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Thomas Gainsborough Oil Painting Reproductions

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Thomas Gainsborough Lavenham Church from the South oil


Thomas Gainsborough
Lavenham Church from the South
Painting ID::  40915
new16/Thomas Gainsborough-478323.jpg
Lavenham Church from the South
mk158 1748
   
   
     

Thomas Gainsborough The Idle-Prentice at Play in the Church Yard during Divine Service oil


Thomas Gainsborough
The Idle-Prentice at Play in the Church Yard during Divine Service
Painting ID::  40916
new16/Thomas Gainsborough-546268.jpg
The Idle-Prentice at Play in the Church Yard during Divine Service
mk158 1747
   
   
     

Thomas Gainsborough St Mary-s Church oil


Thomas Gainsborough
St Mary-s Church
Painting ID::  40917
new16/Thomas Gainsborough-368239.jpg
St Mary-s Church
mk158 Hadleigh Suffolk 1747-48
   
   
     

Thomas Gainsborough The Charterhouse, oil


Thomas Gainsborough
The Charterhouse,
Painting ID::  40918
new16/Thomas Gainsborough-766948.jpg
The Charterhouse,
mk158 London November 1748
   
   
     

Thomas Gainsborough Portrait of John Gainsbourough oil


Thomas Gainsborough
Portrait of John Gainsbourough
Painting ID::  40919
new16/Thomas Gainsborough-236452.jpg
Portrait of John Gainsbourough
mk158 before November 1748
   
   
     

Thomas Gainsborough Portrait of a Girl and Boy oil


Thomas Gainsborough
Portrait of a Girl and Boy
Painting ID::  40920
new16/Thomas Gainsborough-799785.jpg
Portrait of a Girl and Boy
mk158 c.1745
   
   
     

Thomas Gainsborough The Fallen Tree oil


Thomas Gainsborough
The Fallen Tree
Painting ID::  40921
new16/Thomas Gainsborough-528342.jpg
The Fallen Tree
mk158 c.1750-53
   
   
     

Thomas Gainsborough Detail of Portrait of Mr and Mrs Andrews oil


Thomas Gainsborough
Detail of Portrait of Mr and Mrs Andrews
Painting ID::  40922
new16/Thomas Gainsborough-957992.jpg
Detail of Portrait of Mr and Mrs Andrews
mk158 c.1750
   
   
     

Thomas Gainsborough Detail of Portrait of Mr and Mrs Andrews oil


Thomas Gainsborough
Detail of Portrait of Mr and Mrs Andrews
Painting ID::  40923
new16/Thomas Gainsborough-249668.jpg
Detail of Portrait of Mr and Mrs Andrews
mk158 c.1750
   
   
     

Thomas Gainsborough Portrait of Mr and Mrs Andrews oil


Thomas Gainsborough
Portrait of Mr and Mrs Andrews
Painting ID::  40924
new16/Thomas Gainsborough-496657.jpg
Portrait of Mr and Mrs Andrews
mk158 c.1750
   
   
     

Thomas Gainsborough Detail of Portrait of Sarah,Mrs Tobias Rustat oil


Thomas Gainsborough
Detail of Portrait of Sarah,Mrs Tobias Rustat
Painting ID::  40928
new16/Thomas Gainsborough-229522.jpg
Detail of Portrait of Sarah,Mrs Tobias Rustat
mk158 c.1757
   
   
     

Thomas Gainsborough Portrait of John Vere oil


Thomas Gainsborough
Portrait of John Vere
Painting ID::  40929
new16/Thomas Gainsborough-965373.jpg
Portrait of John Vere
mk158 c.1752
   
   
     

Thomas Gainsborough Portrait of John Vere oil


Thomas Gainsborough
Portrait of John Vere
Painting ID::  40930
new16/Thomas Gainsborough-777633.jpg
Portrait of John Vere
mk158 c.1752
   
   
     

Thomas Gainsborough Portrai of Mary,Mrs John Vere oil


Thomas Gainsborough
Portrai of Mary,Mrs John Vere
Painting ID::  40931
new16/Thomas Gainsborough-636496.jpg
Portrai of Mary,Mrs John Vere
mk158 c.1752
   
   
     

Thomas Gainsborough Landguard Fort oil


Thomas Gainsborough
Landguard Fort
Painting ID::  40932
new16/Thomas Gainsborough-927958.jpg
Landguard Fort
mk158 1754
   
   
     

Thomas Gainsborough Marjor John Dade of Tannington,Suffolk oil


Thomas Gainsborough
Marjor John Dade of Tannington,Suffolk
Painting ID::  40933
new16/Thomas Gainsborough-662654.jpg
Marjor John Dade of Tannington,Suffolk
mk158 c.1754
   
   
     

Thomas Gainsborough Self-portrait oil


Thomas Gainsborough
Self-portrait
Painting ID::  40934
new16/Thomas Gainsborough-432772.jpg
Self-portrait
mk158 1754
   
   
     

Thomas Gainsborough The Suffolk Plough oil


Thomas Gainsborough
The Suffolk Plough
Painting ID::  40935
new16/Thomas Gainsborough-854263.jpg
The Suffolk Plough
m158 c.1754
   
   
     

Thomas Gainsborough Landscape with a Woodcutter cowrting a Milkmaid oil


Thomas Gainsborough
Landscape with a Woodcutter cowrting a Milkmaid
Painting ID::  40936
new16/Thomas Gainsborough-497542.jpg
Landscape with a Woodcutter cowrting a Milkmaid
mk158 1755
   
   
     

Thomas Gainsborough Landscape with Peasant and Horses oil


Thomas Gainsborough
Landscape with Peasant and Horses
Painting ID::  40937
new16/Thomas Gainsborough-636895.jpg
Landscape with Peasant and Horses
mk158 1755
   
   
     

Thomas Gainsborough Detail of Landscape with a Woodcutter courting a Milkmaid oil


Thomas Gainsborough
Detail of Landscape with a Woodcutter courting a Milkmaid
Painting ID::  40938
new16/Thomas Gainsborough-655552.jpg
Detail of Landscape with a Woodcutter courting a Milkmaid
mk158 1755
   
   
     

Thomas Gainsborough Landscap with Peasant and Horses oil


Thomas Gainsborough
Landscap with Peasant and Horses
Painting ID::  40939
new16/Thomas Gainsborough-738626.jpg
Landscap with Peasant and Horses
mk158 1755
   
   
     

Thomas Gainsborough Portrait of Hon.Charles Hamilton oil


Thomas Gainsborough
Portrait of Hon.Charles Hamilton
Painting ID::  40940
new16/Thomas Gainsborough-858677.jpg
Portrait of Hon.Charles Hamilton
mk158 c.1756
   
   
     

Thomas Gainsborough Detail of The Painter-s Daughters Chasing a Butterfly oil


Thomas Gainsborough
Detail of The Painter-s Daughters Chasing a Butterfly
Painting ID::  40941
new16/Thomas Gainsborough-749373.jpg
Detail of The Painter-s Daughters Chasing a Butterfly
mk157 c.1756
   
   
     

Thomas Gainsborough The Painter-s Daughters chasing a Butterfly oil


Thomas Gainsborough
The Painter-s Daughters chasing a Butterfly
Painting ID::  40942
new16/Thomas Gainsborough-945843.jpg
The Painter-s Daughters chasing a Butterfly
mk158 c.1756
   
   
     

Thomas Gainsborough Portrait of Sarah,Mrs Tobias Rustat oil


Thomas Gainsborough
Portrait of Sarah,Mrs Tobias Rustat
Painting ID::  40943
new16/Thomas Gainsborough-547343.jpg
Portrait of Sarah,Mrs Tobias Rustat
mk158 c.1757
   
   
     

Thomas Gainsborough Portrait of Revd Tobias Rustat oil


Thomas Gainsborough
Portrait of Revd Tobias Rustat
Painting ID::  40944
new16/Thomas Gainsborough-975788.jpg
Portrait of Revd Tobias Rustat
mk158 c.1757
   
   
     

Thomas Gainsborough Portrait of The Hon,Richard Savage Nassau oil


Thomas Gainsborough
Portrait of The Hon,Richard Savage Nassau
Painting ID::  40945
new16/Thomas Gainsborough-343322.jpg
Portrait of The Hon,Richard Savage Nassau
mk158 c.1757
   
   
     

Thomas Gainsborough Detail of Portrait of John Sparrowe oil


Thomas Gainsborough
Detail of Portrait of John Sparrowe
Painting ID::  40946
new16/Thomas Gainsborough-983526.jpg
Detail of Portrait of John Sparrowe
mk158 c.1758
   
   
     

Thomas Gainsborough Portrait of John Sparrowe oil


Thomas Gainsborough
Portrait of John Sparrowe
Painting ID::  40947
new16/Thomas Gainsborough-845478.jpg
Portrait of John Sparrowe
mk158 c.1758
   
   
     

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     Thomas Gainsborough
     1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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