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ALLORI Alessandro
Portrait of a Young Man hgjgh
ALLORI Alessandro4.jpg
Oil on canvas transferred from wood, 117 x 87,5 cm
The Hermitage, St. Petersburg
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ALLORI Alessandro
The Body of Christ with Two Angels
ALLORI Alessandro1.jpg
Oil on copper, 45 x 39 cm
Museum of Fine Arts, Budapest
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ALLORI Alessandro
Portrait of a Woman hhhy
ALLORI Alessandro2.jpg
1570-90
Oil on copper, 37 x 27 cm
Galleria degli Uffizi, Florence
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ALLORI Alessandro
Allegory of Human Life kig
ALLORI Alessandro3.jpg
1570-90
Oil on copper, 37 x 27 cm
Galleria degli Uffizi, Florence
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ALLORI Alessandro
St Peter Walking on the Water
ALLORI Alessandro5.jpg
1590s
Oil on copper, 47 x 40 cm
Galleria degli Uffizi, Florence
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ALLORI Alessandro
Venus and Cupid
ALLORI Alessandro6.jpg
Oil on wood
Mus??e Fabre, Montpellier
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ALLORI Alessandro
Madonna and Child
new3/ALLORI Alessandro-868782.jpg
mk65
Oil on canvas
51x45"
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ALLORI Alessandro
Portrait of Barbara Pallavicino
new3/ALLORI Alessandro-398937.jpg
mk67
Oil on panel
18 5/16x13 3/4in
Uffizi,Gallery.
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ALLORI Alessandro
The Annunciation
new3/ALLORI Alessandro-493234.jpg
mk67
Oil on canvas
63 3/4x40 9/16in
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ALLORI Alessandro
The Baptism of Christ
new3/ALLORI Alessandro-483856.jpg
mk67
Oil on panel
65 1/8x38 3/16in
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ALLORI Alessandro
Hercules Crowned by the Muses
new3/ALLORI Alessandro-739392.jpg
mk67
Oil on copper
15 3/4x 11 1/8in
Uffizi,Gallery
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ALLORI Alessandro
Susanna and The Elders
new4/ALLORI Alessandro-726656.jpg
Oil on canvas, 202 x 7 cm
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ALLORI Alessandro
Venus and Cupid
new4/ALLORI Alessandro-368436.jpg
Oil on wood
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ALLORI Alessandro
The Anunciacion
new16/ALLORI Alessandro-527972.jpg
mk166
1603 I Wave on cloth 162x103cm Galeria of the Academy Florence
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ALLORI Alessandro
Museum art historic Christ with Maria and Marta
new17/ALLORI Alessandro-576427.jpg
mk186
1605
Vienna
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ALLORI Alessandro
The banquet of the Kleopatra
new17/ALLORI Alessandro-244433.jpg
mk186
1570 Florence, Palazzo Vecchio, Studiolo di Francesco I de' Medici
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ALLORI Alessandro
The wedding to canons
new17/ALLORI Alessandro-922926.jpg
mk186
1592 Florence church Sant' Agata
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ALLORI Alessandro
The communion
new17/ALLORI Alessandro-475335.jpg
mk186
1582 Florence, Stanta Maria del Carmine
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ALLORI Alessandro
Cosimo I dressed in a portrait of Qingqi Breastplate
new20/ALLORI Alessandro-836495.jpg
mk261 Florence, about 1555-1560 years wood canvas 105 x 81 cm
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ALLORI Alessandro
Maria de Medici
new23/ALLORI Alessandro-857936.jpg
Date Deutsch: um 1555
Technique Deutsch: Öl auf Pappelholz
Dimensions Deutsch: 114,5 x 89,5 cm
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ALLORI Alessandro
Susanna and the Elders
new24/ALLORI Alessandro-734989.jpg
Date
Medium Oil on canvas
Dimensions 202 X 117 cm (79.53 X 46.06 in)
cyf
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ALLORI Alessandro
Maria de Medici
new24/ALLORI Alessandro-673736.jpg
Date Deutsch: um 1555
Medium Deutsch: Öl auf Pappelholz
Dimensions Deutsch: 114,5 x 89,5 cm
cyf
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ALLORI Alessandro
Portrait of a Florentine Nobleman
new24/ALLORI Alessandro-935798.jpg
Date 16th century
Medium Oil on panel
Dimensions 70 ?? 55 cm (27.6 ?? 21.7 in)
c yf
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ALLORI Alessandro
Preaching of St John the Baptist
new24/ALLORI Alessandro-578537.jpg
Date between 1601(1601) and 1603(1603)
Medium Oil on copper
Dimensions Width: 47 cm (18.5 in). Height: 39 cm (15.4 in).
cyf
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ALLORI Alessandro
Portrait of a Florentine Lady
new25/ALLORI Alessandro-536885.jpg
16th century
Medium Oil on panel
Dimensions 54.6 x 42.3 cm (21.5 x 16.7 in)
cyf
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ALLORI Alessandro
Pearl Fishers
new25/ALLORI Alessandro-484437.jpg
Oil on slate, 116 x 86 cm
cyf
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ALLORI Alessandro
Portrait of Bianca Cappello
new26/ALLORI Alessandro-738994.jpg
16th century
Medium oil
cyf
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ALLORI Alessandro
Italian Mannerist Painter, 1535-1607
Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.
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