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Sir William Beechey
Horatio Viscount Nelson
Sir William Beechey1.jpg
1801
National Portrait Gallery, London
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Sir William Beechey
Sarah Siddons with the Emblems of Tragedy
new16/Sir William Beechey-639234.jpg
mk173
1793
Oil on canvas
245.1x153.7cm
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Sir William Beechey
Princess Augusta
new24/Sir William Beechey-368397.jpg
ca. 1802(1802)
Medium Oil on canvas
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Sir William Beechey
Portrait of John Carr
new24/Sir William Beechey-365584.jpg
1791(1791)
Medium Oil on canvas
Dimensions 127 x 100.5 cm (50 x 39.6 in)
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Sir William Beechey
Portrait of Elizabeth of the United Kingdom
new24/Sir William Beechey-845778.jpg
1797(1797)
Medium Oil on canvas
Dimensions 92.7 x 68.6 cm (36.5 x 27 in)
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Sir William Beechey
Portrait of Mary Constance
new24/Sir William Beechey-946954.jpg
1782-1787
Medium Oil on panel
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Sir William Beechey
Portrait of a Young Girl
new24/Sir William Beechey-855959.jpg
19th century
Medium Oil on canvas
Dimensions 23 1/4 x 20 in. (59 x 51 cm).
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Sir William Beechey
John Wodehouse MP Norfolk
new25/Sir William Beechey-978933.jpg
oil on canvas
91 x 71 cm
1785
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Sir William Beechey
John Wodehouse MP Norfolk
new25/Sir William Beechey-863785.jpg
oil on canvas
91 x 71 cm
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Sir William Beechey
Charles Brudenell Bruce
new26/Sir William Beechey-469334.jpg
oil on canvas
74.5 x 62 cm
19th century
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Sir William Beechey
1753-1839
British
English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.
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