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Georges de Feure1868-1928
French designer and painter. Son of a Dutch architect and a Belgian mother, he started out as an actor, costumier and then interior decorator in Paris. In 1894 at the Galerie des Artistes Modernes he exhibited watercolours and paintings of a moderate Symbolist style, typically depicting women in a manner reminiscent of Aubrey Beardsley work. Capturing the essence of the feminine spirit became his trademark. With Eugene Gaillard and Edouard Colonna he was selected by Siegfried Bing, founder of the Galeries de l Art Nouveau, to design rooms for his Pavilion Bing at the Exposition Universelle, Paris (1900). De Feure carpets, glassware and furniture designs for the boudoir and toilette were based on the theme of woman, emphasizing delicate lines and elegant sensuality. He later left Bing gallery and, as an independent designer, created vide-poche furniture, which contained hidden marquetry compartments. This furniture suggested notions of secrecy and coquetry, themes that de Feure pursued throughout his career.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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Georges de Feure
Swan Lake (mk19)
new7/Georges de Feure-974336.jpg
1897
Water-colour,32.1 x 51.5 cm
Private collection
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Georges de Feure
The Voice of Evil (mk19)
new7/Georges de Feure-333428.jpg
1895
Oil on wood,65 x 59 cm
Private collection
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Georges de Feure
Polychrome Leaded Glass Panel
new19/Georges de Feure-554874.jpg
mk229
Glass
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Georges de Feure
The Voice of Evil
new19/Georges de Feure-557792.jpg
mk229
1895
Oil on canvas
65x59cm
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Georges de Feure
The Gate to Dreams ii
new19/Georges de Feure-959434.jpg
mk229
1898
Hand Coloured Etching
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Georges de Feure
1868-1928
French designer and painter. Son of a Dutch architect and a Belgian mother, he started out as an actor, costumier and then interior decorator in Paris. In 1894 at the Galerie des Artistes Modernes he exhibited watercolours and paintings of a moderate Symbolist style, typically depicting women in a manner reminiscent of Aubrey Beardsley work. Capturing the essence of the feminine spirit became his trademark. With Eugene Gaillard and Edouard Colonna he was selected by Siegfried Bing, founder of the Galeries de l Art Nouveau, to design rooms for his Pavilion Bing at the Exposition Universelle, Paris (1900). De Feure carpets, glassware and furniture designs for the boudoir and toilette were based on the theme of woman, emphasizing delicate lines and elegant sensuality. He later left Bing gallery and, as an independent designer, created vide-poche furniture, which contained hidden marquetry compartments. This furniture suggested notions of secrecy and coquetry, themes that de Feure pursued throughout his career.
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