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Guido Reni
Aurora
Guido Reni1.jpg
1614
Fresco
Casino Rospiglioso, Palazzo Pallavicini, Rome
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Guido Reni
The Coronation of the Virgin
Guido Reni2.jpg
1626
Musee Bonnat, Bayonne
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Guido Reni
Baptism of Christ
Guido Reni3.jpg
1623
Art History Museum, Vienna
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Guido Reni
Saint Jerome and the Angel
Guido Reni4.jpg
1640/42
Detroit Institute of Arts
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Guido Reni
Deianeira Abducted by the Centaur Nessus
Guido Reni5.jpg
1621
Musee du Louvre, Paris
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Guido Reni
Susannah and the Elders
Guido Reni6.jpg
The National Gallery, London
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Guido Reni
Charity
Guido Reni7.jpg
Metropolitan Museum of Art, New York
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Guido Reni
The Abduction of Helen (mk05)
new5/Guido Reni-959282.jpg
Canvas,99 1/2 x 104 1/4''(253 x 265 cm);6 3/4''(16 cm)at right edge is a later addition.Commissioned in 1626-1628 by the Spanish ambassador in Rome for the Gallery of Philip IV of Spain and finished in 1631.Acquired by Marquis de la Vrilliere for the decoration of his mansion in Paris;seized in the Revolution from the Duc de Penthievre,INV
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Guido Reni
Hercules Wrestling with Achelous (mk05)
new5/Guido Reni-685822.jpg
1620-1621
Canvas,102 1/4 x 75 1/2''(260 x 192 cm).Commissioned in 1617 by Ferdinando Gonzaga,Duke of Mantua,for a room in the Villa Favorita near Mantua;painted 1620-1621.The four pictures on this spread are an allegory of the triumphant power of the Gonzaga family.Collection of Charles I;acquired by Louis XIV from Eberhard Jabach in 1662 INV
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Guido Reni
Hercules on the Pyre (mk05)
new5/Guido Reni-656977.jpg
Canvas,103 x 75 1/2''(261 x 192 cm).Collection of Charles I;acquired by Louis XIV from Eberhard Jabach in 1662
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Guido Reni
Hercules Vanquishing the Hydra (mk05)
new5/Guido Reni-682756.jpg
Canvas,102 1/4 x 75 1/2''(260 x 192 cm).Collection of Charles I;acquired by Louis XIV from Eberhard Jabach in 1662
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Guido Reni
Deianira Abducted by the Centaur Nessus (mk05)
new5/Guido Reni-325548.jpg
1620-1621
Canvas,94 x 76''(239 x 193 cm).Collection of Charles I;acquired by Louis Xiv from Eberhard Jabach in 1662
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Guido Reni
Joseph with the christ child in His Arms (san 05)
new6/Guido Reni-268396.jpg
1620s
(INV No 58)Oil on canvas 49 1/2 x 40''(126 x 101 cm)(Ex coll King William II,The Hague 1850)
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Guido Reni
The Baptism of Christ (mk08)
new6/Guido Reni-826255.jpg
c.1623
Oil on canvas,
263.5x186.5cm
Vienna,Kunsthistorische Museum
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Guido Reni
Saint Jerome and the Angel (nn03)
new8/Guido Reni-356485.jpg
1640-42 Oil on canvas 198 x 149 cm 78 x 58 2/3 in Detroit Institute of Arts Detroit MI
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Guido Reni
St.Sebastian
new3/Guido Reni-465938.jpg
mk61
c.1610
Oil on canvas
170x133cm
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Guido Reni
Self-Portrait
new3/Guido Reni-877686.jpg
mk60
Oil on canvas
17 1/8x13 3/8in
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Guido Reni
Madonna of the Snow with SS.Lucy and Mary Magdalen
new3/Guido Reni-296593.jpg
mk65
Oil on canvas
98x7/16x69 5/16in
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Guido Reni
Cleopatra
new3/Guido Reni-567244.jpg
mk65
Oil on canvas
48 1/16x38 3/16in
Pitti,Palatine Gallery
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Guido Reni
Christian Charity
new3/Guido Reni-272986.jpg
mk65
Oil on canvas
45 11/16x35 5/8in
Pitti,Palatine Gallery
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Guido Reni
The Building of Noah's Ark
new3/Guido Reni-775558.jpg
mk65
ca.1608
Oil on canvas
76x61"
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Guido Reni
The Girlhood of the Virgin Mary
new3/Guido Reni-333487.jpg
mk65
1610s
Oil on canvas
57 1/2x81"
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Guido Reni
Assumption
new4/Guido Reni-483272.jpg
mk68
Oil on canvas
15'6"x9'3"
Genoa,Church of Sant'Ambrogio
1616-1617
Italy
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Guido Reni
Hercule luttant avec Achelous
new4/Guido Reni-292926.jpg
mk70
Toile
H.2.61
L.1.92
Paris,Musee du Louvre
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Guido Reni
Saint Sebastien martyr dans un paysage
new4/Guido Reni-465223.jpg
mk70
Toile
H.1.70
L.1.32
Paris,Musee du Louvre
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Guido Reni
Frohliches Paar.Sogenanntes Selbstbildnis mit Saskia
new10/Guido Reni-578596.jpg
mk92
1635
161x131cm
Dresden,
Staatliche Kunstsammlung
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Guido Reni
Baptism of Christ
new12/Guido Reni-962564.jpg
mk150
before 1623
Canvas
263.5x186.5cm
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Guido Reni
David with the Head of Goliath
new16/Guido Reni-945329.jpg
mk156
c.1605
Oil on canvas
237x137cm
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Guido Reni
The Girlhood of the Madonna
new16/Guido Reni-989977.jpg
mk159
1635-1640s
Oil on canvas
146x205.5cm
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Guido Reni
St Joseph with the Infant Christ
new16/Guido Reni-548857.jpg
mk159
c.1635
OIl on canvas
126x101cm
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Guido Reni
1575-1642
Italian
Guido Reni Galleries
Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de?? Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style.
By late 1601, Reni and Albani had moved to Rome to work with the teams led by Annibale Carracci in fresco decoration of the Farnese Palace. During 1601-1604, his main patron was cardinal Sfondrato. By 1604-1605, he received an independent commission for an altarpiece of the Crucifixion of St. Peter. After a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V (Borghese). From 1607-1614, he was one of the painters patronized by Borghese.
Abduction of Deianira, 1620-1621.Reni's frescoed ceiling of the large central hall of garden palace, Casino dell'Aurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese; the rear portion overlooks the Piazza Montecavallo and Palazzo del Quirinale. The massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world. The work is restrained in classicism, copying poses from Roman Sarcophagi, and showing far more simplicity and restraint than Carracci's riotous Triumph of Bacchus and Ariadne[5] in the Farnese. Reni in this painting is allies himself more with the sterner Cavaliere d'Arpino,Lanfranco, and Albani "School" of mytho-historic painting, and less with the more crowded frescoes characteristic of Pietro da Cortona. There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on 24 September 1616.
He also frescoed in Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. According to rumor, the pontifical chapel of Montecavallo (Chapel of the Annuciation) was assigned to Reni to paint. However, because he felt underpaid by the ministers, the artist left for Bologna, leaving the role of the preeminent artist in Rome to Domenichino.
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