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Paris Bordone Oil Painting Reproductions
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Paris Bordone Presentation of the Ring to the Doges of Venice oil


Paris Bordone
Presentation of the Ring to the Doges of Venice
Painting ID::  122
Paris Bordone1.jpg 		Presentation of the Ring to the Doges of Venice
1534 Galleria dell'Accademia, Venice
   
   
     
Paris Bordone Recreation by our Gallery oil


Paris Bordone
Recreation by our Gallery
Painting ID::  32571
new9/Paris Bordone-995563.jpg 		Recreation by our Gallery
mk79 1545
   
   
     
Paris Bordone The Fisheman Presenting the Ring to the Doge Gradenigo oil


Paris Bordone
The Fisheman Presenting the Ring to the Doge Gradenigo
Painting ID::  40355
new12/Paris Bordone-568946.jpg 		The Fisheman Presenting the Ring to the Doge Gradenigo
mk156 1534 Oil on canvas 370x300cm
   
   
     
Paris Bordone Two Lovers oil


Paris Bordone
Two Lovers
Painting ID::  41180
new16/Paris Bordone-433798.jpg 		Two Lovers
mk157 c.1525-30 Oil on canvas 95x80cm
   
   
     
Paris Bordone Portrait of a Young Woman oil


Paris Bordone
Portrait of a Young Woman
Painting ID::  43048
new16/Paris Bordone-765434.jpg 		Portrait of a Young Woman
mk170 Oil on canvas 106.7x85.7cm
   
   
     
Paris Bordone Daphnis and Chloe oil


Paris Bordone
Daphnis and Chloe
Painting ID::  43059
new16/Paris Bordone-653982.jpg 		Daphnis and Chloe
mk170 1538-1540 Oil on canvas 135.9x120.6cm
   
   
     
Paris Bordone Allegory with Lovers oil


Paris Bordone
Allegory with Lovers
Painting ID::  51188
new18/Paris Bordone-244953.jpg 		Allegory with Lovers
1550 Oil on canvas, 111,5 x 174,5 cm
   
   
     
Paris Bordone The Annunciation oil


Paris Bordone
The Annunciation
Painting ID::  83383
new24/Paris Bordone-693969.jpg 		The Annunciation
1555(1555) Medium Oil on canvas Dimensions Height: 99 cm (39 in). Width: 134 cm (52.8 in). cyf
   
   
     
Paris Bordone Madonna and Child with Saints oil


Paris Bordone
Madonna and Child with Saints
Painting ID::  87007
new25/Paris Bordone-366793.jpg 		Madonna and Child with Saints
1535(1535) Medium Oil on poplar cyf
   
   
     
Paris Bordone Athena Scorning the Advances of Hephaestus oil


Paris Bordone
Athena Scorning the Advances of Hephaestus
Painting ID::  90453
new25/Paris Bordone-666955.jpg 		Athena Scorning the Advances of Hephaestus
Oil on canvas (61.78) (Kress Study Collection, K 1112) Date ca. 1555-1560 cyf
   
   
     
Paris Bordone Madonna with Sleeping Child oil


Paris Bordone
Madonna with Sleeping Child
Painting ID::  91876
new25/Paris Bordone-688484.jpg 		Madonna with Sleeping Child
1540 - 1560 Medium oil on canvas Dimensions 69.5 X 83.5 cm (27.4 X 32.9 in) cjr
   
   
     
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     Paris Bordone
     Italian 1500-1571 Italian painter and draughtsman. He is best known for his strikingly beautiful depictions of women, both in portraits and in cabinet paintings. He also excelled in rendering monumental architectural settings for narrative, both religious and secular, possibly initiating a genre that would find great currency during the mid-16th century, especially in Venice, France and the Netherlands. His favoured media were oil and fresco, the latter being used on both interiors and faades. Although he was not generally sought after by Venetian patrons during his career, as his art was eclipsed by that of Titian, Paolo Veronese and Jacopo Tintoretto, Bordone was regarded in the mid-16th century as an accomplished artist (Pino; Sansovino). He worked for the moneyed lite of northern Italy and Bavaria, for the royalty of France and Poland, and had works commissioned to be sent to Spain and to Flanders. Despite knowledge of the important patrons for whom he worked, the chronology of Bordones oeuvre is by no means clear. Dating on stylistic grounds is confounded by the diverse sources on which he drew, ranging from the Emilian, Lombard and Venetian to the French and northern European, depending on the patron. Due to the ease with which prints circulated during Bordones career, it is difficult to ascertain whether influences were derived at first hand or from printed images. Such difficulties in assigning dates are further exacerbated by his use of the same figure study for numerous paintings evidently executed decades apart. Reliance on the testimony of Vasari, who interviewed Bordone in 1566, in conjunction with the extant documents, the few signed and dated paintings and, to a lesser extent, period fashion provides only a rough outline of his activity. Due to the lack of agreement among scholars regarding chronology, the following account is based mainly on the documentary evidence.

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