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William Dobson Oil Painting Reproductions

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William Dobson The Artist, Sir Charles Cotterell and Balthasar Gerbier oil


William Dobson
The Artist, Sir Charles Cotterell and Balthasar Gerbier
Painting ID::  975
William Dobson1.jpg
The Artist, Sir Charles Cotterell and Balthasar Gerbier
1645 Albury Park, Guildford, England
   
   
     

William Dobson Endymion Porter oil


William Dobson
Endymion Porter
Painting ID::  976
William Dobson2.jpg
Endymion Porter
c1640/43 Tate Gallery, London
   
   
     

William Dobson Charles II as a boy commander oil


William Dobson
Charles II as a boy commander
Painting ID::  50842
new18/William Dobson-425537.jpg
Charles II as a boy commander
mk216
   
   
     

William Dobson The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier by William Dobson oil


William Dobson
The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier by William Dobson
Painting ID::  58681
new20/William Dobson-455443.jpg
The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier by William Dobson
The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier by William Dobson, circa 1645.
   
   
     

William Dobson Charles II when Prince of Wales oil


William Dobson
Charles II when Prince of Wales
Painting ID::  58682
new20/William Dobson-669899.jpg
Charles II when Prince of Wales
Charles II when Prince of Wales, circa 1642 or 1643.
   
   
     

William Dobson Portrat eines Marineoffiziers oil


William Dobson
Portrat eines Marineoffiziers
Painting ID::  68066
new23/William Dobson-689347.jpg
Portrat eines Marineoffiziers
Technique Deutsch: Öl auf Leinwand Current location Deutsch: National Maritime Museum
   
   
     

William Dobson Endymion Porter Around 1642-5 oil


William Dobson
Endymion Porter Around 1642-5
Painting ID::  76016
new24/William Dobson-677444.jpg
Endymion Porter Around 1642-5
ca. 1642(1642) Oil on canvas 127 cm (50 in). Height: 1,499 cm (590.2 in). cjr
   
   
     

William Dobson Portrait of Endymion Porter oil


William Dobson
Portrait of Endymion Porter
Painting ID::  76716
new24/William Dobson-346376.jpg
Portrait of Endymion Porter
ca. 1642(1642) Oil on canvas 127 cm (50 in). Height: 150 cm (59.1 in). cjr
   
   
     

William Dobson Portrait of Endymion Porter oil


William Dobson
Portrait of Endymion Porter
Painting ID::  79199
new24/William Dobson-788357.jpg
Portrait of Endymion Porter
ca. 1642(1642) Medium Oil on canvas Dimensions Width: 127 cm (50 in). Height: 150 cm (59.1 in). cyf
   
   
     

William Dobson Portrat eines Marineoffiziers oil


William Dobson
Portrat eines Marineoffiziers
Painting ID::  92572
new25/William Dobson-665959.jpg
Portrat eines Marineoffiziers
oil on canvas TTD
   
   
     

William Dobson Allegorical portrait of Charles II of England when Prince of Wales with a page on the right and the head of Medusa bottom left oil


William Dobson
Allegorical portrait of Charles II of England when Prince of Wales with a page on the right and the head of Medusa bottom left
Painting ID::  94337
new26/William Dobson-983456.jpg
Allegorical portrait of Charles II of England when Prince of Wales with a page on the right and the head of Medusa bottom left
circa 1642 or 1643 Medium Oil on canvas Dimensions 153.6 x 129.8 cm (60.5 x 51.1 in) cjr
   
   
     

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     William Dobson
     1610-1646 English William Dobson Locations William Dobson (March 4, 1610 ?C October 28, 1646) was a portraitist and one of the first notable English painters, praised by his contemporary John Aubrey as the most excellent painter that England has yet bred. Dobson was born in London the son of a decorative artist, and was apprenticed to William Peake and probably later joined the studio of Francis Cleyn. He is believed to have had access to the Royal Collection and to have copied works by Titian and Anthony Van Dyck, King Charles I chief painter. The colour and texture of Dobson work was influenced by Venetian art, but Van Dyck style has little apparent influence on Dobson. Van Dyck himself discovered Dobson when he noticed one of the young artists pictures in a London shop window. He introduced Dobson to the King, who had Dobson paint himself, his sons and members of the court. When Van Dyck died in 1641, Dobson probably succeeded him as sergeant-painter to the King, though proof is lacking. During the English Civil War Dobson was based at the Royalist centre of Oxford and painted many leading Cavaliers. His portrait of the future Charles II as Prince of Wales at the age of around twelve is a notable baroque composition, and perhaps his finest work. He also painted the Duke of York, Prince Rupert of the Rhine and Prince Maurice. Charles II when Prince of Wales, circa 1642 or 1643.Around sixty of Dobson works survive, mostly half-length portraits most of them dated from 1642 or later. The thick impasto of his early work gave way to a mere skim of paint, perhaps reflecting a wartime scarcity of materials. After Oxford fell to the Parliamentarians, in June 1646, Dobson returned to London. Now without patronage, he was briefly imprisoned for debt and died in poverty at the age of thirty-six. Dobson is regarded as a talented painter with a fine sense for colour and good powers of observation. However, an entirely English training such as Dobson could not be first rate in the early 17th century and he had technical weaknesses[citation needed]. There are examples of Dobson work at Tate Britain and the National Portrait Gallery in London and at several English country houses. The most comprehensive study of Dobson and his work is William Dobson, 1611?C1646 an exhibition catalogue written by M. Rogers for a 1983 exhibition at the National Portrait Gallery.

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