100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Wilhelm von Kobell
1766-1853
German
Wilhelm von Kobell Gallery
Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Wilhelm von Kobell Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich
new16/Wilhelm von Kobell-267942.jpg 1831
Watercolour,
237 x 306 mm
Wilhelm von Kobell Jager zu Pferd in oberbayerischer Landschaft
new23/Wilhelm von Kobell-469593.jpg Date 1822(1822)
Medium Oil on canvas
Dimensions Deutsch: 40 X 52 cm
cyf
Wilhelm von Kobell Jager auf der Hochalm
new24/Wilhelm von Kobell-368467.jpg Date 1828(1828)
Medium Oil on canvas
Dimensions 38.4 X 33.2 cm (15.12 X 13.07 in)
cyf
Wilhelm von Kobell Austrian cuirassiers fighting French hussars
new24/Wilhelm von Kobell-798738.jpg Description KobellReitergefecht.jpg
Austrian cuirassiers fighting French hussars
Date 1805(1805)
Source Reiss-Museum Mannheim (WVN 848)
cyf
Wilhelm von Kobell Self-portrait
new26/Wilhelm von Kobell-336659.jpg circa 1800(1800)
Medium oil on canvas
Dimensions 45.5 x 39.3 cm (17.9 x 15.5 in)
cjr
1766-1853
German
Wilhelm von Kobell Gallery
Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.
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