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Piero della Francesca
St.Michael 02
Piero della Francesca1.jpg
1467 National Gallery, London
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Piero della Francesca
The Baptism of Christ 02
Piero della Francesca2.jpg
1442 National Gallery, London
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Piero della Francesca
The Duke of Urbino
Piero della Francesca3.jpg
1465-70 Galleria degli Uffizi, Florence
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Piero della Francesca
The Duchess of Urbino
Piero della Francesca4.jpg
1465-70 Galleria degli Uffizi, Florence
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Piero della Francesca
The Penance of St.Jerome
Piero della Francesca5.jpg
1450 Gemaldegalerie Dahlem, Berlin
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Piero della Francesca
St.Sebastian and St.John the Baptist
Piero della Francesca6.jpg
1440-1460 Museo Civico, Sansepolcro
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Piero della Francesca
Polyptych of the Misericordia
Piero della Francesca7.jpg
1460-62;
Oil and temper
a on panel;
Pinacoteca Comuale
Sansepolcro
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Piero della Francesca
Polyptych of the Misericordia
Piero della Francesca8.jpg
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Piero della Francesca
Sigismondo Pandolfo
Piero della Francesca9.jpg
Malatesta 1451;
Oil and tempera on
panel;Louvre,Paris
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Piero della Francesca
Saint Jerome and a Donor
Piero della Francesca10.jpg
1451; Panel;
Gallerie dell'
Accademia,Venice
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Piero della Francesca
Madonna di Senigallia
Piero della Francesca11.jpg
early 1470's; Galleria
Nazionale delle
Marche, Urbino
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Piero della Francesca
Annuncciation
Piero della Francesca12.jpg
c.1455; Fresco
San Francesco
Arezzo
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Piero della Francesca
Carrying the Sacred Wood
Piero della Francesca13.jpg
1455; Fresco
San Francesco,Arezzo
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Piero della Francesca
Saint Mary Magdalen
Piero della Francesca14.jpg
1460; Fresco;
Duomo, Arezzo
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Piero della Francesca
Constantine s Dream
Piero della Francesca15.jpg
1455; Fresco;
San Francesco,Arezzo
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Piero della Francesca
Resurrection
Piero della Francesca16.jpg
1463-65;
Mural in fresco and
tempera;Pinacoteca
Comunale,Sansepolcro
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Piero della Francesca
Polyptych of Saint Augustine
Piero della Francesca17.jpg
460-70
Oil and tempera
on panel; panels are
in different museums
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Piero della Francesca
Polyptych of Saint Augustine fy
Piero della Francesca18.jpg
1460-70
Oil and tempera
on panel; panels in
different museums
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Piero della Francesca
Madonna del parto
Piero della Francesca19.jpg
1467; Detached
fresco; Chapel of
cemetery,Monterchi
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Piero della Francesca
Madonna and Child with Saints Montefeltro Altarpiece
Piero della Francesca20.jpg
1472-74; Oil on pane
Pinacoteca Brera,Milan
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Piero della Francesca
Adoration of the Holy Wood and the Meeting of Solomon and Queen of Sheba
Piero della Francesca21.jpg
c.1452; Fresco,
San Francesco, Arezzo
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Piero della Francesca
Portrait of Sigismondo Malatesta (mk05)
new5/Piero della Francesca-862835.jpg
Wood,17 1/4 x 13 1/2''(44 x 34 cm)Entered the Louvre in 1978
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Piero della Francesca
Senigallia Madonna (mk08)
new6/Piero della Francesca-975438.jpg
c.,1460-1475
Tempera on wood
61x53.5cm
Urbino,Galleria Nazionale
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Piero della Francesca
The Baptism of Christ (mk08)
new6/Piero della Francesca-452354.jpg
C.1440-1450
Tempera on wood
168x116cm
London ,National Gallery
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Piero della Francesca
Double portrait fo Federigo da Montefeltro (mk08)
new6/Piero della Francesca-486975.jpg
c.1470
Tempera on panel,
47x33cm
Florence,Galleria degli Uffizi
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Piero della Francesca
The Discovery of the Wood of the True Cross and The Meeting of Solomon and the Queen of Sheba (mk08)
new6/Piero della Francesca-657264.jpg
1452
Fresco.
360x750cm
Arezzo,San Francesco
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Piero della Francesca
Federigo da Montefeltro and his Wife Battista Sforza (mk45)
new2/Piero della Francesca-887649.jpg
Tempera on two panels
each 47x33cm
Florence
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Piero della Francesca
Resurrection
new4/Piero della Francesca-877436.jpg
mk68
Fresco
Sansepolcro
Civice Museum
1463-1465
ltaly
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Piero della Francesca
Portrait of the Duke and Duchess of Montefeltro
new4/Piero della Francesca-857342.jpg
mk68
Tempera on wood
18 1/2x13
Florence
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Piero della Francesca
St.Simon the apostle
new4/Piero della Francesca-683772.jpg
mk76
Painted between 1454 and 1469.
Tempera on panel
52 3/4x24 1/2in
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Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
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