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Antonio Pollaiuolo
Portrait of a Young Woman 02
Antonio Pollaiuolo1.jpg
1475 Galleria degli Uffizi, Florence
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Antonio Pollaiuolo
Hercules and the Hydra
Antonio Pollaiuolo2.jpg
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Antonio Pollaiuolo
Apollo and Daphne
Antonio Pollaiuolo3.jpg
c1470 National Gallery, London
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Antonio Pollaiuolo
Hercules and Antaeus
Antonio Pollaiuolo4.jpg
1460 Galleria degli Uffizi, Florence
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Antonio Pollaiuolo
Tobias and the Angel
Antonio Pollaiuolo5.jpg
1460 Galleria Sabuda, Turin
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Antonio Pollaiuolo
Apollo and Daphne
new4/Antonio Pollaiuolo-629974.jpg
nn07
c1470 National Gallery, London
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Antonio Pollaiuolo
Apollo and Daphne
new16/Antonio Pollaiuolo-634998.jpg
mk170
1475-1480
Oil on wood
29.5x20cm
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Antonio Pollaiuolo
Hercules and Antaeus Time
new16/Antonio Pollaiuolo-397759.jpg
c. 1478
Tempera on wood,
16 x 9 cm
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Antonio Pollaiuolo
Martyrdom of St Sebastian
new16/Antonio Pollaiuolo-335744.jpg
1473-75
Panel,
292 x 2023 cm
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Antonio Pollaiuolo
Battle of Ten Nudes
new19/Antonio Pollaiuolo-767387.jpg
1470s Engraving, 428 x 618 mm
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Antonio Pollaiuolo
Altarpiece of the SS. Vincent, James and Eustace
new19/Antonio Pollaiuolo-968545.jpg
1468 Tempera on wood, 172 x 179 cm
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Antonio Pollaiuolo
Angel
new21/Antonio Pollaiuolo-663544.jpg
1467 Fresco Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence *** Keywords: ************* Artist: POLLAIUOLO, Antonio del Painting Title: Angel (detail) , 1451-1500 Painting Style: Italian , , religious
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Antonio Pollaiuolo
Portrait of a Girl - Panel Museo Poldi Pezzoli
new21/Antonio Pollaiuolo-485796.jpg
Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait
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Antonio Pollaiuolo
1431-1498 Italian Antonio Pollaiuolo Galleries
Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.
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