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Vincenzo Catena
The Supper at Emmaus
Vincenzo Catena1.jpg
1520/30
Galleria degli Uffizi, Florence
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Vincenzo Catena
Giangiorgio Trissino (mk05)
new5/Vincenzo Catena-583989.jpg
Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
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Vincenzo Catena
The Supper at Emmaus
new3/Vincenzo Catena-366476.jpg
mk60
Panel
51 3/16"x97 7/8in
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Vincenzo Catena
A Muslim Warrior Adoring the Infant Christ and the Virgin
new16/Vincenzo Catena-264253.jpg
mk170
1520-1525
Oil on canvas
156.3x267.3cm
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Vincenzo Catena
Saint Jerome in His Study
new16/Vincenzo Catena-537455.jpg
mk170
Circa 1510
Oil on canvas
75.9x98.4cm
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Vincenzo Catena
Portrait of a Young Man
new25/Vincenzo Catena-437788.jpg
Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in).
cjr
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Vincenzo Catena
Portrait of the Doge, Andrea Gritti
new25/Vincenzo Catena-448479.jpg
Oil on canvas
Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in).
cjr
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Vincenzo Catena
Portrait of a Young Man
new25/Vincenzo Catena-346983.jpg
between 1505(1505) and 1510(1510)
Medium Oil on wood
cyf
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Vincenzo Catena
Portrait of humanist Gian Giorgio Trissino
new25/Vincenzo Catena-575556.jpg
1510(1510)
Medium Oil on canvas
Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm)
cjr
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Vincenzo Catena
A Warrior adoring the Infant Christ and the Virgin
new25/Vincenzo Catena-434479.jpg
oil on canvas
Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in).
cjr
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Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
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