100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Karel Dujardin
1621-1678
Dutch
Karel Dujardin Locations
Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation.
According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678.
Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease.
He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Karel Dujardin A Party of Charlatans in an Italian Landscape (mk05)
new5/Karel Dujardin-922335.jpg 1657
Canvas,17 1/2 x 20 1/2''(45 x 52 cm)Collection of Louis XIV;acquired in 1783 INV
Karel Dujardin The Pasture Horses Cows and Sheep in a Meadow with Trees (mk05)
new5/Karel Dujardin-652789.jpg Canvas,20 1/2 x 18 1/2''(52 x 47 cm)Collection of Louis XIV;acquired in 1784
Karel Dujardin Southern landscape with young shepherd and dog.
new24/Karel Dujardin-546344.jpg 1660-1665 (1641-1678)
Oil on panel
31.2 ?? 37.6 cm (12.3 ?? 14.8 in)
cjr
Karel Dujardin Southern landscape with young shepherd and dog
new24/Karel Dujardin-844467.jpg Date x 1660-1665 (1641-1678)
Medium Oil on panel
Dimensions 31.2 x 37.6 cm (12.3 x 14.8 in)
cyf
Karel Dujardin Italian Landscape with Herdsman and a Piebald Horse
new25/Karel Dujardin-348646.jpg Date c. 1675(1675)
Medium Oil on wood
Dimensions Height: 32 cm (12.6 in). Width: 27 cm (10.6 in).
cjr
Karel Dujardin St Paul Healing the Cripple at Lystra.
new25/Karel Dujardin-339578.jpg 1663(1663)
Medium oil on canvas
Dimensions Height: 179 cm (70.5 in). Width: 139 cm (54.7 in).
cjr
Karel Dujardin Le bocage
new25/Karel Dujardin-585396.jpg between 1655(1655) and 1656(1656)
Medium oil on canvas
Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in).
cjr
Karel Dujardin Portrait of a man, possibly Jacob de Graeff
new25/Karel Dujardin-933544.jpg 1670(1670)
Medium oil on canvas
Dimensions Height: 130.5 cm (51.4 in). Width: 106 cm (41.7 in).
cjr
1621-1678
Dutch
Karel Dujardin Locations
Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation.
According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678.
Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease.
He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London
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