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Hugo van der Goes
The Fall : Adam and Eve Tempted by the Snake
Hugo van der Goes1.jpg
1470
Art History Museum, Vienna
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Hugo van der Goes
The Portinari Altarpiece
Hugo van der Goes2.jpg
1475
Galleria degli Uffizi, Florence
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Hugo van der Goes
Portrait of a Man 111
Hugo van der Goes3.jpg
Metropolitan Museum of Art, New York
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Hugo van der Goes
Adoration of the Shepherds
Hugo van der Goes4.jpg
1480
Wood, 97 x 245 cm
Staatliche Museen
Berlin
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Hugo van der Goes
Adoration of the Shepherds ry
Hugo van der Goes5.jpg
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Hugo van der Goes
The Fall
Hugo van der Goes6.jpg
1467-68
Oil on oak,
33,8 x 23 cm
Kunsthistorisches
Museum, Vienna
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Hugo van der Goes
The Lamentation of Christ
Hugo van der Goes7.jpg
1467-68
Oil on oak,
33,8 x 23 cm
Kunsthistorisches
Museum, Vienna
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Hugo van der Goes
Mary Triptych
Hugo van der Goes8.jpg
1478 Wood
30,1 x 23,4 cm
Stedelsches
Kunstinstitut,
Frankfurt
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Hugo van der Goes
Deposition Diptych
Hugo van der Goes9.jpg
(Small Deposition,
left wing)c. 1480
Canvas
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Hugo van der Goes
Adoration of the Magi
Hugo van der Goes10.jpg
(central panel of the
Monforte Altar; from
Monforte de Lemos
cloister, Spain).1470
Oil on wood.
Gemaldegalerie,Berlin
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Hugo van der Goes
Portinari Altar
Hugo van der Goes11.jpg
1476
Oil on wood. Galleria
degli Uffizi, Florence,
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Hugo van der Goes
Adoration of the Shepherds.
Hugo van der Goes12.jpg
(cenral
panel of the Portinari
Altar). 1476-1478.
Oil on wood.
Galleria degli Uffizi,
Florence
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Hugo van der Goes
Tommaso Portinari with his sons and SS.
Hugo van der Goes13.jpg
Thomas and Anthony
Abbot. The left panel of
the Portinari Altar.
1476-1478.Oil on wood
Galleria degli Uffizi,
Florence
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Hugo van der Goes
Maria Baroncelli with Her Daughter
Hugo van der Goes14.jpg
Margarita
and SS. Margaret and
Mary Magdalene. The
right panel of the
Portinari Altar.1476-78
Oil on wood. Galleria
degli Uffizi, Florence
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Hugo van der Goes
Death of the Virgin.
Hugo van der Goes15.jpg
1480. Oil on oak.
Groeningemuseum
Bruges, Belgium
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Hugo van der Goes
Flagellation of Christ
Hugo van der Goes16.jpg
1450s
Wood,106x210cm
Louvre, Paris
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Hugo van der Goes
Last Supper
Hugo van der Goes18.jpg
1470
Wood,172x164cm
Museum Nacional
d'Art de Catalunya
Barcelona
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Hugo van der Goes
The Fall of Adam (mk08)
new6/Hugo van der Goes-957858.jpg
1470
Oil on wood
34x23cm
Vienna,Kunsthistorisches Museum
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Hugo van der Goes
Adoration of the Magi (mk08)
new6/Hugo van der Goes-382937.jpg
c.1470
Oil on wood,
147x242cm
Berlin,Gemaldegalerie,Staatliche Museen
zu Berlin-Preubischer Kulturbesitz
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Hugo van der Goes
Adoration of the Shepherds (mk08)
new6/Hugo van der Goes-989427.jpg
1476-1478
Oil on wood,
253x304cm
Florence,Galleria degli Uffzi
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Hugo van der Goes
The Fall of Man (nn03)
new8/Hugo van der Goes-655662.jpg
c 1470
Oil on panel 35.5 x 23.2 cm 13 7/8 x 9 1/8 in Kunsthistorisches Museum Vienna
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Hugo van der Goes
Aubetung der Hirten
new3/Hugo van der Goes-393928.jpg
mk66
vor 1476
Mitteltafel des Portinari-Altars
Holz
253x304cm
Galleria degli Uffizi,Florenz
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Hugo van der Goes
The Portinari Triptych
new3/Hugo van der Goes-624557.jpg
mk67
Oil on panel
99 5/8x230 11/16in
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Hugo van der Goes
Portinari Triptych
new4/Hugo van der Goes-787998.jpg
mk68
Oil on wood
Florence,Uffizi,
1476-1479
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Hugo van der Goes
Portrait Triptych
new4/Hugo van der Goes-749465.jpg
mk68
1476-1479
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Hugo van der Goes
The Fall,from a diptych with The Fall of Man and salvation
new12/Hugo van der Goes-884334.jpg
mk150
1479
Oak
32.3x21.9cm
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Hugo van der Goes
The Fall of Man and the Lamentation
new12/Hugo van der Goes-982697.jpg
mk156
c.1470-1475
Tempera on wood
32.3x21.9cm
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Hugo van der Goes
Adoration of the Shepherds
new12/Hugo van der Goes-733964.jpg
mk156
1476-1478
Oil on wood
250x310cm
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Hugo van der Goes
Portrait of a man
new16/Hugo van der Goes-784328.jpg
mk161
Tempera and oil on wood
12x10
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Hugo van der Goes
Portinari Altarpiece
new16/Hugo van der Goes-784342.jpg
mk164
1476
Uffizi
Florence
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Hugo van der Goes
1440-1482
Flemish
Hugo van der Goes Galleries
Hugo became a member of the painters' guild of Ghent as a master in 1467. In 1468 he was involved in the decoration of the town of Bruges in celebration of the marriage between Charles the Bold and Margaret of York and he provided heraldic decorations for Charles's joyeuse entr??e to Ghent in 1469 and again in 1472. He was elected dean of the Ghent guild in 1473 or 1474.
In 1475, or some years later, Hugo entered Rooklooster, a monastery near Brussels belonging to the Windesheim Congregation, and professed there as a frater conversus. He continued to paint, and remained at Rooklooster until his death in 1482 or 1483. In 1480 he was called to the town of Leuven to evaluate the Justice Scenes left unfinished by the painter Dieric Bouts on his death in 1475. Shortly after this, Hugo, returning with other members of his monastery from a trip to Cologne, fell into a state of suicidal gloom, declaring himself to be damned. After returning to Rooklooster, Hugo recovered from his illness, and died there. His time at Rooklooster is recorded in the chronicle of his fellow monk, Gaspar Ofhuys. A report by a German physician, Hieronymus M??nzer, from 1495, according to which a painter from Ghent was driven to melancholy by the attempt to equal the Ghent Altarpiece, may refer to Hugo.
His most famous surviving work is the Portinari Triptych (Uffizi, Florence), an altarpiece commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence by Tommaso Portinari, the manager of the Bruges branch of the Medici Bank. The triptych arrived in Florence in 1483, apparently some years after its completion by van der Goes. The largest Netherlandish work that could be seen in Florence, it was greatly praised. Giorgio Vasari in his Vite of 1550 referred to it as by "Ugo d'Anversa" ("Hugo of Antwerp"). This the sole documentation for its authorship by Hugo; other works are attributed to him based on stylistic comparison with the altarpiece.
Hugo appears to have left a large number of drawings, and either from these or the paintings themselves followers made large numbers of copies of compositions that have not survived from his own hand. A drawing of Jacob and Rachel preserved at Christ Church, Oxford is thought to be a rare surviving autograph drawing.
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