Venus and Satyr sg 1720s
Oil on canvas, 102 x 125,5 cm
Museum of Fine Arts, Budapest
RICCI, Sebastiano Moses Defending the Daughters of Jethro Painting ID:: 8919 new1/RICCI, Sebastiano9.jpg
Moses Defending the Daughters of Jethro 1720s
Oil on canvas, 114 x 178 cm
Museum of Fine Arts, Budapest
RICCI, Sebastiano Bathsheba at the Bath Painting ID:: 8920 new1/RICCI, Sebastiano10.jpg
Bathsheba at the Bath 1720s
Oil on canvas, 118,5 x 199 cm
Museum of Fine Arts, Budapest
RICCI, Sebastiano Bathsheba in her Bath Painting ID:: 8921 new1/RICCI, Sebastiano11.jpg
Bathsheba in her Bath c. 1725
Oil on canvas, 111,8 x 144,3 cm
Staatliche Museen, Berlin
RICCI, Sebastiano The Adoration of the Magi Painting ID:: 8922 new1/RICCI, Sebastiano12.jpg
The Adoration of the Magi 1726-30
Oil on canvas, 330,2 x 289,6 cm
Royal Collection,
RICCI, Sebastiano St Pius, St Thomas of Aquino and St Peter Martyr Painting ID:: 8923 new1/RICCI, Sebastiano13.jpg
St Pius, St Thomas of Aquino and St Peter Martyr 1730-33
Oil on canvas, 343 x 169 cm
S. Maria del Rosario (Gesuati), Venice
RICCI, Sebastiano Bacchus and Ariadne Painting ID:: 8924 new1/RICCI, Sebastiano14.jpg
Bacchus and Ariadne c. 1713
Oil on canvas, 189 x 104 cm
Chiswick House, London
RICCI, Sebastiano Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05) Painting ID:: 20641 new6/RICCI, Sebastiano-288757.jpg
Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05) 1718
Canvas 44 1/2 x 33 1/2''(113 x 85 cm)Reception Picture at the Academie Royale de Peinture et de Sculpture Transferred to the Louvre in the Revolution INV
RICCI, Sebastiano Jove and Semele Painting ID:: 28901 new3/RICCI, Sebastiano-589528.jpg
Jove and Semele mk65
Oil on canvas
75 3/16x59 7/16in
Uffizi
RICCI, Sebastiano Hercules at the Crossroads Painting ID:: 29983 new3/RICCI, Sebastiano-644489.jpg
Hercules at the Crossroads mk67
Oil on canvas
25 9/16x15 3/16in
Uffizi,
RICCI, Sebastiano Betsabea al Bagno Painting ID:: 32577 new9/RICCI, Sebastiano-247353.jpg
Betsabea al Bagno mk79
1720
RICCI, Sebastiano Allegory of Tuscany Painting ID:: 40528 new16/RICCI, Sebastiano-736635.jpg
Allegory of Tuscany mk156
1706
Oil on canvas
90x70.5cm
RICCI, Sebastiano Bacchus and Ariadne Painting ID:: 43268 new16/RICCI, Sebastiano-587885.jpg
Bacchus and Ariadne mk170
1700-1710
Oil on canvas
75.9x63.2cm
RICCI, Sebastiano Victim at Vesta Painting ID:: 45593 new17/RICCI, Sebastiano-824996.jpg
Victim at Vesta mk186
1723 Dresden, Gemaldegalerie old masters
RICCI, Sebastiano Altar of St Gregory the Great Painting ID:: 51991 new19/RICCI, Sebastiano-285844.jpg
Altar of St Gregory the Great Oil on canvas
RICCI, Sebastiano The Liberation of St Peter Painting ID:: 51993 new19/RICCI, Sebastiano-532838.jpg
The Liberation of St Peter 1722
Oil on canvas
RICCI, Sebastiano Prayer in the Garden Painting ID:: 51995 new19/RICCI, Sebastiano-393928.jpg
Prayer in the Garden c. 1730
Oil on canvas,
95 x 76 cm
RICCI, Sebastiano The Adoration of the Magi Painting ID:: 63048 new21/RICCI, Sebastiano-982573.jpg
The Adoration of the Magi 1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious
RICCI, Sebastiano Die angeklagte Susanna und der Prophet Daniel Painting ID:: 71450 new23/RICCI, Sebastiano-795479.jpg
Die angeklagte Susanna und der Prophet Daniel Date 1725-1726
Medium Oil on canvas
Dimensions 243 x 440 cm (95.67 x 173.23 in)
RICCI, Sebastiano Grabmal des Herzogs von Devonshire Painting ID:: 76739 new24/RICCI, Sebastiano-445655.jpg
Grabmal des Herzogs von Devonshire Date 1725
Medium Oil on canvas
Dimensions Deutsch: 217 ?? 138 cm
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RICCI, Sebastiano Rusticus von Verona sowie ein Engel Painting ID:: 81703 new24/RICCI, Sebastiano-578674.jpg
Rusticus von Verona sowie ein Engel 1704
Medium Oil on canvas
Dimensions Deutsch: 380 x 250 cm
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Italian painter, Venetian school (b. 1659, Belluno, d. 1734, Venezia).Painter and draughtsman. He painted light and colourful religious, historical and mythological subjects with a fluid, painterly touch. His rediscovery of Paolo Veronese, whose settings and costumes he borrowed, was important to later Venetian painters. Sebastiano was an itinerant artist, celebrated throughout Europe.