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William Blake
A William Blake reproduction, photographed in our studio
William Blake1.jpg
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William Blake
The Marriage of Heaven and Hell
William Blake2.jpg
1790-93
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William Blake
The Body of Abel Found by Adam and Eve
William Blake3.jpg
1825
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William Blake
Glad Day
William Blake4.jpg
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William Blake
The Great Red Dragon and the Woman Clothed with the Sun
William Blake5.jpg
1805-1810
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William Blake
God as an Architect
William Blake6.jpg
1794
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William Blake
Job and his Daughters
William Blake7.jpg
1799-1800
National Gallery of Art, Washington DC
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William Blake
THe Great Red Dragon and the Woman Clothed in Sun (mk19)
new7/William Blake-498467.jpg
c 1806-1809
Water-colour,34.3 x 42 cm
Brooklyn Museum,Brooklyn(NY)
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William Blake
The Ancient of Days,frontispiece for Europe,a Prophecy (mk19)
new7/William Blake-632654.jpg
1794
Colour engraving,pen,water-colour
30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake
Happy Day-The Dance of Albion (mk19)
new7/William Blake-822379.jpg
1794-1796
Colour engraving,pen and water-colours for Europe,a Prophecy,30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake
Hecate (mk22)
new7/William Blake-392528.jpg
1795
Color monorype,43 x 57 cm
London,Tate Gallery
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William Blake
The Fall of Man (mk22)
new7/William Blake-968232.jpg
1807
Watercolor 49.6 x 39.3 cm
London,Victoria and Albert Museum
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William Blake
Pity (nn03)
new8/William Blake-677247.jpg
c 1795 Watercolour heightened with ink on paperh42 xw54 cm h16 3/4 x w21 1/4 in Tate Gallery London
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William Blake
The Spiritual Form of Nelson guiding Leviathan (mk47)
new2/William Blake-258486.jpg
AA 1812
Tempera on canvas
762x625mm
Tate,London
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William Blake
Jerusalem Plate 51(mk47)
new2/William Blake-388298.jpg
AA 1812
Relief etching,hand coloured
159x219mm
Lent by the Syndics of the Fitzwilliam Museum Cambridge
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William Blake
Beatrice addressing Dante from her Wagon
new9/William Blake-977244.jpg
mk86
c.1824-1826
Aquarell
36.5x52cm
London,Tate Gallery
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William Blake
Joseflasst Simeon tie up
new12/William Blake-266575.jpg
mk148
around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
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William Blake
The Ancient of Days
new16/William Blake-857936.jpg
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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William Blake
Pity
new16/William Blake-552635.jpg
mk156
Watercolour heightened with ink on paper
42x54cm
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William Blake
The Ancient of Days
new16/William Blake-584486.jpg
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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William Blake
A black living hung collected its ribs
new16/William Blake-452624.jpg
mk169
1792 line engraving to a design 26.7x20.3cm
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William Blake
Death on a Pale Horse
new17/William Blake-488367.jpg
mk178
around 1800 India ink gray Lasur and watercolor on paper 39.3x31.1cm
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William Blake
The Horse, out of William Hayleys Ballads
new17/William Blake-584429.jpg
mk178
around 1805/06
Tempera with black India ink on copper sting
disk 10.6x6.4cm
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William Blake
The Body of Abel Found by Adam and Eve
new18/William Blake-954783.jpg
mk191
about 1825
tempera on the board
32x43cm
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William Blake
The Circle of the Life of Man
new19/William Blake-453733.jpg
mk223
Oil on canvas
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William Blake
No title
new19/William Blake-624699.jpg
mk234
1794
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William Blake
Job and his dottrar
new19/William Blake-252652.jpg
mk234
1799-1800
27x38cm
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William Blake
sir james macdonald and sir alexander macdonald
new20/William Blake-667569.jpg
mk247
1749,oil on canvas,69.5x58 in,176.5x147.5 cm,scottish national portait gallery,edinburgh,uk
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William Blake
Hecate or the Three Fates
new21/William Blake-797258.jpg
1795 Pen and ink with watercolour, 430 580 mm Tate Gallery, London Recently the painting is called The Night of Enitharmon's Joy. The many titles show the many levels of meaning, or the impenetrable mystery of Blake's work. Author: BLAKE, William Title: Hecate or the Three Fates Form: graphics , 1751-1800 , English , mythological
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William Blake
Los Entering the Grave
new21/William Blake-542623.jpg
1804-20 Etching with pen, watercolour and gold, 220 x 160 mm Yale Center for British Art, New Haven This is the frontispiece of the illustrated poem Jerusalem. In the coloured version of the frontispiece to his Jerusalem, Blake placed the thorns of the Passion beneath his own personification, Los, as he steps bravely through a door into a dark, grave-like void. This is not an end but the beginning: Los has embarked on an adventure, one hand raised in greeting and the other holding a blazing sun to illuminate the truths to be revealed in the following pages. Author: BLAKE, William Title: Los Entering the Grave Form: graphics , 1751-1800 , English , mythological
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William Blake
1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
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