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PASSEROTTI, Bartolomeo Oil Painting Reproductions
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PASSEROTTI, Bartolomeo The Butcher's Shop a oil


PASSEROTTI, Bartolomeo
The Butcher's Shop a
Painting ID::  8457
new1/PASSEROTTI, Bartolomeo1.jpg 		The Butcher's Shop a
1580s Oil on canvas, 112 x 152 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
PASSEROTTI, Bartolomeo The Fishmonger's Shop agf oil


PASSEROTTI, Bartolomeo
The Fishmonger's Shop agf
Painting ID::  8458
new1/PASSEROTTI, Bartolomeo2.jpg 		The Fishmonger's Shop agf
1580s Oil on canvas, 112 x 152 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
PASSEROTTI, Bartolomeo Holy Family with the Infant St John the Baptist and St Catherine of Alexandria f oil


PASSEROTTI, Bartolomeo
Holy Family with the Infant St John the Baptist and St Catherine of Alexandria f
Painting ID::  8459
new1/PASSEROTTI, Bartolomeo3.jpg 		Holy Family with the Infant St John the Baptist and St Catherine of Alexandria f
Oil on canvas, 111,5 x 92 cm Christian Museum, Esztergom
   
   
     
PASSEROTTI, Bartolomeo Portrait of a Gentleman with Two Dogs oil


PASSEROTTI, Bartolomeo
Portrait of a Gentleman with Two Dogs
Painting ID::  29884
new3/PASSEROTTI, Bartolomeo-496545.jpg 		Portrait of a Gentleman with Two Dogs
mk67 Oil on canvas 40 9/16x33 1/16in Pitti,Palatine Gallery
   
   
     
PASSEROTTI, Bartolomeo The Geflugelbandlerinnen oil


PASSEROTTI, Bartolomeo
The Geflugelbandlerinnen
Painting ID::  45530
new17/PASSEROTTI, Bartolomeo-323745.jpg 		The Geflugelbandlerinnen
mk186 around 1577 Florence, Fondazione Roberto Longhi
   
   
     
PASSEROTTI, Bartolomeo Basket of Flowers oil


PASSEROTTI, Bartolomeo
Basket of Flowers
Painting ID::  62321
new21/PASSEROTTI, Bartolomeo-878892.jpg 		Basket of Flowers
54 x 83 cm Museo del Prado, Madrid This painting of a basket of flowers and its pair (Madrid, Museo del Prado) follow closely a type of flower piece made popular by Juan de Arellano in which the flowers occupy an open weave wicker basket placed on a rough stone ledge. Such images of flowers casually arranged and filling an open weave basket differ from the formal presentations of bouquets in vases and were perhaps intended to be seen as recently-gathered fresh flowers on short stems. Although the paintings have been considered early works by P?rez for reasons of their closeness to the typology of Arellano s works, they show that the painter was evidently in full possession of the technical resources that distinguish his mature style. In the 17th century, flower paintings commonly made up the decoration of chapels and monastic institutions. While it does not appear that symbolism played a significant role in Spanish flower paintings, viewers of a more sombre cast of mind could have read a Vanitas message in such pictures, in which the brief life of the flowers was a metaphor for human existence
   
   
     
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     PASSEROTTI, Bartolomeo
     Italian Painter, 1529-1592

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