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William Hogarth Oil Painting Reproductions
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William Hogarth Heads of Six of Hogarth's Servants oil


William Hogarth
Heads of Six of Hogarth's Servants
Painting ID::  83070
new24/William Hogarth-654645.jpg 		Heads of Six of Hogarth's Servants
1750s Medium Oil on canvas Dimensions 62 x 75 cm (24.4 x 29.5 in) cyf
   
   
     
William Hogarth Portrait of Captain Thomas Coram oil


William Hogarth
Portrait of Captain Thomas Coram
Painting ID::  83423
new24/William Hogarth-854887.jpg 		Portrait of Captain Thomas Coram
Date 1740(1740) Medium Oil on canvas Dimensions 239 x 147.5 cm (94.1 x 58.1 in) cjr
   
   
     
William Hogarth Pug oil


William Hogarth
Pug
Painting ID::  83682
new24/William Hogarth-789373.jpg 		Pug
1745(1745) Medium Oil on canvas Dimensions 90 x 70 cm (35.4 x 27.6 in) (full painting) cyf
   
   
     
William Hogarth Die Dienstboten des Malers oil


William Hogarth
Die Dienstboten des Malers
Painting ID::  88106
new25/William Hogarth-853859.jpg 		Die Dienstboten des Malers
1750-1755 Medium Oil on canvas cjr
   
   
     
William Hogarth A Rake's Progress - Marriage oil


William Hogarth
A Rake's Progress - Marriage
Painting ID::  88219
new25/William Hogarth-899357.jpg 		A Rake's Progress - Marriage
1732-1735 Medium Oil on canvas Dimensions Deutsch: 62,5 x 75 cm cjr
   
   
     
William Hogarth Portrat des Bischofs Benjamin Hoadly oil


William Hogarth
Portrat des Bischofs Benjamin Hoadly
Painting ID::  88960
new25/William Hogarth-379769.jpg 		Portrat des Bischofs Benjamin Hoadly
c. 1743 Medium Oil on canvas Dimensions Deutsch: 125 x 100,5 cm cjr
   
   
     
William Hogarth The Tete a Tete from the Marriage a la Mode series oil


William Hogarth
The Tete a Tete from the Marriage a la Mode series
Painting ID::  89760
new25/William Hogarth-676358.jpg 		The Tete a Tete from the Marriage a la Mode series
1743(1743) Medium oil on canvas Dimensions Height: 70 cm (27.6 in). Width: 91 cm (35.8 in). cjr
   
   
     
William Hogarth Vor dem Tor von Calais oil


William Hogarth
Vor dem Tor von Calais
Painting ID::  90089
new25/William Hogarth-344956.jpg 		Vor dem Tor von Calais
1748(1748) Medium oil on canvas cjr
   
   
     
William Hogarth Die schlafende Gemeinde oil


William Hogarth
Die schlafende Gemeinde
Painting ID::  90741
new25/William Hogarth-675477.jpg 		Die schlafende Gemeinde
1728-1729 Medium oil on canvas Dimensions 53,5 x 44,5 cm cjr
   
   
     
William Hogarth Portrat des Lord George Graham in seiner Kajute oil


William Hogarth
Portrat des Lord George Graham in seiner Kajute
Painting ID::  90773
new25/William Hogarth-537443.jpg 		Portrat des Lord George Graham in seiner Kajute
c. 1745 Medium oil on canvas Dimensions Deutsch: 71 x 88,9 cm cjr
   
   
     
William Hogarth Mariage a la Mode oil


William Hogarth
Mariage a la Mode
Painting ID::  90850
new25/William Hogarth-637659.jpg 		Mariage a la Mode
Oleo sobre lona Dimensions Deutsch: 68,5 x 89 cm cyf
   
   
     
William Hogarth David Garrick with His Wife oil


William Hogarth
David Garrick with His Wife
Painting ID::  90942
new25/William Hogarth-788578.jpg 		David Garrick with His Wife
1757(1757) Medium oil on canvas Dimensions 132.7 x 104 cm (52.2 x 40.9 in) cyf
   
   
     
William Hogarth Der Lebensweg eines Wustlings oil


William Hogarth
Der Lebensweg eines Wustlings
Painting ID::  91209
new25/William Hogarth-933353.jpg 		Der Lebensweg eines Wustlings
1732-1735 Medium oil on canvas Dimensions Deutsch: 62,5 x 75 cm cjr
   
   
     
William Hogarth The murder of the count oil


William Hogarth
The murder of the count
Painting ID::  91338
new25/William Hogarth-663733.jpg 		The murder of the count
Oleo sobre lona Dimensions Deutsch: 68,5 x 89 cm cyf
   
   
     
William Hogarth Theaterauffuhrung der Kinder im Hause des John Conduit oil


William Hogarth
Theaterauffuhrung der Kinder im Hause des John Conduit
Painting ID::  92715
new25/William Hogarth-956883.jpg 		Theaterauffuhrung der Kinder im Hause des John Conduit
1731-1732 Medium oil on canvas Dimensions Deutsch: 131 X 146,5 cm cjr
   
   
     
William Hogarth The Assembly at Wanstead House. Earl Tylney and family in foreground oil


William Hogarth
The Assembly at Wanstead House. Earl Tylney and family in foreground
Painting ID::  94396
new26/William Hogarth-934488.jpg 		The Assembly at Wanstead House. Earl Tylney and family in foreground
Oil on canvas 25 1/2 x 30 inches (64.8 x 76.2 cm) cjr
   
   
     
William Hogarth The Ladys Death oil


William Hogarth
The Ladys Death
Painting ID::  94900
new26/William Hogarth-343867.jpg 		The Ladys Death
1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
   
   
     
William Hogarth The Bagnio oil


William Hogarth
The Bagnio
Painting ID::  94901
new26/William Hogarth-663689.jpg 		The Bagnio
1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
   
   
     
William Hogarth The Inspection oil


William Hogarth
The Inspection
Painting ID::  94902
new26/William Hogarth-357536.jpg 		The Inspection
1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
   
   
     
William Hogarth Der Triumphzug des Abgeordneten oil


William Hogarth
Der Triumphzug des Abgeordneten
Painting ID::  95040
new26/William Hogarth-534565.jpg 		Der Triumphzug des Abgeordneten
1754-1755 Medium oil on canvas cyf
   
   
     
William Hogarth Sunshine oil


William Hogarth
Sunshine
Painting ID::  97427
new26/William Hogarth-374663.jpg 		Sunshine
Oil on board, 30.2 x 22.5 cm Date 1851(1851) cyf
   
   
     
William Hogarth Wahlzyklus oil


William Hogarth
Wahlzyklus
Painting ID::  97623
new26/William Hogarth-494443.jpg 		Wahlzyklus
1754-1755 Medium oil on canvas cyf
   
   
     
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     William Hogarth
     British 1697-1764 William Hogarth Galleries Early satirical works included an Emblematical Print on the South Sea Scheme (c.1721), about the disastrous stock market crash of 1720 known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride" and this shows the stupidity of people in following the crowd in buying stock in The South Sea Company, which spent more time issuing stock than anything else. The people are scattered around the picture with a real sense of disorder, which represented the confusion. The progress of the well dressed people towards the ride in the middle shows how foolish some people could be, which is not entirely their own fault. Other early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormogons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print, Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's prot??g??, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726 Hogarth prepared twelve large engravings for Samuel Butler's Hudibras. These he himself valued highly, and are among his best book illustrations. In the following years he turned his attention to the production of small "conversation pieces" (i.e., groups in oil of full-length portraits from 12 to 15 in. high). Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his masterpieces of this period is the depiction of an amateur performance of John Dryden's The Indian Emperor, or The Conquest of Mexico (1732?C1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square. Hogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He may also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed (some modern authorities, however, no longer attribute this to Hogarth).

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