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Thomas Gainsborough Oil Painting Reproductions
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Thomas Gainsborough Suffolk landscape oil


Thomas Gainsborough
Suffolk landscape
Painting ID::  39726
new12/Thomas Gainsborough-366355.jpg 		Suffolk landscape
mk150 c.1750 Canvas 66x95cm
   
   
     
Thomas Gainsborough Mr and Mrs Andrews oil


Thomas Gainsborough
Mr and Mrs Andrews
Painting ID::  40561
new16/Thomas Gainsborough-926892.jpg 		Mr and Mrs Andrews
mk156 c.1750 Oil o ncanvas 70x119cm
   
   
     
Thomas Gainsborough Miss Ann Ford oil


Thomas Gainsborough
Miss Ann Ford
Painting ID::  40579
new16/Thomas Gainsborough-364223.jpg 		Miss Ann Ford
mk156 1760 Oil on canvas 192x135cm
   
   
     
Thomas Gainsborough Countess Howe oil


Thomas Gainsborough
Countess Howe
Painting ID::  40580
new16/Thomas Gainsborough-822846.jpg 		Countess Howe
mk156 1760 jOil on canvas 244x152.4cm
   
   
     
Thomas Gainsborough Mrs.Richard Brinsley Sheridan oil


Thomas Gainsborough
Mrs.Richard Brinsley Sheridan
Painting ID::  40608
new16/Thomas Gainsborough-773786.jpg 		Mrs.Richard Brinsley Sheridan
mk156 1785 Oil on canvas 220x154cm
   
   
     
Thomas Gainsborough Mr and Mrs William Hallett oil


Thomas Gainsborough
Mr and Mrs William Hallett
Painting ID::  40609
new16/Thomas Gainsborough-563556.jpg 		Mr and Mrs William Hallett
mk156 1785 Oil on canvas 236x179cm
   
   
     
Thomas Gainsborough Self-Portrait oil


Thomas Gainsborough
Self-Portrait
Painting ID::  40621
new16/Thomas Gainsborough-524948.jpg 		Self-Portrait
mk156 1790 Oil on canvas 100x81cm
   
   
     
Thomas Gainsborough Portrait of Ann Ford oil


Thomas Gainsborough
Portrait of Ann Ford
Painting ID::  40892
new16/Thomas Gainsborough-479622.jpg 		Portrait of Ann Ford
mk158 1760
   
   
     
Thomas Gainsborough Drinkstone Park oil


Thomas Gainsborough
Drinkstone Park
Painting ID::  40893
new16/Thomas Gainsborough-294276.jpg 		Drinkstone Park
mk156 c.1746
   
   
     
Thomas Gainsborough Self-portrait oil


Thomas Gainsborough
Self-portrait
Painting ID::  40894
new16/Thomas Gainsborough-592322.jpg 		Self-portrait
mk156 c.1754
   
   
     
Thomas Gainsborough Children Building Houses with Cards oil


Thomas Gainsborough
Children Building Houses with Cards
Painting ID::  40895
new16/Thomas Gainsborough-773425.jpg 		Children Building Houses with Cards
mk158 c.1743
   
   
     
Thomas Gainsborough Portrait of a Girl and Boy oil


Thomas Gainsborough
Portrait of a Girl and Boy
Painting ID::  40896
new16/Thomas Gainsborough-735856.jpg 		Portrait of a Girl and Boy
mk158 c.1745
   
   
     
Thomas Gainsborough Bumper,a Bull Terrier oil


Thomas Gainsborough
Bumper,a Bull Terrier
Painting ID::  40897
new16/Thomas Gainsborough-744396.jpg 		Bumper,a Bull Terrier
mk158 1745
   
   
     
Thomas Gainsborough Man in a Wood with a Dog oil


Thomas Gainsborough
Man in a Wood with a Dog
Painting ID::  40898
new16/Thomas Gainsborough-684496.jpg 		Man in a Wood with a Dog
mk158 c.1746 Oil on canvas 66x49.5cm
   
   
     
Thomas Gainsborough Portrait of Elizabeth and Charles Bedford oil


Thomas Gainsborough
Portrait of Elizabeth and Charles Bedford
Painting ID::  40899
new16/Thomas Gainsborough-275282.jpg 		Portrait of Elizabeth and Charles Bedford
mk158 c.1746
   
   
     
Thomas Gainsborough Detail of Conversation in a Park oil


Thomas Gainsborough
Detail of Conversation in a Park
Painting ID::  40900
new16/Thomas Gainsborough-736649.jpg 		Detail of Conversation in a Park
mk158 c.1746
   
   
     
Thomas Gainsborough Detail of Landscape with a Peasant on a path oil


Thomas Gainsborough
Detail of Landscape with a Peasant on a path
Painting ID::  40901
new16/Thomas Gainsborough-422638.jpg 		Detail of Landscape with a Peasant on a path
mk158 c.1746-47
   
   
     
Thomas Gainsborough Conversation in a Park oil


Thomas Gainsborough
Conversation in a Park
Painting ID::  40902
new16/Thomas Gainsborough-254644.jpg 		Conversation in a Park
mk158 c.1746
   
   
     
Thomas Gainsborough Drinkstone Park oil


Thomas Gainsborough
Drinkstone Park
Painting ID::  40903
new16/Thomas Gainsborough-832864.jpg 		Drinkstone Park
mk158 c.1746
   
   
     
Thomas Gainsborough Wooded Landscape with River oil


Thomas Gainsborough
Wooded Landscape with River
Painting ID::  40904
new16/Thomas Gainsborough-536765.jpg 		Wooded Landscape with River
mk158 mid 1740s
   
   
     
Thomas Gainsborough Landscape with a Peasant on a Path oil


Thomas Gainsborough
Landscape with a Peasant on a Path
Painting ID::  40905
new16/Thomas Gainsborough-874467.jpg 		Landscape with a Peasant on a Path
mk158 c.1746-47
   
   
     
Thomas Gainsborough Rest on the Way oil


Thomas Gainsborough
Rest on the Way
Painting ID::  40906
new16/Thomas Gainsborough-468525.jpg 		Rest on the Way
mk158 1747
   
   
     
Thomas Gainsborough Detail of Cornard Wood oil


Thomas Gainsborough
Detail of Cornard Wood
Painting ID::  40907
new16/Thomas Gainsborough-357444.jpg 		Detail of Cornard Wood
mk158 1748
   
   
     
Thomas Gainsborough Self-portrait with and Daughter oil


Thomas Gainsborough
Self-portrait with and Daughter
Painting ID::  40908
new16/Thomas Gainsborough-666295.jpg 		Self-portrait with and Daughter
mk158 c.1748
   
   
     
Thomas Gainsborough Peter Darnell Muilman Charles Crokatt and William Keable in a Landscape oil


Thomas Gainsborough
Peter Darnell Muilman Charles Crokatt and William Keable in a Landscape
Painting ID::  40909
new16/Thomas Gainsborough-973593.jpg 		Peter Darnell Muilman Charles Crokatt and William Keable in a Landscape
mk158 c.1748
   
   
     
Thomas Gainsborough Study for a Foreground,a Bank with Weeds and Thistles oil


Thomas Gainsborough
Study for a Foreground,a Bank with Weeds and Thistles
Painting ID::  40910
new16/Thomas Gainsborough-498498.jpg 		Study for a Foreground,a Bank with Weeds and Thistles
mk158 c.1750
   
   
     
Thomas Gainsborough Jonathan Tyers with his daughter and son-in-law,Elizabeth and John Wood oil


Thomas Gainsborough
Jonathan Tyers with his daughter and son-in-law,Elizabeth and John Wood
Painting ID::  40911
new16/Thomas Gainsborough-998824.jpg 		Jonathan Tyers with his daughter and son-in-law,Elizabeth and John Wood
mk158 c.1750
   
   
     
Thomas Gainsborough Cornard wood oil


Thomas Gainsborough
Cornard wood
Painting ID::  40912
new16/Thomas Gainsborough-394228.jpg 		Cornard wood
mk158 1748
   
   
     
Thomas Gainsborough Detail of Landscape with a Peasant on a Path oil


Thomas Gainsborough
Detail of Landscape with a Peasant on a Path
Painting ID::  40913
new16/Thomas Gainsborough-796734.jpg 		Detail of Landscape with a Peasant on a Path
mk158 c.1746-47
   
   
     
Thomas Gainsborough Detail of Portrait of Mr and Mrs Andrews oil


Thomas Gainsborough
Detail of Portrait of Mr and Mrs Andrews
Painting ID::  40914
new16/Thomas Gainsborough-529259.jpg 		Detail of Portrait of Mr and Mrs Andrews
mk158 c.1750
   
   
     
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     Thomas Gainsborough
     1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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