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Thomas Gainsborough Oil Painting Reproductions

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Thomas Gainsborough The Artist-s Daughters with a Cat oil


Thomas Gainsborough
The Artist-s Daughters with a Cat
Painting ID::  51017
new18/Thomas Gainsborough-639534.jpg
The Artist-s Daughters with a Cat
1759-61 Oil on canvas, 75,6 x 62,9 cm
   
   
     

Thomas Gainsborough The Harvest Wagon oil


Thomas Gainsborough
The Harvest Wagon
Painting ID::  52715
new19/Thomas Gainsborough-648764.jpg
The Harvest Wagon
mk223 Oil on canvas
   
   
     

Thomas Gainsborough The Honourable oil


Thomas Gainsborough
The Honourable
Painting ID::  52721
new19/Thomas Gainsborough-585535.jpg
The Honourable
mk223 Mrs Graham Mrs Graham was one of the many society beauties Gainsborough painted in order to make a living,although he preferred painting landscapes
   
   
     

Thomas Gainsborough Konstnarens dottrar jaggr a fjaril oil


Thomas Gainsborough
Konstnarens dottrar jaggr a fjaril
Painting ID::  53846
new19/Thomas Gainsborough-642428.jpg
Konstnarens dottrar jaggr a fjaril
mk234 the end of 1750-first century 115x105cm
   
   
     

Thomas Gainsborough Mrs. Richard Brinsley Sheridan oil


Thomas Gainsborough
Mrs. Richard Brinsley Sheridan
Painting ID::  53848
new19/Thomas Gainsborough-242658.jpg
Mrs. Richard Brinsley Sheridan
mk234 1785/86 220x154cm
   
   
     

Thomas Gainsborough mr.and mrs.andrews oil


Thomas Gainsborough
mr.and mrs.andrews
Painting ID::  56118
new20/Thomas Gainsborough-778687.jpg
mr.and mrs.andrews
mk247 c.1750,oil on canvas,27x47 in,70x119.5 cm,national gallery,london,uk
   
   
     

Thomas Gainsborough john campbell ,4th duke of argyll oil


Thomas Gainsborough
john campbell ,4th duke of argyll
Painting ID::  56134
new20/Thomas Gainsborough-244289.jpg
john campbell ,4th duke of argyll
mk247 1767,oil on canvas,92x60.75 in,235x154.3 cm,scottish national portrait gallery,edinburgh,uk
   
   
     

Thomas Gainsborough the blue boy oil


Thomas Gainsborough
the blue boy
Painting ID::  56138
new20/Thomas Gainsborough-746433.jpg
the blue boy
mk247 1770,oil on canvas,70x48 in,178x122 cm,huntington art collections,san marino,ca,usa
   
   
     

Thomas Gainsborough mrs.richard brinsley sheridan oil


Thomas Gainsborough
mrs.richard brinsley sheridan
Painting ID::  56152
new20/Thomas Gainsborough-842656.jpg
mrs.richard brinsley sheridan
mk247 1785 to 87,oil on canvas,86.625x60.625 in,220x154 cm,national gallery of art,washington ,dc,usa
   
   
     

Thomas Gainsborough the harvest wagon oil


Thomas Gainsborough
the harvest wagon
Painting ID::  56578
new20/Thomas Gainsborough-226859.jpg
the harvest wagon
mk248 gainsborougb, som enbart verkade i sin atelje, ardetade ofta mot en malad landskapspsfond, upplyst av levande ljud.han kom att upppskarra rubens ocb den nederlandske madtarens influenser marks bar i de flytande liytande linjerna ocb korsnedtagningen.
   
   
     

Thomas Gainsborough Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Gainsborough Mr and Mrs Andrews
Painting ID::  58891
new20/Thomas Gainsborough-793296.jpg
Gainsborough Mr and Mrs Andrews
Gainsborough's Mr and Mrs Andrews (1748-49). National Gallery, London.
   
   
     

Thomas Gainsborough The Blue Boy oil


Thomas Gainsborough
The Blue Boy
Painting ID::  58892
new20/Thomas Gainsborough-932526.jpg
The Blue Boy
The Blue Boy (1770). The Huntington, California.
   
   
     

Thomas Gainsborough Mr and Mrs William Hallett oil


Thomas Gainsborough
Mr and Mrs William Hallett
Painting ID::  58893
new20/Thomas Gainsborough-363378.jpg
Mr and Mrs William Hallett
Mr and Mrs William Hallett (1785).
   
   
     

Thomas Gainsborough Mrs Thomas Hibbert. Neue Pinakothek. oil


Thomas Gainsborough
Mrs Thomas Hibbert. Neue Pinakothek.
Painting ID::  58894
new20/Thomas Gainsborough-692784.jpg
Mrs Thomas Hibbert. Neue Pinakothek.
Mrs Thomas Hibbert. Neue Pinakothek.
   
   
     

Thomas Gainsborough The Painter Daughters Chasing a Butterfly oil


Thomas Gainsborough
The Painter Daughters Chasing a Butterfly
Painting ID::  58895
new20/Thomas Gainsborough-963823.jpg
The Painter Daughters Chasing a Butterfly
The Painter`s Daughters Chasing a Butterfly
   
   
     

Thomas Gainsborough Landscape in Suffolk oil


Thomas Gainsborough
Landscape in Suffolk
Painting ID::  58896
new20/Thomas Gainsborough-642386.jpg
Landscape in Suffolk
Landscape in Suffolk (1748)
   
   
     

Thomas Gainsborough Sunset oil


Thomas Gainsborough
Sunset
Painting ID::  58898
new20/Thomas Gainsborough-262254.jpg
Sunset
Sunset (1760)
   
   
     

Thomas Gainsborough Two Daughters with a Cat oil


Thomas Gainsborough
Two Daughters with a Cat
Painting ID::  58903
new20/Thomas Gainsborough-565548.jpg
Two Daughters with a Cat
Two Daughters with a Cat (c. 1759)
   
   
     

Thomas Gainsborough The Artist Daughters, Molly and Peggy oil


Thomas Gainsborough
The Artist Daughters, Molly and Peggy
Painting ID::  58905
new20/Thomas Gainsborough-774549.jpg
The Artist Daughters, Molly and Peggy
The Artist`s Daughters, Molly and Peggy (1760)
   
   
     

Thomas Gainsborough Gainsborough Daughter Mary oil


Thomas Gainsborough
Gainsborough Daughter Mary
Painting ID::  58906
new20/Thomas Gainsborough-532288.jpg
Gainsborough Daughter Mary
Gainsborough`s Daughter Mary (1777)
   
   
     

Thomas Gainsborough River Landscape oil


Thomas Gainsborough
River Landscape
Painting ID::  58907
new20/Thomas Gainsborough-767254.jpg
River Landscape
River Landscape
   
   
     

Thomas Gainsborough Self-Portrait oil


Thomas Gainsborough
Self-Portrait
Painting ID::  58908
new20/Thomas Gainsborough-774822.jpg
Self-Portrait
Self-Portrait (1754)
   
   
     

Thomas Gainsborough Lady in Blue oil


Thomas Gainsborough
Lady in Blue
Painting ID::  58909
new20/Thomas Gainsborough-255583.jpg
Lady in Blue
Lady in Blue (c. 1770)
   
   
     

Thomas Gainsborough Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba oil


Thomas Gainsborough
Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba
Painting ID::  58910
new20/Thomas Gainsborough-733664.jpg
Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba
Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba (c. 1765)
   
   
     

Thomas Gainsborough Georgiana, Duchess of Devonshire oil


Thomas Gainsborough
Georgiana, Duchess of Devonshire
Painting ID::  58912
new20/Thomas Gainsborough-984259.jpg
Georgiana, Duchess of Devonshire
Georgiana, Duchess of Devonshire (1783)
   
   
     

Thomas Gainsborough John Campbell, 4th Duke of Argyll oil


Thomas Gainsborough
John Campbell, 4th Duke of Argyll
Painting ID::  58916
new20/Thomas Gainsborough-636292.jpg
John Campbell, 4th Duke of Argyll
John Campbell, 4th Duke of Argyll (1767)
   
   
     

Thomas Gainsborough Lady Georgiana Cavendish, Duchess of Devonshire oil


Thomas Gainsborough
Lady Georgiana Cavendish, Duchess of Devonshire
Painting ID::  58917
new20/Thomas Gainsborough-923893.jpg
Lady Georgiana Cavendish, Duchess of Devonshire
Unknown woman, formerly called: Lady Georgiana Cavendish, Duchess of Devonshire
   
   
     

Thomas Gainsborough Mrs. Richard B. Sheridan oil


Thomas Gainsborough
Mrs. Richard B. Sheridan
Painting ID::  58919
new20/Thomas Gainsborough-327223.jpg
Mrs. Richard B. Sheridan
Mrs. Richard B. Sheridan (1785-86)
   
   
     

Thomas Gainsborough Cottage Girl with Dog and pitcher oil


Thomas Gainsborough
Cottage Girl with Dog and pitcher
Painting ID::  58920
new20/Thomas Gainsborough-492799.jpg
Cottage Girl with Dog and pitcher
Cottage Girl with Dog and pitcher (1785)
   
   
     

Thomas Gainsborough lady getrude alston oil


Thomas Gainsborough
lady getrude alston
Painting ID::  64313
new22/Thomas Gainsborough-654445.jpg
lady getrude alston
1750 paris, louvre
   
   
     

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     Thomas Gainsborough
     1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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