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Xiamen Oil Paintings, Wholesale Direct!
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100% hand painted, 100% cotton canvas, 100% money back if not satisfaction. |
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Juan Bautista Martinez del Mazo1612-1667
Spanish
Juan Bautista Martinez del Mazo Gallery
Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa.
Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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Juan Bautista Martinez del Mazo
The Artist's Family
Juan Bautista Martinez del Mazo1.jpg
Art History Museum, Vienna
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Juan Bautista Martinez del Mazo
konstnarens familj
new23/Juan Bautista Martinez del Mazo-584488.jpg
olja pa duk 174.5x148cm
forvarvad i italien 1800
se
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Juan Bautista Martinez del Mazo
Retrato de la infanta Margarita
new24/Juan Bautista Martinez del Mazo-734594.jpg
ca. 1659(1659)
Oil on canvas
212 ?? 147 cm (83.5 ?? 57.9 in)
cjr
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Juan Bautista Martinez del Mazo
Empress Dona Margarita de Austria in Mourning Dress
new24/Juan Bautista Martinez del Mazo-485445.jpg
Date 1666(1666)
Medium Oil on canvas
Dimensions 209 ?? 147 cm (82.3 ?? 57.9 in)
cyf
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Juan Bautista Martinez del Mazo
The Empress Dona Margarita de Austria in Mourning Dress
new24/Juan Bautista Martinez del Mazo-459499.jpg
1666(1666)
Medium Oil on canvas
Dimensions 209 x 147 cm (82.3 x 57.9 in)
cyf
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Juan Bautista Martinez del Mazo
Retrato de la infanta Margarita
new24/Juan Bautista Martinez del Mazo-875794.jpg
ca. 1659(1659)
Medium Oil on canvas
Dimensions 212 x 147 cm (83.5 x 57.9 in)
cyf
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Juan Bautista Martinez del Mazo
The Artists Family
new26/Juan Bautista Martinez del Mazo-988675.jpg
between 1659(1659) and 1660(1660)
Medium oil on canvas
cyf
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Juan Bautista Martinez del Mazo
1612-1667
Spanish
Juan Bautista Martinez del Mazo Gallery
Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa.
Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.
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