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Xiamen Oil Paintings, Wholesale Direct!
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Raimundo de Madrazo y Garreta1841-1920
Spanish
Son of Federico de Madrazo y Kentz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with Leon Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jose Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently, his works are also described as representing the Parisian seraglio. American collectors paid high prices for his paintings, for example Alexander Turney Stewart bought Lady with a Parrot; Carnival Festival (1878) was purchased by L. Wolfe; and Girls at the Window (1875) was bought by J. W. Vanderbilt, the last two now being in the Metropolitan Museum of Art, New York. His portraits were better received in Spain although because of collectors such as Ramen de Errazu (d 1909), the Museo del Prado has a good number of his paintings (e.g. After the Bath).
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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Raimundo de Madrazo y Garreta
Women at a Window (nn02)
new8/Raimundo de Madrazo y Garreta-659343.jpg
n.d.oil on canvas,28 5/8 x 25 1/2'' The Metropolitan Museum of Art,New York City.Bequest of Catharine Lorillard Wolfe,1887
Catharine Lorillard Wolfe Collection
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Raimundo de Madrazo y Garreta
Pool in the Alcazar of Seville (nn02)
new8/Raimundo de Madrazo y Garreta-666944.jpg
c 1872 Oil on canvas,23 5/8 x 35 1/2'' Cason del Buen Retiro Museo del Prado,Madrid
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Raimundo de Madrazo y Garreta
The wall of the new workshop
new20/Raimundo de Madrazo y Garreta-483356.jpg
mk253 canvas 168 x 232 cm in 1952 in St. Petersburg, Russia museum
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Raimundo de Madrazo y Garreta
Versailles le jardin du Roi
new24/Raimundo de Madrazo y Garreta-548864.jpg
Date 1914
Medium Oil on canvas
Dimensions 17 x 30 cm
cyf
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Raimundo de Madrazo y Garreta
Elihu Root. Painting oil on canvas
new24/Raimundo de Madrazo y Garreta-633875.jpg
Elihu Root. Painting oil on canvas, 31½" x 25½".
Date 1907(1907)
cjr
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Raimundo de Madrazo y Garreta
MARQUISE D'HERVEY SAINT DENYS
new26/Raimundo de Madrazo y Garreta-734794.jpg
1885(1885)
Medium oil on canvas
Dimensions 129 X 85 cm
cyf
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Raimundo de Madrazo y Garreta
Kostanjevica
new26/Raimundo de Madrazo y Garreta-488733.jpg
circa 1931(1931)
Medium oil on canvas
Dimensions 55.1 X 65.3 cm
cyf
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Raimundo de Madrazo y Garreta
Preparing for the Costume Ball
new26/Raimundo de Madrazo y Garreta-374474.jpg
oil on panel
Dimensions 58.4 x 40.9 cm
cyf
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Raimundo de Madrazo y Garreta
1841-1920
Spanish
Son of Federico de Madrazo y Kentz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with Leon Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jose Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently, his works are also described as representing the Parisian seraglio. American collectors paid high prices for his paintings, for example Alexander Turney Stewart bought Lady with a Parrot; Carnival Festival (1878) was purchased by L. Wolfe; and Girls at the Window (1875) was bought by J. W. Vanderbilt, the last two now being in the Metropolitan Museum of Art, New York. His portraits were better received in Spain although because of collectors such as Ramen de Errazu (d 1909), the Museo del Prado has a good number of his paintings (e.g. After the Bath).
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