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William Hogarth Oil Painting Reproductions
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William Hogarth Marriage a la Mode ii The Tete a Tete oil


William Hogarth
Marriage a la Mode ii The Tete a Tete
Painting ID::  43291
new16/William Hogarth-994993.jpg 		Marriage a la Mode ii The Tete a Tete
mk170 circa 1743 Oil on canvas 69.9x90.8cm
   
   
     
William Hogarth Marriage a la mode VI The Lady-s Death oil


William Hogarth
Marriage a la mode VI The Lady-s Death
Painting ID::  43292
new16/William Hogarth-985758.jpg 		Marriage a la mode VI The Lady-s Death
mk170 circa 1743 Oil on canvas 69.9x90.8cm
   
   
     
William Hogarth The Rake-s Progress the orgy oil


William Hogarth
The Rake-s Progress the orgy
Painting ID::  45464
new17/William Hogarth-456226.jpg 		The Rake-s Progress the orgy
mk186 around 1733 London, Sir John Soane's it museum
   
   
     
William Hogarth shortly after the wedding oil


William Hogarth
shortly after the wedding
Painting ID::  45472
new17/William Hogarth-525562.jpg 		shortly after the wedding
mk186 1744 London nationally Gallery
   
   
     
William Hogarth At the city gate of Calais oil


William Hogarth
At the city gate of Calais
Painting ID::  45516
new17/William Hogarth-937695.jpg 		At the city gate of Calais
mk186 1748/49 London deed Gallery
   
   
     
William Hogarth Museum nationally maritime Portrat the lord George Graham in its Kajute oil


William Hogarth
Museum nationally maritime Portrat the lord George Graham in its Kajute
Painting ID::  45690
new17/William Hogarth-436624.jpg 		Museum nationally maritime Portrat the lord George Graham in its Kajute
mk186 around 1745 Greenwiches
   
   
     
William Hogarth The morning reception oil


William Hogarth
The morning reception
Painting ID::  45712
new17/William Hogarth-684333.jpg 		The morning reception
mk186 around 1733 London, Sir John Soane's it museum
   
   
     
William Hogarth The Family of George oil


William Hogarth
The Family of George
Painting ID::  48446
new17/William Hogarth-893949.jpg 		The Family of George
mk190 c.1730-33
   
   
     
William Hogarth Dialogue oil


William Hogarth
Dialogue
Painting ID::  50480
new18/William Hogarth-756568.jpg 		Dialogue
m k212 abut 1730-35 47.6x58.4cm
   
   
     
William Hogarth Times of Day oil


William Hogarth
Times of Day
Painting ID::  50845
new18/William Hogarth-449569.jpg 		Times of Day
mk216
   
   
     
William Hogarth The Graham Childen oil


William Hogarth
The Graham Childen
Painting ID::  50889
new18/William Hogarth-676892.jpg 		The Graham Childen
mk216 Hogarth is often remembered only as a painter of social and political satire and as a vigorous campaigner against social ills
   
   
     
William Hogarth The Graham Children oil


William Hogarth
The Graham Children
Painting ID::  52745
new19/William Hogarth-337242.jpg 		The Graham Children
mk223 oil on canvas
   
   
     
William Hogarth Famijen Graham children oil


William Hogarth
Famijen Graham children
Painting ID::  53844
new19/William Hogarth-558967.jpg 		Famijen Graham children
mk234 1742 163x183cm
   
   
     
William Hogarth Scene from Tiggaroperan oil


William Hogarth
Scene from Tiggaroperan
Painting ID::  53845
new19/William Hogarth-488932.jpg 		Scene from Tiggaroperan
mk234 1728/29 51x61cm
   
   
     
William Hogarth christ at the pool of bethesda oil


William Hogarth
christ at the pool of bethesda
Painting ID::  56113
new20/William Hogarth-843452.jpg 		christ at the pool of bethesda
mk247 1736 ,oil on canvas,236x118 in,600x300 cm,st.bartholomew s hospital,london,uk
   
   
     
William Hogarth shortly after the marriage oil


William Hogarth
shortly after the marriage
Painting ID::  56117
new20/William Hogarth-368782.jpg 		shortly after the marriage
mk247 1743,oil on canvas,27.5x35.75 in,70x91 cm,national gallery,london,uk
   
   
     
William Hogarth the shrimp girl oil


William Hogarth
the shrimp girl
Painting ID::  56603
new20/William Hogarth-888434.jpg 		the shrimp girl
mk248 detta livfulla portratt gjordes inte pa bestallning hogartb beboll deboll det sjalu, det baserades pa ett populart tema, cries of london. en serie tryck med portratt av olika gatuforsaljare. detta ar en snabbt utford skiss i olja, en ovanlig form av portrattmaleri, ,men det ger precis den rstta ogonblicksbilden av ett ansikte sett i forbigaenfe, hogartbs anka visade bilden for besokare med kommentaren. de pastod att ben inte kunde mala bull. vad er detta. om inte blodfullt bull.
   
   
     
William Hogarth chairing the member oil


William Hogarth
chairing the member
Painting ID::  56604
new20/William Hogarth-289623.jpg 		chairing the member
mk248 an election blev hogartbs sista moderna moraliserande svit. den bestar av fyra scener ocb detta ar den sista. da allt urartar iett upplopp. ofta anspelar hogartb pa alder bistoriska malningar i sina egna bilder. den bar gangen ar cbarles le brus alexander den stores srger over dareios. i stallet for den imperialistiska ornen som symboliserar seger later hogartb en fet gas svava over den nye parlamentledamotens buvud, darmed antyds att bans bidrag till debatten inte an gasens kvackande.
   
   
     
William Hogarth fashionable marriage - breakfast scene oil


William Hogarth
fashionable marriage - breakfast scene
Painting ID::  56907
new20/William Hogarth-977373.jpg 		fashionable marriage - breakfast scene
mk250 Year in 1745. Oil painting on cloth, about 69.9 x 90.87 cm. National Gallery in London.
   
   
     
William Hogarth Marriage oil


William Hogarth
Marriage
Painting ID::  59384
new21/William Hogarth-273638.jpg 		Marriage
Marriage ??-la-mode, Shortly After the Marriage (scene two of six).
   
   
     
William Hogarth Hogarth portrait of Captain Thomas Coram oil


William Hogarth
Hogarth portrait of Captain Thomas Coram
Painting ID::  59385
new21/William Hogarth-374287.jpg 		Hogarth portrait of Captain Thomas Coram
Hogarth's portrait of Captain Thomas Coram, 1740
   
   
     
William Hogarth March of the Guards to Finchley oil


William Hogarth
March of the Guards to Finchley
Painting ID::  59386
new21/William Hogarth-383453.jpg 		March of the Guards to Finchley
March of the Guards to Finchley (1750), a satirical depiction of troops mustered to defend London from the 1745 Jacobite rebellion.
   
   
     
William Hogarth The Beggar Opera VI oil


William Hogarth
The Beggar Opera VI
Painting ID::  59387
new21/William Hogarth-759266.jpg 		The Beggar Opera VI
The Beggar's Opera VI, 1731, Tate Britain's version (22.5 x 30 ins.)
   
   
     
William Hogarth The Gate of Calais oil


William Hogarth
The Gate of Calais
Painting ID::  59388
new21/William Hogarth-686689.jpg 		The Gate of Calais
The Gate of Calais (also known as, O the Roast Beef of Old England), 1749
   
   
     
William Hogarth Hogarth Painting the Comic Muse oil


William Hogarth
Hogarth Painting the Comic Muse
Painting ID::  59389
new21/William Hogarth-477667.jpg 		Hogarth Painting the Comic Muse
Hogarth Painting the Comic Muse. A self-portrait depicting Hogarth painting Thalia, the muse of comedy and pastoral poetry, 1757?C1758
   
   
     
William Hogarth Hogarth Servants oil


William Hogarth
Hogarth Servants
Painting ID::  59390
new21/William Hogarth-555459.jpg 		Hogarth Servants
Hogarth's Servants, mid-1750s.
   
   
     
William Hogarth An Election Entertainment featuring oil


William Hogarth
An Election Entertainment featuring
Painting ID::  59391
new21/William Hogarth-772254.jpg 		An Election Entertainment featuring
An Election Entertainment featuring the anti-Gregorian calendar banner "Give us our Eleven Days", 1755.
   
   
     
William Hogarth The artist and his dog oil


William Hogarth
The artist and his dog
Painting ID::  62117
new21/William Hogarth-425227.jpg 		The artist and his dog
mk279 Oil on canvas 90 x 69.9cm 1745 years
   
   
     
William Hogarth Great leader portrait oil


William Hogarth
Great leader portrait
Painting ID::  62118
new21/William Hogarth-358825.jpg 		Great leader portrait
mk279 Oil on canvas 127 x 101.5cm 1744-1747 year
   
   
     
William Hogarth Wen was the Bishop of Sterling oil


William Hogarth
Wen was the Bishop of Sterling
Painting ID::  62119
new21/William Hogarth-638363.jpg 		Wen was the Bishop of Sterling
mk279 Oil on canvas 127.3 x 101.5cm 1741 years
   
   
     
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     William Hogarth
     British 1697-1764 William Hogarth Galleries Early satirical works included an Emblematical Print on the South Sea Scheme (c.1721), about the disastrous stock market crash of 1720 known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride" and this shows the stupidity of people in following the crowd in buying stock in The South Sea Company, which spent more time issuing stock than anything else. The people are scattered around the picture with a real sense of disorder, which represented the confusion. The progress of the well dressed people towards the ride in the middle shows how foolish some people could be, which is not entirely their own fault. Other early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormogons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print, Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's prot??g??, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726 Hogarth prepared twelve large engravings for Samuel Butler's Hudibras. These he himself valued highly, and are among his best book illustrations. In the following years he turned his attention to the production of small "conversation pieces" (i.e., groups in oil of full-length portraits from 12 to 15 in. high). Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his masterpieces of this period is the depiction of an amateur performance of John Dryden's The Indian Emperor, or The Conquest of Mexico (1732?C1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square. Hogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He may also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed (some modern authorities, however, no longer attribute this to Hogarth).

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