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Thomas Gainsborough Oil Painting Reproductions

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Thomas Gainsborough Portrait of Johann Christian Fischer oil


Thomas Gainsborough
Portrait of Johann Christian Fischer
Painting ID::  80313
new24/Thomas Gainsborough-888335.jpg
Portrait of Johann Christian Fischer
ca. 1780(1780) Medium Oil on canvas cyf
   
   
     

Thomas Gainsborough Portrait of Sarah Kirby oil


Thomas Gainsborough
Portrait of Sarah Kirby
Painting ID::  80426
new24/Thomas Gainsborough-857395.jpg
Portrait of Sarah Kirby
ca. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf
   
   
     

Thomas Gainsborough Portrait of James Christie oil


Thomas Gainsborough
Portrait of James Christie
Painting ID::  81252
new24/Thomas Gainsborough-965995.jpg
Portrait of James Christie
1778(1778) Medium Oil on canvas Dimensions 49.625 x 40.125 in (126 x 101.9 cm) cyf
   
   
     

Thomas Gainsborough Self portrait oil


Thomas Gainsborough
Self portrait
Painting ID::  81390
new24/Thomas Gainsborough-477445.jpg
Self portrait
1758-1759 Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
   
   
     

Thomas Gainsborough Portrait of Johann Christian Fischer oil


Thomas Gainsborough
Portrait of Johann Christian Fischer
Painting ID::  81779
new24/Thomas Gainsborough-995656.jpg
Portrait of Johann Christian Fischer
1780(1780) Medium Oil on canvas Dimensions 228.6 x 150.5 cm (90 x 59.3 in) cyf
   
   
     

Thomas Gainsborough Portrait of Carl Friedrich Abel oil


Thomas Gainsborough
Portrait of Carl Friedrich Abel
Painting ID::  81811
new24/Thomas Gainsborough-777558.jpg
Portrait of Carl Friedrich Abel
1765(1765) Medium Oil on canvas Dimensions 126.7 x 101.3 cm (49.9 x 39.9 in) cyf
   
   
     

Thomas Gainsborough Portrait of Sarah Kirby oil


Thomas Gainsborough
Portrait of Sarah Kirby
Painting ID::  81933
new24/Thomas Gainsborough-865549.jpg
Portrait of Sarah Kirby
. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf
   
   
     

Thomas Gainsborough A Coastal Landscape oil


Thomas Gainsborough
A Coastal Landscape
Painting ID::  82440
new24/Thomas Gainsborough-955648.jpg
A Coastal Landscape
A Coastal Landscape-1784). Oil on Canvas. 25 x 30 in. (63.5 x 76.2 cm). Date 1782(1782) cjr
   
   
     

Thomas Gainsborough Portrait of Johann Christian Bach oil


Thomas Gainsborough
Portrait of Johann Christian Bach
Painting ID::  82759
new24/Thomas Gainsborough-976853.jpg
Portrait of Johann Christian Bach
1776(1776) Medium Oil on canvas Dimensions 75.5 x 62 cm (29.7 x 24.4 in) cyf
   
   
     

Thomas Gainsborough Princess Augusta aged oil


Thomas Gainsborough
Princess Augusta aged
Painting ID::  82767
new24/Thomas Gainsborough-369356.jpg
Princess Augusta aged
1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf
   
   
     

Thomas Gainsborough Princess Elizabeth of the United Kingdom oil


Thomas Gainsborough
Princess Elizabeth of the United Kingdom
Painting ID::  82912
new24/Thomas Gainsborough-475675.jpg
Princess Elizabeth of the United Kingdom
1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf
   
   
     

Thomas Gainsborough Portrait of John Campbell oil


Thomas Gainsborough
Portrait of John Campbell
Painting ID::  83129
new24/Thomas Gainsborough-484567.jpg
Portrait of John Campbell
1767(1767) Medium Oil cyf
   
   
     

Thomas Gainsborough John Campbell oil


Thomas Gainsborough
John Campbell
Painting ID::  83366
new24/Thomas Gainsborough-568489.jpg
John Campbell
oil on canvas partial view of painting 18th century Date 18th century cyf
   
   
     

Thomas Gainsborough Saintes oil


Thomas Gainsborough
Saintes
Painting ID::  84411
new25/Thomas Gainsborough-682459.jpg
Saintes
1783(1783) Medium Oil on canvas Dimensions 71 x 40 cm (28 x 15.7 in) cyf
   
   
     

Thomas Gainsborough A Coastal Landscape oil


Thomas Gainsborough
A Coastal Landscape
Painting ID::  85794
new25/Thomas Gainsborough-354334.jpg
A Coastal Landscape
1784 1782 (x) Medium Oil on canvas Dimensions 25 x 30 in (63.5 x 76.2 cm) cyf
   
   
     

Thomas Gainsborough Der Morgenspaziergang oil


Thomas Gainsborough
Der Morgenspaziergang
Painting ID::  87927
new25/Thomas Gainsborough-439655.jpg
Der Morgenspaziergang
Date 1785(1785) Medium Oil on canvas Dimensions Deutsch: 236 x 179 cm cjr
   
   
     

Thomas Gainsborough Landschaft mit dem Dorfe Cornard oil


Thomas Gainsborough
Landschaft mit dem Dorfe Cornard
Painting ID::  88485
new25/Thomas Gainsborough-579346.jpg
Landschaft mit dem Dorfe Cornard
3rd quarter of 18th century Medium Oil on canvas Dimensions 76 x 151 cm cjr
   
   
     

Thomas Gainsborough Dorfmadchen mit Hund und Henkelkrug oil


Thomas Gainsborough
Dorfmadchen mit Hund und Henkelkrug
Painting ID::  88702
new25/Thomas Gainsborough-387796.jpg
Dorfmadchen mit Hund und Henkelkrug
1785(1785) Medium Oil on canvas Dimensions 174 x 125 cm cjr
   
   
     

Thomas Gainsborough Seashore with Fishermen oil


Thomas Gainsborough
Seashore with Fishermen
Painting ID::  89199
new25/Thomas Gainsborough-746593.jpg
Seashore with Fishermen
1781-1782 Medium oil on canvas cjr
   
   
     

Thomas Gainsborough Portrait of the painter Gainsborough Dupont oil


Thomas Gainsborough
Portrait of the painter Gainsborough Dupont
Painting ID::  89419
new25/Thomas Gainsborough-753677.jpg
Portrait of the painter Gainsborough Dupont
1770s Medium Oil on canvas cyf
   
   
     

Thomas Gainsborough An Unknown Couple in a Landscape oil


Thomas Gainsborough
An Unknown Couple in a Landscape
Painting ID::  90378
new25/Thomas Gainsborough-497378.jpg
An Unknown Couple in a Landscape
mid-1750s Medium oil on canvas Dimensions 76.2 x 67 cm (30 x 26.4 in) cjr
   
   
     

Thomas Gainsborough Mrs. Siddons oil


Thomas Gainsborough
Mrs. Siddons
Painting ID::  90562
new25/Thomas Gainsborough-754746.jpg
Mrs. Siddons
TBD, will be updated Medium oil on canvas cjr
   
   
     

Thomas Gainsborough Chasing a Butterfly oil


Thomas Gainsborough
Chasing a Butterfly
Painting ID::  92203
new25/Thomas Gainsborough-546563.jpg
Chasing a Butterfly
Oil on Canvas Date 1756(1756) cyf
   
   
     

Thomas Gainsborough View in Suffolk oil


Thomas Gainsborough
View in Suffolk
Painting ID::  92659
new25/Thomas Gainsborough-553958.jpg
View in Suffolk
c. 1755 Medium oil on canvas Dimensions 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm) cjr
   
   
     

Thomas Gainsborough Mary and Margaret Gainsborough, the artist's daughters oil


Thomas Gainsborough
Mary and Margaret Gainsborough, the artist's daughters
Painting ID::  93910
new26/Thomas Gainsborough-357974.jpg
Mary and Margaret Gainsborough, the artist's daughters
circa 1758(1758) Medium oil on canvas Dimensions 40.6 x 58.4 cm (16 x 23 in) cjr
   
   
     

Thomas Gainsborough Gainsborough oil


Thomas Gainsborough
Gainsborough
Painting ID::  97613
new26/Thomas Gainsborough-984797.jpg
Gainsborough
1782(1782) Medium oil on canvas Dimensions 249.6 x 189 cm cyf
   
   
     

Thomas Gainsborough A Grand Landscape oil


Thomas Gainsborough
A Grand Landscape
Painting ID::  98009
new26/Thomas Gainsborough-475747.jpg
A Grand Landscape
early 1760s Medium oil on canvas cyf
   
   
     

Thomas Gainsborough Sir Benjamin Thompson oil


Thomas Gainsborough
Sir Benjamin Thompson
Painting ID::  98104
new26/Thomas Gainsborough-453449.jpg
Sir Benjamin Thompson
Dimensions: 75.25 cm. x 62.55 cm. actual cyf
   
   
     

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     Thomas Gainsborough
     1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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