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Thomas Girtin Oil Painting Reproductions
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Thomas Girtin Kirkstall Abbey,Yorkshire-Evening (mk47) oil


Thomas Girtin
Kirkstall Abbey,Yorkshire-Evening (mk47)
Painting ID::  26066
new2/Thomas Girtin-897435.jpg 		Kirkstall Abbey,Yorkshire-Evening (mk47)
c.1800 Watercolour 317x520mm Victoria & Albert Museum,London
   
   
     
Thomas Girtin The White House at Chelsea oil


Thomas Girtin
The White House at Chelsea
Painting ID::  31322
new4/Thomas Girtin-632272.jpg 		The White House at Chelsea
nn07
   
   
     
Thomas Girtin Bamburgh Castle, oil


Thomas Girtin
Bamburgh Castle,
Painting ID::  32783
new9/Thomas Girtin-423826.jpg 		Bamburgh Castle,
mk81 Northumberland c.1797-9
   
   
     
Thomas Girtin berry pomeroy castle,devon oil


Thomas Girtin
berry pomeroy castle,devon
Painting ID::  56164
new20/Thomas Girtin-878759.jpg 		berry pomeroy castle,devon
mk247 1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
   
   
     
Thomas Girtin the tihe barn abbotsbuy oil


Thomas Girtin
the tihe barn abbotsbuy
Painting ID::  56592
new20/Thomas Girtin-228399.jpg 		the tihe barn abbotsbuy
mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
   
   
     
Thomas Girtin durham cathedral and bridge oil


Thomas Girtin
durham cathedral and bridge
Painting ID::  56593
new20/Thomas Girtin-337255.jpg 		durham cathedral and bridge
mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
   
   
     
Thomas Girtin near beddgelert oil


Thomas Girtin
near beddgelert
Painting ID::  68806
new23/Thomas Girtin-777766.jpg 		near beddgelert
north wales, 1798 watercolour 29x43.2cm se
   
   
     
Thomas Girtin The collector of tithes oil


Thomas Girtin
The collector of tithes
Painting ID::  85437
new25/Thomas Girtin-495736.jpg 		The collector of tithes
oil on Canvas(1663-1720) cyf
   
   
     
Thomas Girtin Portrait of Thomas Girtin oil


Thomas Girtin
Portrait of Thomas Girtin
Painting ID::  94483
new26/Thomas Girtin-958398.jpg 		Portrait of Thomas Girtin
18/19th century cjr
   
   
     
Thomas Girtin Jedburgh Abbey from the River oil


Thomas Girtin
Jedburgh Abbey from the River
Painting ID::  94485
new26/Thomas Girtin-384634.jpg 		Jedburgh Abbey from the River
1798-1799 cjr
   
   
     
Thomas Girtin Das Weibe Haus in Chelsea oil


Thomas Girtin
Das Weibe Haus in Chelsea
Painting ID::  94487
new26/Thomas Girtin-674974.jpg 		Das Weibe Haus in Chelsea
1800 Dimensions 29,8 x 51,4 cm cjr
   
   
     
Thomas Girtin Interior of Lindisfarne Priory oil


Thomas Girtin
Interior of Lindisfarne Priory
Painting ID::  94488
new26/Thomas Girtin-755388.jpg 		Interior of Lindisfarne Priory
1797(1797) cjr
   
   
     
Thomas Girtin Lindisfarne oil


Thomas Girtin
Lindisfarne
Painting ID::  94489
new26/Thomas Girtin-477798.jpg 		Lindisfarne
1798(1798) cjr
   
   
     
Thomas Girtin Bamburgh Castle, Northumberland oil


Thomas Girtin
Bamburgh Castle, Northumberland
Painting ID::  94491
new26/Thomas Girtin-548888.jpg 		Bamburgh Castle, Northumberland
1797-1799 Dimensions 55 x 45 cm (21.7 x 17.7 in) cjr
   
   
     
Thomas Girtin Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen oil


Thomas Girtin
Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
Painting ID::  94492
new26/Thomas Girtin-745966.jpg 		Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
1799(1799) Dimensions 41,5 x 53,6 cm cjr
   
   
     
Thomas Girtin Guisborough Priory, Yorkshire oil


Thomas Girtin
Guisborough Priory, Yorkshire
Painting ID::  94493
new26/Thomas Girtin-898753.jpg 		Guisborough Priory, Yorkshire
1801(1801) cjr
   
   
     
Thomas Girtin Kirkstall Abbey, Yorkshire oil


Thomas Girtin
Kirkstall Abbey, Yorkshire
Painting ID::  94494
new26/Thomas Girtin-578738.jpg 		Kirkstall Abbey, Yorkshire
1801(1801) Dimensions 30,5 x 52 cm cjr
   
   
     
Thomas Girtin In the Scotch Borders oil


Thomas Girtin
In the Scotch Borders
Painting ID::  94495
new26/Thomas Girtin-693437.jpg 		In the Scotch Borders
cjr
   
   
     
Thomas Girtin Near Bolton Abbey oil


Thomas Girtin
Near Bolton Abbey
Painting ID::  94496
new26/Thomas Girtin-633963.jpg 		Near Bolton Abbey
33 x 52 cm cjr
   
   
     
Thomas Girtin Rue Saint-Denis in Paris oil


Thomas Girtin
Rue Saint-Denis in Paris
Painting ID::  94497
new26/Thomas Girtin-638845.jpg 		Rue Saint-Denis in Paris
1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
   
   
     
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     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

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