Walter Sickert St Mark's Cathedral, Venice Painting ID:: 3831 Walter Sickert1.jpg
St Mark's Cathedral, Venice c1896 25" x 19"
Private Collection
Walter Sickert The Old Bedford Painting ID:: 3833 Walter Sickert3.jpg
The Old Bedford 1897
30" x 23.75"
The Walker Art Gallery, Liverpool
Walter Sickert The Quai Duquesne and the Rue Notre Dame, Dieppe Painting ID:: 3834 Walter Sickert4.jpg
The Quai Duquesne and the Rue Notre Dame, Dieppe 1900
22" x 18.25"
Private Collection
Walter Sickert The Statue of Duquesne, Dieppe Painting ID:: 3835 Walter Sickert5.jpg
The Statue of Duquesne, Dieppe 1902
51.5" x 39.75"
The City Art Gallery, Manchester
Walter Sickert La Giuseppina Painting ID:: 3836 Walter Sickert6.jpg
La Giuseppina 1903-04 19" x 14.5"
Private Collection
Walter Sickert La Hollandaise Painting ID:: 3837 Walter Sickert7.jpg
La Hollandaise 1905 20" x 16"
Private Collection
Walter Sickert The Juvenile Lead Painting ID:: 3838 Walter Sickert8.jpg
The Juvenile Lead 1908
20" x 18"
The Southampton Art Gallery, UK
Walter Sickert Jack Ashore Painting ID:: 3839 Walter Sickert9.jpg
Jack Ashore 1911
13" x 16"
Private Collection
Walter Sickert The New Home Painting ID:: 3840 Walter Sickert10.jpg
The New Home c1912
20" x 16"
Private Collection
Walter Sickert Ennui Painting ID:: 3841 Walter Sickert11.jpg
Ennui c1913
Tate Gallery, London
Walter Sickert The New Bedford Painting ID:: 3842 Walter Sickert12.jpg
The New Bedford 1915 30" x 15"
The Tate Gallery, London
Walter Sickert Cicely Hey Painting ID:: 3843 Walter Sickert13.jpg
Cicely Hey 1922-23
25.25" x 30.25"
The British Council
Walter Sickert Victor Lecour Painting ID:: 3844 Walter Sickert14.jpg
Victor Lecour 1922-24
32" x 23.75"
The City Art Gallery, Manchester
Walter Sickert Lazurus Breaks His Fast Painting ID:: 3845 Walter Sickert15.jpg
Lazurus Breaks His Fast 1927
30" x 25"
Private Collection
Walter Sickert King George V and Queen Mary Painting ID:: 3846 Walter Sickert16.jpg
King George V and Queen Mary c1935
24.5" x 29.75"
Private Collection
Walter Sickert Bathers-Dieppe (nn02) Painting ID:: 23068 new7/Walter Sickert-788257.jpg
Bathers-Dieppe (nn02) c.1902
Oil on canvas
51 3/4x41 1/8"
Walter Sickert Gatti's Hungerford Palace of Varieties Second Turn of Katie Lawrence (nn02) Painting ID:: 23070 new7/Walter Sickert-239735.jpg
Gatti's Hungerford Palace of Varieties Second Turn of Katie Lawrence (nn02) c.1887-1888
Oil on canvas mounted on hardboard
33 1/4x39 1/8"
Walter Sickert Self-Portrait Painting ID:: 27105 new2/Walter Sickert-424848.jpg
Self-Portrait mk52
1907
Watercolour and pastel on paper
75.3x60cm
Walter Sickert George Moore Painting ID:: 28193 new3/Walter Sickert-476938.jpg
George Moore 1891
Oil on canvas 60.3 x 50.2 cm
(23 3/4 x 19 3/4 in)
Tate Gallery London (mk63)
Walter Sickert Aubrey Beardsley Painting ID:: 28194 new3/Walter Sickert-228594.jpg
Aubrey Beardsley 1894
Oil on canvas 76.1 x 31 cm
(30 x 12 1/4 in)
Tate Gallery London (mk63)
Walter Sickert Gatti's Hungerford Palace of Varieties:Second Turn of Katie Lawrence Painting ID:: 28468 new3/Walter Sickert-727569.jpg
Gatti's Hungerford Palace of Varieties:Second Turn of Katie Lawrence c 1887-8
Oil on canvas mounted on board 84.4 x 99.3 cm (33 1/4 x 39 1/8 in)
Art Gallery of New South Wales Sydney (mk63)
Walter Sickert La Hollandais Painting ID:: 53938 new19/Walter Sickert-694585.jpg
La Hollandais mk234
1906
50x40cm
Walter Sickert Walter Sickert, The Camden Town Murder, originally titled, Painting ID:: 60790 new21/Walter Sickert-338634.jpg
Walter Sickert, The Camden Town Murder, originally titled, Walter Sickert, The Camden Town Murder, originally titled, What Shall We Do for the Rent?,[5], alternatively, What Shall We Do to Pay the Rent,[6] 1908 (detail)
Walter Sickert Henry Tonks. Painting ID:: 60791 new21/Walter Sickert-845489.jpg
Henry Tonks. Henry Tonks. Sodales: Mr Steer and Mr Sickert, 1930.
German
1860-1942
Walter Sickert Gallery
Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects
He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art.
By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived