Cestello Annunciation 1489-1490.
Tempera on panel
Galleria degli Uffizi
Florence, Italy
Sandro Botticelli Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel Painting ID:: 10016 Sandro Botticelli36.jpg
Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel 1491-1493.
Courtauld Institute
Galleries,London,UK
Sandro Botticelli St. Augustine in Cell Painting ID:: 10017 Sandro Botticelli37.jpg
St. Augustine in Cell c.1490-1494
Tempera on panel
Galleria degli Uffizi
Florence, Italy
Sandro Botticelli Madonna de Padiglionel Painting ID:: 10018 Sandro Botticelli38.jpg
Madonna de Padiglionel 1493. Tempera
on panel.
Pinacoteca
Ambrosiana,
Milan, Italy
Sandro Botticelli Lamentation over Dead Christ Painting ID:: 10019 Sandro Botticelli39.jpg
Lamentation over Dead Christ 1495
Tempera on panel
Museo Poldi Pezzoli
Sandro Botticelli Madonna and Child and the young St. John the Baptist Painting ID:: 10020 Sandro Botticelli40.jpg
Madonna and Child and the young St. John the Baptist c.1490-1495.
Tempera on canvas
Palazzo Pitti, Galleria
Palatina,Florence
Sandro Botticelli Virgin and Child with the Infant St. John. After Painting ID:: 10021 Sandro Botticelli41.jpg
Virgin and Child with the Infant St. John. After 1500.
Tempera on panel
Dresden Gallery
Dresden, Germany
Sandro Botticelli The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist Painting ID:: 10022 Sandro Botticelli42.jpg
The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist Tempera on panel
Louvre,Paris,France
Sandro Botticelli St. Dominic. Painting ID:: 10023 Sandro Botticelli43.jpg
St. Dominic. Tempera and oil
on canvas,
transferred from pane
Hermitage,
St.Petersburg,Russia
Sandro Botticelli A Young Woman Receives Gifts from Venus and the Three Graces (mk05) Painting ID:: 20033 new5/Sandro Botticelli-633485.jpg
A Young Woman Receives Gifts from Venus and the Three Graces (mk05) Fresco 83 x 111 1/2''(211 x 283 cm)From the Villa Lemmi(Chiasso Macerelli,near Florence),which may have belonged to the Tornabuoni family acquired by the Louvre in 1882
Sandro Botticelli Portrait of a Man (mk05) Painting ID:: 20034 new5/Sandro Botticelli-383829.jpg
Portrait of a Man (mk05) Wood 22 1/2 x 15 1/4''(57 x 39 cm)Entered the Louvre in 1882
Sandro Botticelli The Virgin and child with John the Baptist (mk05) Painting ID:: 20035 new5/Sandro Botticelli-385642.jpg
The Virgin and child with John the Baptist (mk05) Wood 36 x 26 1/2''(91 x 67 cm)Entered the Louvre in 1824
Sandro Botticelli Pallas and the Centaur (mk08) Painting ID:: 21199 new6/Sandro Botticelli-425256.jpg
Pallas and the Centaur (mk08) c.1482
Tempera on canvas
207x148cm
Florence,Galleria degli Uffizi
Sandro Botticelli Venus and Mars (mk08) Painting ID:: 21218 new6/Sandro Botticelli-792836.jpg
Venus and Mars (mk08) C.1480
Tempera on wood
69x174cm
London,National Gallery
Sandro Botticelli Madonna del Magnificat (mk08) Painting ID:: 21219 new6/Sandro Botticelli-922233.jpg
Madonna del Magnificat (mk08) c.1481/82
Tempera on wood,diameter
115cm
Florence,Galleria degli Uffizi
Pieta (mk08) Tempera on wood
140x207cm
Munich Bayerische Staatsgemaldesammlungen
Alte Pinakothek
Sandro Botticelli La Primavera (mk08) Painting ID:: 21221 new6/Sandro Botticelli-455533.jpg
La Primavera (mk08) Tempera on wood
203x314cm
Florence.Galleria degli Uffizi
Sandro Botticelli The Birth of Venus (mk08) Painting ID:: 21222 new6/Sandro Botticelli-792996.jpg
The Birth of Venus (mk08) c.1485
Tempera on canvas,
172.5x278.5cm
Florence,Galleria degli Uffizi
Sandro Botticelli Spring (nn03) Painting ID:: 23260 new8/Sandro Botticelli-526758.jpg
Spring (nn03) c 1470/80 Tempera on panel 175.5 x 278.5 cm 69 1/4 x 109 1/2 in
Galleria degli Uffizi Florence
Sandro Botticelli Lorenzo Ghiberti,Sacrifice of Isaac (mk36) Painting ID:: 24961 new8/Sandro Botticelli-576669.jpg
Lorenzo Ghiberti,Sacrifice of Isaac (mk36) 1402
fomella for the Competition for the Northern Door the Florentine Baptisery.Florentine Museo Nazionale del Bargello
Sandro Botticelli Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36) Painting ID:: 24962 new8/Sandro Botticelli-239249.jpg
Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36) 1464-1465
Florence,Galleria degli Uffizi
Sandro Botticelli modonna with Child and an Angel (mk36) Painting ID:: 24963 new8/Sandro Botticelli-254739.jpg
modonna with Child and an Angel (mk36) c.1465
Florence,Museo dello Speeale degli lnnocenti
Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36) Painting ID:: 24964 new8/Sandro Botticelli-287494.jpg
Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36) c.1468
details..paris.Musee du Louvre
Sandro Botticelli Madonna and Child in Glory with Cherubim (mk36) Painting ID:: 24965 new8/Sandro Botticelli-754572.jpg
Madonna and Child in Glory with Cherubim (mk36) 1469-1470
Florence,Galleria degli Uffizi
Sandro Botticelli filippo lippi,Adoration of the Magi (mk36) Painting ID:: 24966 new8/Sandro Botticelli-228648.jpg
filippo lippi,Adoration of the Magi (mk36) c.1445
Washington,National Gallery of Art
Sandro Botticelli Madonna and Child with St John and two Saints (mk36) Painting ID:: 24967 new8/Sandro Botticelli-584466.jpg
Madonna and Child with St John and two Saints (mk36) 1468-1469
Florence,Galleria dell'Accademia
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s