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William Bell Scott Oil Painting Reproductions
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William Bell Scott Landscape with a Gate and Watermeadow (mk46) oil


William Bell Scott
Landscape with a Gate and Watermeadow (mk46)
Painting ID::  26000
new2/William Bell Scott-283656.jpg 		Landscape with a Gate and Watermeadow (mk46)
1865 Watercolour and bodycolour 25x35.2cm Maidstone Museum and Art Gallery
   
   
     
William Bell Scott The Romans Cause a Wall to be Built for the Protection of the South oil


William Bell Scott
The Romans Cause a Wall to be Built for the Protection of the South
Painting ID::  28178
new3/William Bell Scott-255395.jpg 		The Romans Cause a Wall to be Built for the Protection of the South
1857 Oil on canvas 182 x 182 cm (17 x 5/8 x 71 5/8 in) Wallington House Northumberland (mk63)
   
   
     
William Bell Scott Iron and Coal oil


William Bell Scott
Iron and Coal
Painting ID::  28179
new3/William Bell Scott-252358.jpg 		Iron and Coal
1861 Oil on canvas 186.6 x 187.9 cm (73 3/4 x 74 in) Wallington House, Northoumberland (mk63)
   
   
     
William Bell Scott Iron and Coal oil


William Bell Scott
Iron and Coal
Painting ID::  53406
new19/William Bell Scott-799649.jpg 		Iron and Coal
mk231 1855-60 Oil on canvas 74x74in
   
   
     
William Bell Scott Ariel and Caliban by William Bell Scott oil


William Bell Scott
Ariel and Caliban by William Bell Scott
Painting ID::  82536
new24/William Bell Scott-497685.jpg 		Ariel and Caliban by William Bell Scott
Date 1865(1865) Medium Oil on canvas Dimensions 61 x 77.5 cm (24 x 30.5 in) cjr
   
   
     
William Bell Scott Ariel and Caliban oil


William Bell Scott
Ariel and Caliban
Painting ID::  86002
new25/William Bell Scott-946796.jpg 		Ariel and Caliban
1865(1865) Medium Oil on canvas Dimensions 61 x 77.5 cm (24 x 30.5 in) cyf
   
   
     
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     William Bell Scott
     1811-1890 Brother of David Scott. He trained at the Trustees' Academy in Edinburgh and was taught engraving by his father. He saw the family print workshop as 'the lineal descendant of Albert Derer's factory in Nernberg'; he was later to own a fine collection of D?rer's prints and write a book about him (1870). In 1837 he went to London, where he was impressed by 'a new and interesting school of historical and loosely speaking, inventive and illustrative painters'. This encouraged him to leave landscape painting for the time being and become a history painter. Like his brother, he entered a cartoon for the Westminster Hall competition in 1842: the Free North Britons Surprising the Roman Wall between the Tyne and Solway; this too was unsuccessful. In 1843, discouraged by lack of patronage in London, he accepted the Mastership of the Government School of Design at Newcastle upon Tyne, where he stayed for 20 years, visiting London each summer.

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