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WERTINGER, Hans Oil Painting Reproductions
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WERTINGER, Hans Princess Maria Jacobaa oil


WERTINGER, Hans
Princess Maria Jacobaa
Painting ID::  7208
new3/WERTINGER, Hans1.jpg 		Princess Maria Jacobaa
Wood, 69 x 45 cm Alte Pinakothek, Munich
   
   
     
WERTINGER, Hans A Village Celebration oil


WERTINGER, Hans
A Village Celebration
Painting ID::  28488
new3/WERTINGER, Hans-258999.jpg 		A Village Celebration
mk60 Oil on panel 9x16"
   
   
     
WERTINGER, Hans Rural Fete oil


WERTINGER, Hans
Rural Fete
Painting ID::  34268
new10/WERTINGER, Hans-757323.jpg 		Rural Fete
mk91 Oil on panel 22.5x40
   
   
     
WERTINGER, Hans Boar Hunt oil


WERTINGER, Hans
Boar Hunt
Painting ID::  73795
new24/WERTINGER, Hans-383789.jpg 		Boar Hunt
Date between 1525(1525) and 1530(1530) Medium Oil on cradled panel Dimensions 21 X 38.7 cm (8.27 X 15.24 in) cyf
   
   
     
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     WERTINGER, Hans
     German painter (b. 1465, Landshut, d. 1533, Landshut) German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture,

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