PALMA GIOVANE Apollo and Marsyas (1)a sg Painting ID:: 8428 new1/PALMA GIOVANE1.jpg
Apollo and Marsyas (1)a sg Oil on canvas, 134 x 195 cm
Herzog Anton Ulrich-Museum, Braunschweig
PALMA GIOVANE Portrait of a Man atgy Painting ID:: 8435 new1/PALMA GIOVANE8.jpg
Portrait of a Man atgy 1512-15
Oil on canvas, 93,5 x 72 cm
The Hermitage, St. Petersburg
PALMA GIOVANE A Sibyl ag Painting ID:: 8437 new1/PALMA GIOVANE10.jpg
A Sibyl ag c. 1520
Oil on poplar panel, 74 x 55,1 cm
Royal Collection, Windsor
PALMA GIOVANE Self-Portrait Painting the Resurrection of Christ Painting ID:: 26768 new2/PALMA GIOVANE-645739.jpg
Self-Portrait Painting the Resurrection of Christ 1590S
Oil on canvas
126x96cm
Brera,Milan
PALMA GIOVANE Mars and Venus Painting ID:: 31363 new4/PALMA GIOVANE-725695.jpg
Mars and Venus nn07
probably 1585-90
PALMA GIOVANE Recreation by our Gallery Painting ID:: 32583 new9/PALMA GIOVANE-772782.jpg
Recreation by our Gallery mk79
About 1580
PALMA GIOVANE Recreation by our Gallery Painting ID:: 32601 new9/PALMA GIOVANE-343367.jpg
Recreation by our Gallery mk79
1610-1615
PALMA GIOVANE Portrait of a Sculptor Painting ID:: 39597 new12/PALMA GIOVANE-867753.jpg
Portrait of a Sculptor mk150
c.1600
Canvas
62x48.5cm
PALMA GIOVANE Mars,Venus and Cupid Painting ID:: 43066 new16/PALMA GIOVANE-284898.jpg
Mars,Venus and Cupid mk170-1585-1590
Oil on canvas
130.9x165.6cm
PALMA GIOVANE The Pool Painting ID:: 63830 new21/PALMA GIOVANE-954467.jpg
The Pool 1592 Oil on canvas Collezione Molinari Pradelli, Castenaso St John's version (John 5:1-15) of the miracle of the healing of the paralytic lays the scene in Jerusalem at the pool of Bethesda. (According to Matthew, Mark and Luke it took place at Kapernaum.) The place was a resort of the sick since the waters were believed to have miraculous curative powers. It was said that from time to time an angel, traditionally the archangel Gabriel, came and disturbed the water and that the first person to enter it afterwards was healed. But the paralytic had never succeeded in being first. Christ came there and found him. He was ordered to take up his bed and walk and immediately found himself cured. John described it as 'a place with five colonnades', and therefore represented with some such architectural feature. Christ addressing the paralytic who lies at the edge of the pool. Others, sick and infirm crowd the scene. Palma's painting was clearly inspired by the great examples of sixteenth-century Venetian art and in particular by the works of Tintoretto. The composition is typical of Palma the Younger's mature style. Compositional flair, the employment of diagonal perspectives and rich colours almost obliterated by heavy shadow as well as the theatrical eloquence of the gestures and use of foreshortening are all typical characteristics of Palma the Younger's style of painting. When he managed to control all of them, as in this splendid example, he took post-Renaissance Venetian painting, generally considered a dismal period in art, to its highest degree of effectiveness and expression. When, on the other hand, the effects he used degenerated into repetitive formulas, seventeenth-century Venetian art very quickly became monotonous. This painting is a part of the Collezione Molinari Pradelli, the most extensive private collection of seventeenth- and eighteenth-century art in Italy.Artist:PALMA GIOVANE Title: The Pool Painted in 1551-1600 , Italian - - painting : religious
PALMA GIOVANE Christ supported by two cherubs supporting a Cero Painting ID:: 80261 new24/PALMA GIOVANE-546858.jpg
Christ supported by two cherubs supporting a Cero Info from source: Jacopo Negretti, called " PALMA IL GIOVANE " (1548 Venice 1628), Christ supported by two putti each supporting a Cero, oil on slate, 31 x 25.5 cm
author died 1628
cjr
PALMA GIOVANE PALMA GIOVANE Painting ID:: 84498 new25/PALMA GIOVANE-873834.jpg
PALMA GIOVANE oil on slate, 31 x 25.5 cm
Date Unknown; author died 1628
cyf
PALMA GIOVANE Bimba a mezzo busto Painting ID:: 86833 new25/PALMA GIOVANE-838478.jpg
Bimba a mezzo busto Oil on cardboard
Dimensions Italiano: 38 x 28 cm
cyf
PALMA GIOVANE San Giacomo Minore Painting ID:: 96701 new26/PALMA GIOVANE-667784.jpg
San Giacomo Minore oil on canvas
Dimensions 158 X 115 cm
cyf
Italian Mannerist Painter, ca.1548-1628
Son of Antonio Palma. A greater artist than his father, his vast oeuvre represents the impact of central Italian Mannerism but principally of Jacopo Tintoretto on Venetian painting in the generation after Titian, Tintoretto and Paolo Veronese. He died in his late seventies and was occasionally referred to as 'il vecchio', but since the 17th century he has been known as 'il giovane' to distinguish him from his great uncle. He was virtually self-taught, apart from a presumed acquaintance with his father's workshop. In 1567 he came to the attention of Guidobaldo II della Rovere, Duke of Urbino, who was to support him for four years. A possible knowledge of Federico Barocci's art at the court of Urbino left little trace on his surviving early works. The Duke sent him to Rome for study, where he spent a few months apprenticed to an unknown artist. There his sympathy was with Taddeo Zuccaro and Federico Zuccaro, who influenced the graphic style of the drawing of Matteo da Lecce (1568; New York, Pierpont Morgan Lib.), his first dated work. His Roman sojourn, which lasted until c. 1573-4, made a direct impact on some of his Venetian works and indirectly made him receptive to Tintoretto's style. A tendency in Rome in the 1560s to retreat from the most artificial and decorative aspects of Mannerism in favour of naturalism was also to affect Palma's attitude to style in his mature works