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Pars, William Oil Painting Reproductions

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Pars, William Bridge near Mount Grimsel oil


Pars, William
Bridge near Mount Grimsel
Painting ID::  19767
new5/Pars, William-942249.jpg
Bridge near Mount Grimsel
1770 Watercolor British Museum, London.
   
   
     

Pars, William The Glacier of Grindelwald oil


Pars, William
The Glacier of Grindelwald
Painting ID::  19768
new5/Pars, William-639253.jpg
The Glacier of Grindelwald
1770 Watercolor British Museum, London.
   
   
     

Pars, William The Valley of Lauterbrunnen and the Staubbach oil


Pars, William
The Valley of Lauterbrunnen and the Staubbach
Painting ID::  19769
new5/Pars, William-888446.jpg
The Valley of Lauterbrunnen and the Staubbach
1770 Watercolor British Museum, London.
   
   
     

Pars, William The Devil's Bridge in the Canton of Uri oil


Pars, William
The Devil's Bridge in the Canton of Uri
Painting ID::  19770
new5/Pars, William-847978.jpg
The Devil's Bridge in the Canton of Uri
1770 Watercolor British Museum, London.
   
   
     

Pars, William The Rhone Glacier and the Source of the Rhone oil


Pars, William
The Rhone Glacier and the Source of the Rhone
Painting ID::  19771
new5/Pars, William-826795.jpg
The Rhone Glacier and the Source of the Rhone
1770 Watercolor British Museum, London.
   
   
     

Pars, William The Flower Garden at Strawberry Hill,Middlesex oil


Pars, William
The Flower Garden at Strawberry Hill,Middlesex
Painting ID::  48616
new17/Pars, William-533257.jpg
The Flower Garden at Strawberry Hill,Middlesex
mk190 1772 it was created for Horace Walpole between 1769 and 1772
   
   
     

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     Pars, William
     English, 1742-82 English painter. He first established himself in London as a portrait painter, exhibiting at the Society of Artists in 1760 and at the Free Society of Artists from 1761. In 1764 he won the third premium of the Royal Society of Arts for his history painting depicting Caractacus before the Emperor Claudius (untraced). In the same year he was selected by the Dilettanti Society to accompany Richard Chandler and Nicholas Revett on an archaeological expedition to Asia Minor and Greece (1764-6). His views of Classical monuments in Asia Minor were engraved and published in Ionian Antiquities (1769), while those he made in Greece, which included pioneering drawings of the Parthenon sculptures, were used in the second volume of James Stuart's Antiquities of Athens (1777).

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