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Sandro Botticelli Oil Painting Reproductions
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Sandro Botticelli Clayton s story oil


Sandro Botticelli
Clayton s story
Painting ID::  62256
new21/Sandro Botticelli-644942.jpg 		Clayton s story
mk281 83.5 x 180cm 1504 years
   
   
     
Sandro Botticelli And John son of Notre Dame oil


Sandro Botticelli
And John son of Notre Dame
Painting ID::  62257
new21/Sandro Botticelli-869445.jpg 		And John son of Notre Dame
mk281 134 x 92cm 1495-1500 year
   
   
     
Sandro Botticelli Nobilo early St. Maas oil


Sandro Botticelli
Nobilo early St. Maas
Painting ID::  62258
new21/Sandro Botticelli-453428.jpg 		Nobilo early St. Maas
mk281 66.5 x 149.5 cm 1500-1505 year
   
   
     
Sandro Botticelli Nobilo St. Maas three miracles oil


Sandro Botticelli
Nobilo St. Maas three miracles
Painting ID::  62259
new21/Sandro Botticelli-762648.jpg 		Nobilo St. Maas three miracles
mk281 65 x 139.5 cm 1500-1505 year
   
   
     
Sandro Botticelli Nobilo St. Maas three miracles oil


Sandro Botticelli
Nobilo St. Maas three miracles
Painting ID::  62260
new21/Sandro Botticelli-564934.jpg 		Nobilo St. Maas three miracles
mk281 67.4 x 151cm 1500-1505 year
   
   
     
Sandro Botticelli Madonna and Child with an Angel oil


Sandro Botticelli
Madonna and Child with an Angel
Painting ID::  62396
new21/Sandro Botticelli-262763.jpg 		Madonna and Child with an Angel
1465-67 Tempera on panel, 87 x 60 cm Spedale degli Innocenti, Florence It is possible that this somewhat awkward painting of the Madonna was produced while Botticelli was still working in the workshop of his teacher, Filippo Lippi. The initial inspiration for the painting came from the latter's famous Madonna in the Uffizi. Botticelli replaced the landscape with an arched architecture which frames the heads of the mother and child and emphasizes the two main figures as the centre of the devotional scene
   
   
     
Sandro Botticelli Holy Trinity oil


Sandro Botticelli
Holy Trinity
Painting ID::  62398
new21/Sandro Botticelli-448446.jpg 		Holy Trinity
1491-93 Tempera on panel, 215 x192 cm Courtauld Institute Galleries, London The altarpiece shows the Holy Trinity with Mary Magdalene, St John the Baptist and Tobias and the Angel The Holy Trinity appears as a vision between the penitent saints Magdalene and John in a bleak desert landscape. The Baptist is inviting the observer to worship the Trinity, and Mary Magdalene is turning to face it full of emotion. The exhausted figure of the penitent, a late work of Donatello's, had a decisive influence on Botticelli's Magdalene. The penitent sinner was the patron saint of the nuns' monastery of the Magdalenes, and this pala or altarpiece was ordered for their church. The figures of Tobias and the angel are very small compared to the others. They might be a reference to the donors of the altar, the guild of doctors and apothecaries: archangel Raphael was their patron saint
   
   
     
Sandro Botticelli Study of two standing figures oil


Sandro Botticelli
Study of two standing figures
Painting ID::  62400
new21/Sandro Botticelli-282854.jpg 		Study of two standing figures
1475 Metal point on primed paper, white highlights, 165 x 100 mm Mus?e des Beaux-Arts, Lille This study is one of the few remaining drawings directly related to a painting by Botticelli. The artist, who to judge by the style may have been Botticelli's student Filippino Lippi, was testing the posture and stance of the two young men who can be seen at the front left in the Adoration of the Magi. There are differences in the head and hand positions of the figure at the rear, so that it is likely that this work was produced as part of the preparations for that group of figures
   
   
     
Sandro Botticelli venus fodelse oil


Sandro Botticelli
venus fodelse
Painting ID::  64751
new22/Sandro Botticelli-566569.jpg 		venus fodelse
ca, 1485. galleria degli uffizi, florens se
   
   
     
Sandro Botticelli Madonna del Magnificat oil


Sandro Botticelli
Madonna del Magnificat
Painting ID::  74131
new24/Sandro Botticelli-453874.jpg 		Madonna del Magnificat
Date Deutsch: um 1483-1485 English: c. 1483-1485 cyf
   
   
     
Sandro Botticelli Portrat eines jungen Mannes oil


Sandro Botticelli
Portrat eines jungen Mannes
Painting ID::  74300
new24/Sandro Botticelli-595846.jpg 		Portrat eines jungen Mannes
Date Deutsch: um 1483 English: c. 1483 Medium Deutsch: Tempera auf Holz Dimensions Deutsch: 37,5 X 28,2 cm cyf
   
   
     
Sandro Botticelli Holy Trinity oil


Sandro Botticelli
Holy Trinity
Painting ID::  85514
new25/Sandro Botticelli-789443.jpg 		Holy Trinity
Date between 1491(1491) and 1493(1493) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 192 cm (75.6 in). cjr
   
   
     
Sandro Botticelli Virgin and child with two angels oil


Sandro Botticelli
Virgin and child with two angels
Painting ID::  87361
new25/Sandro Botticelli-844363.jpg 		Virgin and child with two angels
Date c. 1468-1469 Medium tempera on Oil cjr
   
   
     
Sandro Botticelli Madonna dell'Eucarestia oil


Sandro Botticelli
Madonna dell'Eucarestia
Painting ID::  89066
new25/Sandro Botticelli-357679.jpg 		Madonna dell'Eucarestia
oil on canvas cjr
   
   
     
Sandro Botticelli La Vierge et l'Enfant entoures de cinq anges oil


Sandro Botticelli
La Vierge et l'Enfant entoures de cinq anges
Painting ID::  89997
new25/Sandro Botticelli-786599.jpg 		La Vierge et l'Enfant entoures de cinq anges
c. 1470(1470) Medium tempera on panel Dimensions 58 x 40 cm (22.8 x 15.7 in) cjr
   
   
     
Sandro Botticelli The Story of Lucretia oil


Sandro Botticelli
The Story of Lucretia
Painting ID::  90336
new25/Sandro Botticelli-885985.jpg 		The Story of Lucretia
between 1496(1496) and 1504 cyf
   
   
     
Sandro Botticelli The Story of Lucretia oil


Sandro Botticelli
The Story of Lucretia
Painting ID::  90396
new25/Sandro Botticelli-843763.jpg 		The Story of Lucretia
between 1496(1496) and 1504(1504) Medium tempera and oil on panel cyf
   
   
     
Sandro Botticelli The Story of Lucretia oil


Sandro Botticelli
The Story of Lucretia
Painting ID::  91678
new25/Sandro Botticelli-565493.jpg 		The Story of Lucretia
between 1496(1496) and 1504(1504) Medium tempera and oil on panel Dimensions Height: 84 cm (33.1 in). Width: 180 cm (70.9 in). cyf
   
   
     
Sandro Botticelli Virgin and child with two angels oil


Sandro Botticelli
Virgin and child with two angels
Painting ID::  92168
new25/Sandro Botticelli-553448.jpg 		Virgin and child with two angels
1468-1469 Medium tempera on oil cyf
   
   
     
Sandro Botticelli Saint Augustine oil


Sandro Botticelli
Saint Augustine
Painting ID::  94657
new26/Sandro Botticelli-349846.jpg 		Saint Augustine
1480 Type Fresco Dimensions 152 cm x 112 cm (60 in x 44 in) cyf
   
   
     
Sandro Botticelli Madonna del Padiglione oil


Sandro Botticelli
Madonna del Padiglione
Painting ID::  94664
new26/Sandro Botticelli-499957.jpg 		Madonna del Padiglione
1493 Type Tempera on panel Dimensions 65 cm x 65 cm (26 in x 26 in) cyf
   
   
     
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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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