100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jacopo Pontormo
Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jacopo Pontormo The Virgin and Child with Four Saints and the Good Thief with (mk05)
new5/Jacopo Pontormo-435626.jpg Before 1529
Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814
Jacopo Pontormo The Visitation (nn03)
new8/Jacopo Pontormo-922496.jpg 1530/32
Oil on panel 202 x 156 cm 79 1/2 x 61 1/2 in
Pieve di San Michele Carmignano
Jacopo Pontormo Madonna and Child with Saints
new18/Jacopo Pontormo-759247.jpg 1518 Oil on wood, 214 x 185 cm San Michele Visdomini, Florence Pontormo executed this celebrated painting for the chapel of Francesco di Giovanni Pucci in the church San Michele Visdomini in Florence.
Jacopo Pontormo The birth of the Baptist
new20/Jacopo Pontormo-295854.jpg mk261 wood engraving oil painting, Florence, the Ukrainian Fiji art museum, in 1890 numbered 1532.
Jacopo Pontormo Three Graces
new21/Jacopo Pontormo-245925.jpg 1535 Sanguine, 495 x 213 mm Galleria degli Uffizi, Florence Pontormo's skill as a draftsman is universally admired, and his drawings are a highly approachable aspect of his vision. A delicacy of touch, a spirited line, and an emphasis upon surface is combined with an exciting concentration on silhouette. Artist: PONTORMO, Jacopo Painting Title: Three Graces , 1501-1550 Painting Style: Italian , graphics Type: study
Jacopo Pontormo Jacopo Pontormo
new23/Jacopo Pontormo-988573.jpg Artist Pontormo, Jacopo
Title Deutsch: Gemälde fer das Hochzeitszimmer des Pier Francesco Borgherini im Familienpalast in Florenz, Szene: Joseph in Ägypten, Detail
Year 1517-1518
Jacopo Pontormo Noli me tangere
new24/Jacopo Pontormo-798566.jpg Deutsch: nach 1531
English: after 1531
Medium Oil on wood
Dimensions Deutsch: 175 ?? 134 cm
cyf
Jacopo Pontormo Portrat einer Dame mit Spindelkorbchen
new24/Jacopo Pontormo-799877.jpg Date 1516
Medium Oil on wood
Dimensions Deutsch: 76 ?? 54 cm
cyf
Jacopo Pontormo Madonna and Child with St Anne and Other Saints
new24/Jacopo Pontormo-448798.jpg Date ca. 1529(1529)
Medium Oil on wood
Dimensions Height: 228 cm (89.8 in). Width: 176 cm (69.3 in).
cjr
Jacopo Pontormo Madonna and Child with Two Saints
new24/Jacopo Pontormo-656668.jpg Date 1522(1522)
Medium Oil on wood
Dimensions Height: 72 cm (28.3 in). Width: 60 cm (23.6 in).
cjr
Jacopo Pontormo The Deposition
new25/Jacopo Pontormo-657959.jpg Date c. 1528(1528)
Medium Oil on wood
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cjr
Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
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