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ABBATE, Niccolo dell
Deer Hunt
ABBATE, Niccolo dell1.jpg
1550-52
Oil on canvas
Galleria Borghese, Rome
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ABBATE, Niccolo dell
Orpheus and Eurydice
ABBATE, Niccolo dell2.jpg
Oil on canvas, 188 x 237 cm
National Gallery, London
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ABBATE, Niccolo dell
The Continence of Scipio
ABBATE, Niccolo dell3.jpg
Oil on canvas
Mus??e du Louvre, Paris
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ABBATE, Niccolo dell
The Rape of Proserpine gfgf
ABBATE, Niccolo dell4.jpg
Oil on canvas
Mus??e du Louvre, Paris
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ABBATE, Niccolo dell
The Continence of Scipio (mk05)
new5/ABBATE, Niccolo dell-889797.jpg
Canvas 50 1/2 x 45 1/4''(128 x 115 cm) Seized in the Revolution from the collection of the Duc de Penthievre,Chateau de Chanteloup
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ABBATE, Niccolo dell
The Rape of Proserpine (mk05)
new5/ABBATE, Niccolo dell-898254.jpg
Canvas,77 1/4 x 84 1/2''(196 x 215 cm)Acquired in 1933
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ABBATE, Niccolo dell
The Rape of Proserpine
new16/ABBATE, Niccolo dell-536273.jpg
mk156
1552-70
Oil on canvas
196x216cm
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ABBATE, Niccolo dell
The Story of Eurydice
new16/ABBATE, Niccolo dell-332999.jpg
mk170
1555-1560
Oil on canvas
189.2x237.5cm
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ABBATE, Niccolo dell
Rape of Proserpine hi res
new23/ABBATE, Niccolo dell-536384.jpg
Description Abbate - Rape of Proserpine hi-res.jpg
Deutsch: Raub der Proserpina, Öl auf Leinwand, Louvre, Paris
English: The Rape of Proserpine, Oil on canvas, Musee du Louvre, Paris, France.
Date 16th century
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ABBATE, Niccolo dell
The Continence of Scipio
new23/ABBATE, Niccolo dell-446747.jpg
Year 1509 or 1512
Technique Oil on canvas
Dimensions 127 X 115 cm (50.00 X 45.28 in
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ABBATE, Niccolo dell
The Rape of Proserpine
new23/ABBATE, Niccolo dell-467677.jpg
Description Abbate-The Rape of Proserpine.jpg
Deutsch: Raub der Proserpina / Proserpina ruft nach ihren Gefährtinnen
English: The Rape of Proserpine.
Date 16th century
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ABBATE, Niccolo dell
Italian Mannerist Painter, ca.1512-1571
Italian painter. He was trained in Modena and developed his mature style under the influence of his contemporaries Correggio and Parmigianino in Bologna (1544 ?C 52). There he painted portraits and decorated palaces with frescoes of landscapes and figure compositions in the Mannerist style. In 1552 he was invited by Henry II of France to work under Primaticcio at the Palace of Fontainebleau, where he executed immense murals (most now lost). He remained in France the rest of his life. His mythological landscapes were a principal source of the French Classical landscape tradition, and he was a precursor of Claude Lorrain and Nicolas Poussin.
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