100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Joachim Wtewael Mars and Venus Discovered
new24/Joachim Wtewael-487753.jpg between 1603(1603) and 1604(1604)
Medium Oil on copper
Dimensions Width: 15.5 cm (6.1 in). Height: 20.2 cm (8 in).
cyf
Joachim Wtewael Mars and Venus Surprised by Vulcan.
new24/Joachim Wtewael-499453.jpg Date 1601
Medium Oil on copper
Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in)
cjr
Joachim Wtewael Charity
new25/Joachim Wtewael-598879.jpg Date 1627(1627)
Medium Oil on oak panel
Dimensions Height: 83 cm (32.7 in). Width: 73 cm (28.7 in).
cjr
Joachim Wtewael Mars and Venus Surprised by Vulcan
new25/Joachim Wtewael-664645.jpg 1601
Medium Oil on copper
Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in)
cyf
1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
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