100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Anthony Van Dyck The expulsion of adam and eve from the garden of eden (mk03)
new6/Anthony Van Dyck-899892.jpg 1621
Oil on buff paper,laid down,
7x6 3/4"(178x172mm)
National Gallery of Canada,Ottawa
Anthony Van Dyck The drunken silenus (mk03)
new6/Anthony Van Dyck-528969.jpg 1618-20
Oil on canvas,41 3/4x35 5/8"(107x90.5cm)
Gemaldegalerie Alte Meister,
Staatliche Kunstsammlungen,
Dresden
Anthony Van Dyck Susanna and The Elders (mk03)
new6/Anthony Van Dyck-443823.jpg c.1620-22
Oil on canvas,
76 3/8x56 3/4"(194x144.2cm)
Alte Pinakothek,
Munich
Anthony Van Dyck Portrait of an unknown genoese lady (mk03)
new6/Anthony Van Dyck-959778.jpg 1621-22
Oil on canvas.72x48" (183x122cm)
Ntional Gallery of Art,Washington.D.C.
aNDREW W.Mellon Collection
Anthony Van Dyck Portrait of prince rupert standing (mk03)
new6/Anthony Van Dyck-239395.jpg 1631-32
Oil on canvas,68 7/8x37 5/8(175x95.6cm)
Kunsthistorisches Museum
Vienna
Anthony Van Dyck Portrait of queen henrietta maria with sir jeffrey hudson (mk03)
new6/Anthony Van Dyck-246683.jpg 1633
Oil on canvas,
86 1/4x53 1/8"(219.1x134.8cm)
National Gallery of Art.
Washington.
D.C.
Samuel H,Kress Collection
Anthony Van Dyck Portrait of charles i hunting (mk03)
new6/Anthony Van Dyck-249849.jpg 1635
Oil on canvas,
107 1/8x83 1/2"(272.1x212.1cm)
Musee du Louvre,
Paris.
Anthony Van Dyck Portrait of the earl of denbigh (mk03)
new6/Anthony Van Dyck-357588.jpg 1633-34
Oil on canvas,
97 1/2x58 1/2" (247.5x148.5cm)
The National Gallery
London
Anthony Van Dyck Portrait of the earl and countess of derby and their daughter (mk03)
new6/Anthony Van Dyck-955688.jpg c.1636
Oil on canvas,
97x84 1/8"(246.4x213.7cm)
The Frick Collection
New York
Anthony Van Dyck Hilly landscape with trees (mk03)
new6/Anthony Van Dyck-739438.jpg c.1635-40
Pen and brown ink and gray,blue,and green watercolor washes on white paper,
8 15/16x13"(228x330mm)
Devonshire Collection,
Chatsworth,
Reproduced by permission of the Chatsworth Settlement Trustees
Anthony Van Dyck James Stuart Duke of Lennox and Richmond (mk05)
new6/Anthony Van Dyck-736734.jpg Canvas,42 1/4 x 33''(107 x 84 cm)Entered the collection of Louis XIV before 1683
Anthony Van Dyck Charles I King of England Hunting (mk05)
new6/Anthony Van Dyck-386762.jpg Canvas,104 1/2 x 81 1/2''(266 x 207 cm)Commissioned by the King not later than 1635;paid for in 1638 Acquired by Louis XVI in 1775 Inv 1236
Anthony Van Dyck The Virgin and Child with Donors (mk05)
new6/Anthony Van Dyck-624353.jpg Canvas 98 1/2 x 75 1/4''(250 x 191 cm);22 1/2''(57.5 cm)at the top of the picture are a later additi8on Acquired by Louis XIV in 1685
Anthony Van Dyck Presumed Portrait of the Marchesa Geromina Spinola-Doria of Genoa (mk05)
new6/Anthony Van Dyck-332844.jpg Canvas 94 x 67''(239 x 170 cm)Received in 1949
Anthony Van Dyck Venus Asking Vulcan for Arms for Aeneas (mk05)
new6/Anthony Van Dyck-736492.jpg Canvas,86 1/2 x 57''(220 x 145 cm);20''(51 cm)at the top of the picture are a later addition Entered the collection of Louis XIV between 1684 and 1715 INV
Anthony Van Dyck Portrait of a Member of the Balbi Family (mk08)
new6/Anthony Van Dyck-383686.jpg c.1625
Oil on canvas
132.7x120cm
Cincinnati,Cincinnati Artf Museum
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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