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RIBALTA, Francisco Oil Painting Reproductions
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RIBALTA, Francisco Christ Embracing St Bernard xfgh oil


RIBALTA, Francisco
Christ Embracing St Bernard xfgh
Painting ID::  8904
new1/RIBALTA, Francisco1.jpg 		Christ Embracing St Bernard xfgh
Oil on canvas, 158 x 133 cm Museo del Prado, Madrid
   
   
     
RIBALTA, Francisco St Francis Comforted by an Angel oil


RIBALTA, Francisco
St Francis Comforted by an Angel
Painting ID::  8905
new1/RIBALTA, Francisco2.jpg 		St Francis Comforted by an Angel
Oil on canvas, 204 x 158 cm Museo del Prado, Madrid
   
   
     
RIBALTA, Francisco Christ Embracing St.Bernard oil


RIBALTA, Francisco
Christ Embracing St.Bernard
Painting ID::  28548
new3/RIBALTA, Francisco-588599.jpg 		Christ Embracing St.Bernard
mk61 Oil on canvas 158x113cm
   
   
     
RIBALTA, Francisco Christ Nailed to the Cross oil


RIBALTA, Francisco
Christ Nailed to the Cross
Painting ID::  29173
new3/RIBALTA, Francisco-972525.jpg 		Christ Nailed to the Cross
mk65 1582 Oil on canvas 57x41"
   
   
     
RIBALTA, Francisco St.Vincent in a Dungeon oil


RIBALTA, Francisco
St.Vincent in a Dungeon
Painting ID::  29195
new3/RIBALTA, Francisco-688937.jpg 		St.Vincent in a Dungeon
mk65 Oil on canvas 104x70"
   
   
     
RIBALTA, Francisco Christ Embracing St.Bernard oil


RIBALTA, Francisco
Christ Embracing St.Bernard
Painting ID::  32883
new9/RIBALTA, Francisco-635583.jpg 		Christ Embracing St.Bernard
mk84 1625-27 Madrid Prado,canvas 158x113cm
   
   
     
RIBALTA, Francisco christ embracing st.bernard oil


RIBALTA, Francisco
christ embracing st.bernard
Painting ID::  56055
new20/RIBALTA, Francisco-789672.jpg 		christ embracing st.bernard
mk247 1625 to 27,oil on canvas,62.25x44.5 in,158x113 cm,museo del prado ,madrid,spain
   
   
     
RIBALTA, Francisco Adoration of the Shepherds oil


RIBALTA, Francisco
Adoration of the Shepherds
Painting ID::  62317
new21/RIBALTA, Francisco-544878.jpg 		Adoration of the Shepherds
15 x 29,5 cm Museo de Bellas Artes, Bilbao This small painting was painted on a copper plate used for engraving, the back side of the plate shows an engraving of the Sermon of St Luis Beltr?n. The attribution to Juan Ribalta is debated, Francisco Ribalta and Pedro Orrente are also mentioned in the literature as possible author
   
   
     
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     RIBALTA, Francisco
     Spanish Baroque Era Painter, ca.1565-1628 He was the most distinguished artist working in Valencia in the early 17th century. His move towards naturalism at an early date was significant for the history of Spanish painting as well as being very influential. His documented mature works after about 1620 show a change of vision, and they are also of the highest quality. The religious paintings are depicted with more pronounced realism, and his deeply felt spiritual belief is expressed in a direct and very immediate way. In 1607 Ribalta supported other leading Valencian painters in a move to form the Colegio de Pintores (College of Painters) to safeguard the interests of the profession. The expulsion of the Moriscos in 1609 and the death in 1611 of the Patriarch Archbishop Juan de Ribera, Ribalta's most important patron, led to an economic crisis and spiritual void in Valencia that had an effect on his activity, since thereafter commissions came more rarely, and his work became more introspective. During 1616 and 1617 the idea of forming the Colegio de Pintores was revived, and Ribalta took an active role in the management and signed the petition to Philip III seeking support for the Colegio.

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