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VROOM, Hendrick Cornelisz. Oil Painting Reproductions
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VROOM, Hendrick Cornelisz. The Arrival at Vlissingen of the Elector Palatinate Frederick V wr oil


VROOM, Hendrick Cornelisz.
The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
Painting ID::  9701
VROOM, Hendrick Cornelisz.1.jpg 		The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
c. 1632 Oil on canvas, 203 x 409 cm Frans Halsmuseum, Haarlem
   
   
     
VROOM, Hendrick Cornelisz. The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar oil


VROOM, Hendrick Cornelisz.
The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
Painting ID::  9702
VROOM, Hendrick Cornelisz.2.jpg 		The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
c. 1632 Oil on canvas Frans Halsmuseum, Haarlem
   
   
     
VROOM, Hendrick Cornelisz. Arrival of a Dutch Three-master at Schloss Kronberg srt oil


VROOM, Hendrick Cornelisz.
Arrival of a Dutch Three-master at Schloss Kronberg srt
Painting ID::  9703
VROOM, Hendrick Cornelisz.3.jpg 		Arrival of a Dutch Three-master at Schloss Kronberg srt
1614 Oil on canvas, 101,5 x 180,5 cm Staatliche Museen, Berlin
   
   
     
VROOM, Hendrick Cornelisz. Battle of Gibraltar qe oil


VROOM, Hendrick Cornelisz.
Battle of Gibraltar qe
Painting ID::  9704
VROOM, Hendrick Cornelisz.4.jpg 		Battle of Gibraltar qe
Oil on canvas Rijksmuseum, Amsterdam
   
   
     
VROOM, Hendrick Cornelisz. The Harbour in Amsterdam we oil


VROOM, Hendrick Cornelisz.
The Harbour in Amsterdam we
Painting ID::  9705
VROOM, Hendrick Cornelisz.5.jpg 		The Harbour in Amsterdam we
1630 Oil on canvas, 97 x 201 cm Staatsgalerie, Schleissheim
   
   
     
VROOM, Hendrick Cornelisz. Highway Robbery oil


VROOM, Hendrick Cornelisz.
Highway Robbery
Painting ID::  73163
new24/VROOM, Hendrick Cornelisz.-897464.jpg 		Highway Robbery
31.6 X 46.4 cm, Detroit Institute of Arts, USA. Date ca. 1625(1625) Source Unknown cyf
   
   
     
VROOM, Hendrick Cornelisz. Hollandse schepen in de Sont oil


VROOM, Hendrick Cornelisz.
Hollandse schepen in de Sont
Painting ID::  77440
new24/VROOM, Hendrick Cornelisz.-935573.jpg 		Hollandse schepen in de Sont
Date 1614 Medium Oil on canvas Dimensions 101.5 ?? 180.5 cm (40 ?? 71.1 in) cyf
   
   
     
VROOM, Hendrick Cornelisz. A Dutch Ship and a Kaag in a Fresh Breeze oil


VROOM, Hendrick Cornelisz.
A Dutch Ship and a Kaag in a Fresh Breeze
Painting ID::  80446
new24/VROOM, Hendrick Cornelisz.-465794.jpg 		A Dutch Ship and a Kaag in a Fresh Breeze
Oil on copper Dimensions 18.4 x 24.4 cm (7.2 x 9.6 in) cyf
   
   
     
VROOM, Hendrick Cornelisz. Arrival at Vlissingen of the Elector Palatinate Frederick V oil


VROOM, Hendrick Cornelisz.
Arrival at Vlissingen of the Elector Palatinate Frederick V
Painting ID::  80986
new24/VROOM, Hendrick Cornelisz.-737875.jpg 		Arrival at Vlissingen of the Elector Palatinate Frederick V
1632(1632) Medium Oil on canvas Dimensions 203 x 409 cm (79.9 x 161 in) cyf
   
   
     
VROOM, Hendrick Cornelisz. Ship battle oil


VROOM, Hendrick Cornelisz.
Ship battle
Painting ID::  84120
new24/VROOM, Hendrick Cornelisz.-953349.jpg 		Ship battle
before 1626(1626) Medium Oil on wood cyf
   
   
     
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     VROOM, Hendrick Cornelisz.
     Dutch Baroque Era Painter, ca.1563-1640. He was one of the founders of Dutch marine painting. Painter and draughtsman. By his own account, he received his early training in Delft, home of his mother's family. Van Mander reports that Hendrick's stepfather, like his father a ceramic artist, forced him to work as a decorator of ceramic vessels, which caused the young artist to leave home and embark on extensive travels in Spain and Italy. After working for ecclesiastical patrons in Florence and Rome, he was employed for at least two years (c. 1585-7) by Cardinal Ferdinando de' Medici, who in October 1587 succeeded Francesco I as Grand Duke of Tuscany. Ferdinando's keen interest in ships and the navy seems to have been a determining factor in Vroom's choice of subject-matter. According to Lanzi, he was known in Rome as 'Lo Spagnolo' (since he had arrived there from Spain). Among his earliest works may be a group of marine paintings attributed to him (Rome, Villa Colonna). His friendship in Rome with Paul Bril, mentioned by van Mander, had no effect on Hendrick's painting style, but Bril's influence is discernible in a group of landscape drawings

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