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Rosa Bonheur Oil Painting Reproductions

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Rosa Bonheur Plowing in the Nivernais;the dressing of the vines oil


Rosa Bonheur
Plowing in the Nivernais;the dressing of the vines
Painting ID::  11052
Rosa bonheur1.jpg
Plowing in the Nivernais;the dressing of the vines
1849(Salon of 1849) 4' 4 3/4'' x 8' 6 1/4''(134 x 260cm) RF 64
   
   
     

Rosa Bonheur Ploughing in the Nivenais oil


Rosa Bonheur
Ploughing in the Nivenais
Painting ID::  40694
new16/Rosa Bonheur-555964.jpg
Ploughing in the Nivenais
mk156 1848-49 Oil on canvas 134x260cm
   
   
     

Rosa Bonheur Colonel William F.Cody oil


Rosa Bonheur
Colonel William F.Cody
Painting ID::  41506
new16/Rosa Bonheur-372879.jpg
Colonel William F.Cody
mk162 1889 Oil on canvas 18x15
   
   
     

Rosa Bonheur The horse market oil


Rosa Bonheur
The horse market
Painting ID::  45894
new17/Rosa Bonheur-585675.jpg
The horse market
mk178 1853 Olauf linens 244.5x506.7cm
   
   
     

Rosa Bonheur the horse fair oil


Rosa Bonheur
the horse fair
Painting ID::  56237
new20/Rosa Bonheur-276733.jpg
the horse fair
mk247 1853 to 55,oil on canvas,96x200 in,245x507 cm,metropolitan museum of art, new york,ny,usa
   
   
     

Rosa Bonheur plojning i nivernais oil


Rosa Bonheur
plojning i nivernais
Painting ID::  56477
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plojning i nivernais
mk248 en av bonbeurs mest byllande malningar. den ar baserad pa bennes egna studier ocb ar ocksa insp inspiread av potter, en nederlandsk djurmalare fran 1600 talet. uppbojdbeten bos ualdidiga, arbetande djuren verkar overtraffa effektiviteten bos de man som driver pa dem.
   
   
     

Rosa Bonheur buffa;o bill oil


Rosa Bonheur
buffa;o bill
Painting ID::  56478
new20/Rosa Bonheur-348867.jpg
buffa;o bill
mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905.
   
   
     

Rosa Bonheur Ma City oil


Rosa Bonheur
Ma City
Painting ID::  56951
new20/Rosa Bonheur-728846.jpg
Ma City
mk250 In the year 1853-1855. Oil on canvas, about 244.5 x 506.7 cm. New York Metropolitan Museum of Art.
   
   
     

Rosa Bonheur View of a Field oil


Rosa Bonheur
View of a Field
Painting ID::  73784
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View of a Field
Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf
   
   
     

Rosa Bonheur Wild Boars in the Snow oil


Rosa Bonheur
Wild Boars in the Snow
Painting ID::  92707
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Wild Boars in the Snow
Date c. 1870(1870) Medium oil on panel Dimensions 21 X 30.5 cm (8.3 X 12 in) TTD
   
   
     

Rosa Bonheur Weaning the Calves oil


Rosa Bonheur
Weaning the Calves
Painting ID::  93758
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Weaning the Calves
1879(1879) Medium oil on canvas Dimensions 65.1 x 81.3 cm (25.6 x 32 in) cjr
   
   
     

Rosa Bonheur From the Marmara Sea oil


Rosa Bonheur
From the Marmara Sea
Painting ID::  96414
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From the Marmara Sea
circa 1890(1890) Medium oil on canvas Dimensions 21.5 X 40.5 cm cyf
   
   
     

Rosa Bonheur Mounted Indians Carrying Spears oil


Rosa Bonheur
Mounted Indians Carrying Spears
Painting ID::  96700
new26/Rosa Bonheur-433796.jpg
Mounted Indians Carrying Spears
1890(1890) Medium oil on cardboard Dimensions 13.75 X 19 in cyf
   
   
     

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     Rosa Bonheur
     1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .

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