VASARI, Giorgio The Prophet Elisha er Painting ID:: 9436 VASARI, Giorgio1.jpg
The Prophet Elisha er c. 1566
Tempera on wood, 40 x 29 cm
Galleria degli Uffizi, Florence
VASARI, Giorgio Portrait of Lorenzo the Magnificent wr Painting ID:: 9438 VASARI, Giorgio3.jpg
Portrait of Lorenzo the Magnificent wr Oil on wood, 90 x 72 cm
Galleria degli Uffizi, Florence
VASARI, Giorgio Monument to Michelangelo ar Painting ID:: 9439 VASARI, Giorgio4.jpg
Monument to Michelangelo ar 1570
Marble
Santa Croce, Florence
VASARI, Giorgio The Nativity wt Painting ID:: 9440 VASARI, Giorgio5.jpg
The Nativity wt c. 1546
Oil on canvas
Galleria Borghese, Rome
VASARI, Giorgio Self-portrait (detail) et Painting ID:: 9441 VASARI, Giorgio6.jpg
Self-portrait (detail) et Oil on canvas
Galleria degli Uffizi, Florence
VASARI, Giorgio The Annunciation (mk05) Painting ID:: 20315 new5/VASARI, Giorgio-988535.jpg
The Annunciation (mk05) Wood,85 x 65 1/4''(216 x 166 cm)From a church in Arezzo 1813;entered the Louvre in 1814 INV
VASARI, Giorgio The festival meal in Ester Painting ID:: 45415 new17/VASARI, Giorgio-694325.jpg
The festival meal in Ester mk186
around 1548
Arezzo Museo Statale di types Medievale e Moderna
VASARI, Giorgio Monument to Painting ID:: 62306 new21/VASARI, Giorgio-344752.jpg
Monument to 560 x 330 mm - By the mid 1660s Vald?s began to work as a decorative painter. The most spectacular of his decorative works was executed in 1671 for the celebration of the canonization of St Ferdinand of Castile (1199-1252). A monument, made of wood and decorated with paintings and sculpture, was designed and decorated by Vald?s. The structure was later dismantled, its appearance is preserved in a large print produced by Vald?s himself
Italian Mannerist Writer and Painter, 1511-1574
Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.