 ?C 46) ?? known as the Asamkirche in honour of the brothers.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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ASAM, Cosmas Damian
Assumption of Mary
ASAM, Cosmas Damian1.jpg
1716
Fresco
Benedictine Abbey, Weltenburg
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ASAM, Cosmas Damian
Pentecost fdgdf
ASAM, Cosmas Damian2.jpg
after 1720
Fresco
Abbey Church, Aldersbach
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ASAM, Cosmas Damian
St Georg worshipping Christ and the Virgin (mk08)
new7/ASAM, Cosmas Damian-455294.jpg
1721
Ceiling fresco,
Weltenburg,Monastery Church of St Georg and St Martin
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ASAM, Cosmas Damian
St Georg worshipping Christ and th Viirgin
new9/ASAM, Cosmas Damian-627549.jpg
mk86
1721
Ceiling Fresco
Weltenburg,Monastery Church of St Georg and St Martin
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ASAM, Cosmas Damian
Pentecost after 1720
new18/ASAM, Cosmas Damian-294445.jpg
Fresco Abbey Church
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ASAM, Cosmas Damian
German Baroque Era Sculptor, 1686-1739
Bavarian architects and decorators. After studying in Rome (1711 ?C 13), Cosmas Damian became a prolific fresco painter, and his brother, Egid Quirin, became a sculptor and stuccoist. They developed the effects of dramatic lighting and illusionism originated by Gian Lorenzo Bernini and Andrea Pozzo. Working as a team, they produced magnificent illusionistic decoration in ecclesiastical buildings, combining dramatic lighting and colour. Their works are notable for their profound and dramatic intensity of religious feeling. The brothers became the principal late Baroque exponents of illusionist decoration in religious architecture. Their most notable collaboration is the church of St. John Nepomuk in Munich (1733 ?C 46) ?? known as the Asamkirche in honour of the brothers.
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