bruno liljefors Oil Painting Reproductions

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bruno liljefors
skrakar
Painting ID:: 65199
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skrakar
olja pa duk, 111x236cm 1901 se

bruno liljefors
simmande lom
Painting ID:: 65200
new22/bruno liljefors-947456.jpg

simmande lom
olja pa duk, 66x100cm se

bruno liljefors
storlommar
Painting ID:: 65201
new22/bruno liljefors-758586.jpg

storlommar
olja pa duk, 90x180cm 1901 se

bruno liljefors
Portrait of Father
Painting ID:: 68430
new23/bruno liljefors-364495.jpg

Portrait of Father
1884(1884) Oil on canvas 55 ?? 66 cm (21.65 ?? 25.98 in)

bruno liljefors
Beagle and Fox
Painting ID:: 68433
new23/bruno liljefors-658333.jpg

Beagle and Fox
1885(1885) Oil on canvas 71 ?? 104 cm (27.95 ?? 40.94 in)

bruno liljefors
Foxes
Painting ID:: 68434
new23/bruno liljefors-599933.jpg

Foxes
1885(1885) Oil on canvas 72 ?? 93 cm (28.35 ?? 36.61 in)

bruno liljefors
Sleeping Jeppe
Painting ID:: 68435
new23/bruno liljefors-683468.jpg

Sleeping Jeppe
1886(1886) Oil on canvas

bruno liljefors Weasel with Chaffinch oil

bruno liljefors
Weasel with Chaffinch
Painting ID:: 68436
new23/bruno liljefors-478535.jpg

Weasel with Chaffinch
1888(1888) Oil on canvas 23.4 ?? 33 cm (9.21 ?? 12.99 in)

bruno liljefors Partridge with Daisies oil

bruno liljefors
Partridge with Daisies
Painting ID:: 68437
new23/bruno liljefors-795456.jpg

Partridge with Daisies
1890(1890) Oil on canvas 33 ?? 43.5 cm (12.99 ?? 17.13 in)

bruno liljefors
Hooded Crows
Painting ID:: 68439
new23/bruno liljefors-999589.jpg

Hooded Crows
1891(1891) Oil on canvas 52 ?? 70 cm (20.47 ?? 27.56 in)

bruno liljefors
Winter Hare
Painting ID:: 68440
new23/bruno liljefors-769483.jpg

Winter Hare
1908(1908) Oil on canvas 70 ?? 100 cm (27.56 ?? 39.37 in)

bruno liljefors
Portrait of Zorn
Painting ID:: 68442
new23/bruno liljefors-568567.jpg

Portrait of Zorn
c 1916 Oil on canvas 65 ?? 55 cm (25.59 ?? 21.65 in)

bruno liljefors
Eiders at Sunrise
Painting ID:: 68443
new23/bruno liljefors-958545.jpg

Eiders at Sunrise
1928(1928) Oil on canvas 58 ?? 83 cm (22.83 ?? 32.68 in)

bruno liljefors
Hooded Crows
Painting ID:: 71745
new23/bruno liljefors-588774.jpg

Hooded Crows
1891(1891) Oil on canvas 52 x 70 cm (20.47 x 27.56 in)

bruno liljefors
Grasander
Painting ID:: 71838
new23/bruno liljefors-643484.jpg

Grasander
Oil on canvas 35.5 x 50.5 cm (13.98 x 19.88 in)

bruno liljefors
Grasander
Painting ID:: 73104
new24/bruno liljefors-375883.jpg

Grasander
Medium Oil on canvas Dimensions 35.5 X 50.5 cm (13.98 X 19.88 in)

bruno liljefors
Foxes
Painting ID:: 80257
new24/bruno liljefors-836558.jpg

Foxes
1885(1885) Oil on canvas 72 x 93 cm (28.3 x 36.6 in) cjr

bruno liljefors Fox in Winter Landscape oil

bruno liljefors
Fox in Winter Landscape
Painting ID:: 80490
new24/bruno liljefors-375656.jpg

Fox in Winter Landscape
Medium Oil on canvas Dimensions 35 x 50 cm (13.8 x 19.7 in) cjr

bruno liljefors
Rav i skogsparti
Painting ID:: 80578
new24/bruno liljefors-557944.jpg

Rav i skogsparti
Medium Oil on canvas Dimensions 35 x 50 cm (13.8 x 19.7 in) cjr

bruno liljefors Vinterhare vid gardesgard oil

bruno liljefors
Vinterhare vid gardesgard
Painting ID:: 80580
new24/bruno liljefors-663577.jpg

Vinterhare vid gardesgard
Medium Oil on canvas Dimensions 35 x 50 cm (13.8 x 19.7 in) cjr

bruno liljefors Ravhona med ungar och byte oil

bruno liljefors
Ravhona med ungar och byte
Painting ID:: 80584
new24/bruno liljefors-367737.jpg

Ravhona med ungar och byte
Date 1913(1913) Medium Oil on canvas Dimensions 70.5 x 100.5 cm (27.8 x 39.6 in) cjr

bruno liljefors Jagare och grasander oil

bruno liljefors
Jagare och grasander
Painting ID:: 81038
new24/bruno liljefors-495475.jpg

Jagare och grasander
Date 1916(1916) Medium Oil on canvas Dimensions 166 x 200 cm (65.4 x 78.7 in) cjr

bruno liljefors Winter Landscape with a Fox oil

bruno liljefors
Winter Landscape with a Fox
Painting ID:: 81073
new24/bruno liljefors-476645.jpg

Winter Landscape with a Fox
Medium Oil on canvas Dimensions 35 x 50 cm (13.8 x 19.7 in) cjr

bruno liljefors
orn jagande hare
Painting ID:: 81433
new24/bruno liljefors-446588.jpg

orn jagande hare
Date 1924(1924) Medium Oil on canvas Dimensions 109.5 x 164.5 cm (43.1 x 64.8 in) cjr

bruno liljefors
Ejdrar pa kobbe
Painting ID:: 81543
new24/bruno liljefors-897454.jpg

Ejdrar pa kobbe
Date 1937(1937) Medium Oil on canvas Dimensions 48 x 68 cm (18.9 x 26.8 in) cjr

bruno liljefors Landscape With Cranes at the Water oil

bruno liljefors
Landscape With Cranes at the Water
Painting ID:: 82559
new24/bruno liljefors-753789.jpg

Landscape With Cranes at the Water
Date 1924(1924) Medium Oil on canvas Dimensions 65 x 100 cm (25.6 x 39.4 in) cjr

bruno liljefors Studie till Ung tjaderskytt oil

bruno liljefors
Studie till Ung tjaderskytt
Painting ID:: 82616
new24/bruno liljefors-646368.jpg

Studie till Ung tjaderskytt
Date 1923-1924 Medium Oil on panel Dimensions 54 x 59 cm (21.3 x 23.2 in) cjr

bruno liljefors
ornungar
Painting ID:: 84390
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ornungar
1907(1907) Medium Oil on canvas Dimensions 57 x 68 cm (22.4 x 26.8 in) cyf

bruno liljefors Trutar vid strandkanten oil

bruno liljefors
Trutar vid strandkanten
Painting ID:: 84391
new25/bruno liljefors-988397.jpg

Trutar vid strandkanten
1909(1909) Medium Oil on canvas Dimensions 60 x 100 cm (23.6 x 39.4 in) cyf

bruno liljefors Svanar vid strandkanten oil

bruno liljefors
Svanar vid strandkanten
Painting ID:: 84420
new25/bruno liljefors-957967.jpg

Svanar vid strandkanten
Oil on canvas Dimensions 50 x 60 cm (19.7 x 23.6 in) cyf

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bruno liljefors

Bruno Andreas Liljefors (1860-1939) was a Swedish artist, the most important and probably the most influential wildlife painter of the late nineteenth and early twentieth century.[1] He also drew some sequential picture stories, making him one of the early Swedish comic creators. Liljefors is held in high esteem by painters of wildlife and is acknowledged as an influence, for example, by American wildlife artist Bob Kuhn.[1] All his life Liljefors was a hunter, and he often painted predator-prey action, the hunts engaged between fox and hare, sea eagle and eider, and goshawk and black grouse serving as prime examples.[1] However, he never exaggerated the ferocity of the predator or the pathos of the prey, and his pictures are devoid of sentimentality. The influence of the Impressionists can be seen in his attention to the effects of environment and light, and later that of Art Nouveau in his Mallards, Evening of 1901, in which the pattern of the low sunlight on the water looks like leopardskin, hence the Swedish nickname Panterfällen.[1] Bruno was fascinated by the patterns to be found in nature, and he often made art out of the camouflage patterns of animals and birds. He particularly loved painting capercaillies against woodland, and his most successful painting of this subject is the largescale Capercaillie Lek, 1888, in which he captures the atmosphere of the forest at dawn. He was also influenced by Japanese art, for example in his Goldfinches of the late 1880s.[1] During the last years of the nineteenth century, a brooding element entered his work, perhaps the result of turmoil in his private life, as he left his wife, Anna, and took up with her younger sister, Signe, and was often short of money.[1] This darker quality in his paintings gradually began to attract interest and he had paintings exhibited at the Paris Salon. He amassed a collection of animals to act as his living models. Ernst Malmberg recalled: The animals seemed to have an instinctive trust and actual attraction to him...There in his animal enclosure, we saw his inevitable power over its many residents??foxes, badgers, hares, squirrels, weasels, an eagle, eagle owl, hawk, capercaillie and black game.[1] The greatness of Liljefors lay in his ability to show animals in their environment.[1] Sometimes he achieved this through hunting and observation of the living animal, and sometimes he used dead animals: for example his Hawk and Black Game, painted in the winter of 1883-4, was based on dead specimens, but he also used his memory of the flocks of black grouse in the meadows around a cottage he once lived in at Ehrentuna, near Uppsala. He wrote: The hawk model??a young one??I killed myself. Everything was painted out of doors as was usually done in those days. It was a great deal of work trying to position the dead hawk and the grouse among the bushes that I bent in such a way as to make it seem lively, although the whole thing was in actuality a still life.[1]



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