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Rosso Fiorentino Oil Painting Reproductions
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Rosso Fiorentino Moses Defending the Daughters of Jethro oil


Rosso Fiorentino
Moses Defending the Daughters of Jethro
Painting ID::  40328
new12/Rosso Fiorentino-627982.jpg 		Moses Defending the Daughters of Jethro
mk156 1523 OIl on canvas 160x117cm
   
   
     
Rosso Fiorentino Portrait of a Kinight oil


Rosso Fiorentino
Portrait of a Kinight
Painting ID::  42997
new16/Rosso Fiorentino-664379.jpg 		Portrait of a Kinight
mk170 1520-1522 Oil on poplar 96.8x76.2cm
   
   
     
Rosso Fiorentino Musical Angel oil


Rosso Fiorentino
Musical Angel
Painting ID::  51718
new19/Rosso Fiorentino-597354.jpg 		Musical Angel
nn09 c.1522 Tempera on wood 39x47cm
   
   
     
Rosso Fiorentino Luo rope Habusibao Feir Naduo oil


Rosso Fiorentino
Luo rope Habusibao Feir Naduo
Painting ID::  58140
new20/Rosso Fiorentino-435645.jpg 		Luo rope Habusibao Feir Naduo
mk261 1525, Liverpool, Merseyside County National Museum and Gallery
   
   
     
Rosso Fiorentino Moses defending the Daughters of Jethro. oil


Rosso Fiorentino
Moses defending the Daughters of Jethro.
Painting ID::  82157
new24/Rosso Fiorentino-892755.jpg 		Moses defending the Daughters of Jethro.
Date between 1523(1523) and 1524(1524) Medium Oil on canvas Dimensions Height: 160 cm (63 in). Width: 117 cm (46.1 in). cjr
   
   
     
Rosso Fiorentino Madonna Enthroned and Ten Saints oil


Rosso Fiorentino
Madonna Enthroned and Ten Saints
Painting ID::  83613
new24/Rosso Fiorentino-884869.jpg 		Madonna Enthroned and Ten Saints
Date 1522(1522) Medium Oil on wood Dimensions Height: 350 cm (137.8 in). Width: 259 cm (102 in). cjr
   
   
     
Rosso Fiorentino Daughters of Jethro oil


Rosso Fiorentino
Daughters of Jethro
Painting ID::  85769
new25/Rosso Fiorentino-666667.jpg 		Daughters of Jethro
between 1523(1523) and 1524(1524) Medium Oil on canvas cyf
   
   
     
Rosso Fiorentino Madonna Enthroned and Ten Saints oil


Rosso Fiorentino
Madonna Enthroned and Ten Saints
Painting ID::  87472
new25/Rosso Fiorentino-969337.jpg 		Madonna Enthroned and Ten Saints
1522(1522) Medium Oil on wood cyf
   
   
     
Rosso Fiorentino Marriage of the Virgin oil


Rosso Fiorentino
Marriage of the Virgin
Painting ID::  88419
new25/Rosso Fiorentino-989495.jpg 		Marriage of the Virgin
1523(1523) Medium Oil on wood Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in). cjr
   
   
     
Rosso Fiorentino Descent from the Cross oil


Rosso Fiorentino
Descent from the Cross
Painting ID::  88420
new25/Rosso Fiorentino-789748.jpg 		Descent from the Cross
1521(1521) Medium Oil on wood Dimensions Height: 375 cm (147.6 in). Width: 196 cm (77.2 in). cjr
   
   
     
Rosso Fiorentino Madonna Enthroned between Two Saints oil


Rosso Fiorentino
Madonna Enthroned between Two Saints
Painting ID::  89681
new25/Rosso Fiorentino-445355.jpg 		Madonna Enthroned between Two Saints
1521(1521) Medium oil on wood cyf
   
   
     
Rosso Fiorentino Putto che suona oil


Rosso Fiorentino
Putto che suona
Painting ID::  90339
new25/Rosso Fiorentino-777958.jpg 		Putto che suona
1518(1518) Medium oil on panel Dimensions Height: 172 cm (67.7 in). Width: 141 cm (55.5 in). cyf
   
   
     
Rosso Fiorentino Betrothal of the Virgin oil


Rosso Fiorentino
Betrothal of the Virgin
Painting ID::  91199
new25/Rosso Fiorentino-453447.jpg 		Betrothal of the Virgin
1523(1523) Medium oil on panel Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in). cyf
   
   
     
Rosso Fiorentino Risen Christ oil


Rosso Fiorentino
Risen Christ
Painting ID::  91299
new25/Rosso Fiorentino-433736.jpg 		Risen Christ
between 1528(1528) and 1530(1530) Medium oil on panel cyf
   
   
     
Rosso Fiorentino Descent from the Cross oil


Rosso Fiorentino
Descent from the Cross
Painting ID::  92050
new25/Rosso Fiorentino-739686.jpg 		Descent from the Cross
1521(1521) Medium oil on panel cyf
   
   
     
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     Rosso Fiorentino
     Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.

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