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Thomas Gainsborough Oil Painting Reproductions
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Thomas Gainsborough Portrait of James Christie oil


Thomas Gainsborough
Portrait of James Christie
Painting ID::  77964
new24/Thomas Gainsborough-969887.jpg 		Portrait of James Christie
1778(1778) Oil on canvas 49.6 x 40.1 in (126 x 101.9 cm) cjr
   
   
     
Thomas Gainsborough Portrait of Carl Friedrich Abel oil


Thomas Gainsborough
Portrait of Carl Friedrich Abel
Painting ID::  77984
new24/Thomas Gainsborough-476836.jpg 		Portrait of Carl Friedrich Abel
1777(1777) Medium Oil on canvas cyf
   
   
     
Thomas Gainsborough Portrait of a Woman oil


Thomas Gainsborough
Portrait of a Woman
Painting ID::  78146
new24/Thomas Gainsborough-498744.jpg 		Portrait of a Woman
ca. 1750(1750) Oil on canvas cjr
   
   
     
Thomas Gainsborough Portrait of Georgiana oil


Thomas Gainsborough
Portrait of Georgiana
Painting ID::  78184
new24/Thomas Gainsborough-543548.jpg 		Portrait of Georgiana
1783(1783) Medium Oil on canvas cyf
   
   
     
Thomas Gainsborough Portrait of Lady Margaret Georgiana Poyntz oil


Thomas Gainsborough
Portrait of Lady Margaret Georgiana Poyntz
Painting ID::  78293
new24/Thomas Gainsborough-945598.jpg 		Portrait of Lady Margaret Georgiana Poyntz
ca. 1775(1775) Medium Oil cyf
   
   
     
Thomas Gainsborough Portrait of Johann Christian Fischer German composer oil


Thomas Gainsborough
Portrait of Johann Christian Fischer German composer
Painting ID::  78581
new24/Thomas Gainsborough-873775.jpg 		Portrait of Johann Christian Fischer German composer
ca. 1780(1780) Oil on canvas 228.6 x 150.5 cm (90 x 59.3 in) cjr
   
   
     
Thomas Gainsborough Portrait of Mrs oil


Thomas Gainsborough
Portrait of Mrs
Painting ID::  78640
new24/Thomas Gainsborough-933598.jpg 		Portrait of Mrs
1785-1786 Medium Oil on canvas Dimensions 220 x 154 cm (86.6 x 60.6 in) cyf
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  78674
new24/Thomas Gainsborough-796935.jpg 		Mr and Mrs Andrews
1750(1750) Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Portrait of Giovanna Baccelli oil


Thomas Gainsborough
Portrait of Giovanna Baccelli
Painting ID::  78772
new24/Thomas Gainsborough-393945.jpg 		Portrait of Giovanna Baccelli
ca. 1782(1782) Oil on canvas 2,267 x 1,486 mm (89.25 x 58.5 in) cjr
   
   
     
Thomas Gainsborough Self portrait oil


Thomas Gainsborough
Self portrait
Painting ID::  78819
new24/Thomas Gainsborough-579998.jpg 		Self portrait
1787(1787) Medium Oil on canvas Dimensions 73.5 x 58.5 cm (28.9 x 23 in) cyf
   
   
     
Thomas Gainsborough The Marsham Children oil


Thomas Gainsborough
The Marsham Children
Painting ID::  78936
new24/Thomas Gainsborough-335493.jpg 		The Marsham Children
1787(1787) Medium Oil on canvas Dimensions 243 x 182 cm (95.7 x 71.7 in) cyf
   
   
     
Thomas Gainsborough Lady Sheffield oil


Thomas Gainsborough
Lady Sheffield
Painting ID::  78955
new24/Thomas Gainsborough-637376.jpg 		Lady Sheffield
1785-1786 Medium Oil on canvas cyf
   
   
     
Thomas Gainsborough Sarah Siddons oil


Thomas Gainsborough
Sarah Siddons
Painting ID::  78959
new24/Thomas Gainsborough-636844.jpg 		Sarah Siddons
1785(1785) Medium Oil on canvas Dimensions 126 x 100 cm (49.6 x 39.4 in) cyf
   
   
     
Thomas Gainsborough Heneage Lloyd and His Sister oil


Thomas Gainsborough
Heneage Lloyd and His Sister
Painting ID::  78971
new24/Thomas Gainsborough-493646.jpg 		Heneage Lloyd and His Sister
ca. 1750(1750) Medium Oil on canvas Dimensions 64 x 80 cm (25.2 x 31.5 in) cyf
   
   
     
Thomas Gainsborough Master John Heathcote oil


Thomas Gainsborough
Master John Heathcote
Painting ID::  78972
new24/Thomas Gainsborough-474844.jpg 		Master John Heathcote
1770(1770) Oil on canvas Width: 101 cm (39.8 in). Height: 127 cm (50 in). cjr
   
   
     
Thomas Gainsborough Self portrait oil


Thomas Gainsborough
Self portrait
Painting ID::  79011
new24/Thomas Gainsborough-739396.jpg 		Self portrait
1754(1754) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
   
   
     
Thomas Gainsborough Thomas Graham oil


Thomas Gainsborough
Thomas Graham
Painting ID::  79080
new24/Thomas Gainsborough-558834.jpg 		Thomas Graham
1777(1777) Medium Oil on canvas Dimensions 237 x 154 cm (93.3 x 60.6 in) cyf
   
   
     
Thomas Gainsborough Portrait of Charles Wolfran Cornwall oil


Thomas Gainsborough
Portrait of Charles Wolfran Cornwall
Painting ID::  79095
new24/Thomas Gainsborough-695477.jpg 		Portrait of Charles Wolfran Cornwall
1785(1785) or 1786(1786) Medium Oil cyf
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  79198
new24/Thomas Gainsborough-745989.jpg 		Mr and Mrs Andrews
1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  79287
new24/Thomas Gainsborough-637888.jpg 		Mr and Mrs Andrews
1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  79345
new24/Thomas Gainsborough-939559.jpg 		Mr and Mrs Andrews
1750(1750) Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Woman in Blue oil


Thomas Gainsborough
Woman in Blue
Painting ID::  79528
new24/Thomas Gainsborough-897667.jpg 		Woman in Blue
Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
   
   
     
Thomas Gainsborough Woman in Blue oil


Thomas Gainsborough
Woman in Blue
Painting ID::  79602
new24/Thomas Gainsborough-844535.jpg 		Woman in Blue
Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
   
   
     
Thomas Gainsborough Portrait of Charles Wolfran Cornwall oil


Thomas Gainsborough
Portrait of Charles Wolfran Cornwall
Painting ID::  79772
new24/Thomas Gainsborough-849455.jpg 		Portrait of Charles Wolfran Cornwall
1785(1785) or 1786(1786) Medium Oil cyf
   
   
     
Thomas Gainsborough Portrait of Lady Georgiana Cavendish, Duchess of Devonshire oil


Thomas Gainsborough
Portrait of Lady Georgiana Cavendish, Duchess of Devonshire
Painting ID::  79854
new24/Thomas Gainsborough-846569.jpg 		Portrait of Lady Georgiana Cavendish, Duchess of Devonshire
1787 cjr
   
   
     
Thomas Gainsborough Portrat von Mr und Mrs Andrews oil


Thomas Gainsborough
Portrat von Mr und Mrs Andrews
Painting ID::  79952
new24/Thomas Gainsborough-655684.jpg 		Portrat von Mr und Mrs Andrews
1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  80082
new24/Thomas Gainsborough-584848.jpg 		Mr and Mrs Andrews
1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
   
   
     
Thomas Gainsborough Grace Elliott oil


Thomas Gainsborough
Grace Elliott
Painting ID::  80126
new24/Thomas Gainsborough-345964.jpg 		Grace Elliott
1778(1778) Medium Oil on canvas Dimensions 234.3 x 153.7 cm (92.2 x 60.5 in) cyf
   
   
     
Thomas Gainsborough Master John Heathcote oil


Thomas Gainsborough
Master John Heathcote
Painting ID::  80189
new24/Thomas Gainsborough-934887.jpg 		Master John Heathcote
1770(1770) Medium Oil on canvas cyf
   
   
     
Thomas Gainsborough Suffolk Landscape oil


Thomas Gainsborough
Suffolk Landscape
Painting ID::  80228
new24/Thomas Gainsborough-444793.jpg 		Suffolk Landscape
oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum Date mid-1750s cyf
   
   
     
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     Thomas Gainsborough
     1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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