100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Joseph Anton Koch
1768-1839
Austrian
Joseph Anton Koch Galleries
was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner.
After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Joseph Anton Koch Seiss Landscape (Berner Oberland) (mk09)
new6/Joseph Anton Koch-626958.jpg 1817
Oil on canvas ,101 x 134 cm
Innsbruck,Tiroler Landesmuseum Ferdinandeum
Joseph Anton Koch Schmadribach (mk09)
new6/Joseph Anton Koch-843523.jpg c 1821/22
Oil on canvas,131.8 x 110 cm
Munich,Bayerische Staatsgemaidesammlungen,Neue Pinakothek
Joseph Anton Koch Heroic Landscape with Rainbow (mk22)
new7/Joseph Anton Koch-738943.jpg 1815
Oil on canvas,188 x 171.2 cm
Munich,Bayerische Staarsgemaldesammlungen,Neue Pinakothek
Joseph Anton Koch Schmadribach
new9/Joseph Anton Koch-956865.jpg mk87
c.1821/22
Oil on canvas
131.8x110cm
Munich,Bayerische Staatsgemaldesammlungen,Neue Pinakothek
Joseph Anton Koch landscape with shepherds and cows
new20/Joseph Anton Koch-283539.jpg mk247
1832 to 32 ,oil on canvas,29.875x40.875 in,76x103.7 cm,hamurger kunsthalle,hamburg,germany
Joseph Anton Koch Mountain Scene
new21/Joseph Anton Koch-285463.jpg 110 x 161 cm Wallraf-Richartz Museum, Cologne A group of German painters based in Rome in the early nineteenth century had a most decisive effect on the development of German art. The foremost of these artists was Joseph Anton Koch. He was born in Obergiblen in the Tyrol in 1768 but lived in Rome from spring 1795 to his death in 1839. Here he painted the 'heroic landscapes' which form the major part of his work. His Mountain scene of 1796, one of his earliest paintings, shows his attempt to continue the tradition of seventeenth-century landscape painting and to relate the heroic grandeur of nature to the human life that is dependent on it
Joseph Anton Koch Heroische Landschaft mit dem Regenbogen
new23/Joseph Anton Koch-393787.jpg Medium English: Oil on canvas
Deutsch: Öl auf Leinwand
Dimensions 118 X 114 cm
Joseph Anton Koch Das Kloster San Francesco im Sabinergebirge bei Rom
new25/Joseph Anton Koch-967655.jpg 1812(1812)
Medium Oil on wood
Dimensions Deutsch: 34 x 46 cm
cjr
Joseph Anton Koch Grindelwald Glacier in the Alps
new25/Joseph Anton Koch-845957.jpg 1823(1823)
Medium oil on canvas
Dimensions 88.5 x 122.5 cm (34.8 x 48.2 in)
cjr
Joseph Anton Koch Grindelwald Glacier in the Alps.
new26/Joseph Anton Koch-784794.jpg 1823(1823)
Medium oil on canvas
Dimensions 88.5 x 122.5 cm (34.8 x 48.2 in)
cjr
1768-1839
Austrian
Joseph Anton Koch Galleries
was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner.
After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome.
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