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PACHER, Michael Oil Painting Reproductions

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PACHER, Michael Annunciation aghe oil


PACHER, Michael
Annunciation aghe
Painting ID::  8420
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Annunciation aghe
1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
   
   
     

PACHER, Michael St Lawrence Distributing the Alms ag oil


PACHER, Michael
St Lawrence Distributing the Alms ag
Painting ID::  8421
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St Lawrence Distributing the Alms ag
1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
   
   
     

PACHER, Michael St Catherine ag oil


PACHER, Michael
St Catherine ag
Painting ID::  8422
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St Catherine ag
1465-70 Panel, 511 x 49,5 cm Tiroler Landesmuseum Ferdinandeum, Innsbruck
   
   
     

PACHER, Michael Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G oil


PACHER, Michael
Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G
Painting ID::  8423
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Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G
c. 1483 Panel, 103 x 91 cm Alte Pinakothek, Munich
   
   
     

PACHER, Michael Flagellation agy oil


PACHER, Michael
Flagellation agy
Painting ID::  8424
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Flagellation agy
1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
   
   
     

PACHER, Michael The Engagement of Virgin zg oil


PACHER, Michael
The Engagement of Virgin zg
Painting ID::  8425
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The Engagement of Virgin zg
1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
   
   
     

PACHER, Michael The Resurrection of Lazarus.From the St Wolfgang Altar (mk08) oil


PACHER, Michael
The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)
Painting ID::  21273
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The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)
1471-1481 Tempera on wood 175x130
   
   
     

PACHER, Michael St Augustine and St Gregory (mk08) oil


PACHER, Michael
St Augustine and St Gregory (mk08)
Painting ID::  21274
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St Augustine and St Gregory (mk08)
c.1480 Oil on wood, Munich,Bayerische Staatsgemaldesammlun-gen, Alte Pinakothek
   
   
     

PACHER, Michael The Resurrection of Lazarus oil


PACHER, Michael
The Resurrection of Lazarus
Painting ID::  33452
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The Resurrection of Lazarus
mk86 1471-1481 Tempera on wood 175x130cm
   
   
     

PACHER, Michael St Augustine and St Gregory oil


PACHER, Michael
St Augustine and St Gregory
Painting ID::  33453
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St Augustine and St Gregory
mk86 c.1480 Oil on wood 212x100cm
   
   
     

PACHER, Michael Resurrection of Lazarus oil


PACHER, Michael
Resurrection of Lazarus
Painting ID::  40227
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Resurrection of Lazarus
mk156 1471-1481 Tempera on wood 175x130cm
   
   
     

PACHER, Michael Altarpiece of the Earyly Chuch Fathers oil


PACHER, Michael
Altarpiece of the Earyly Chuch Fathers
Painting ID::  40249
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Altarpiece of the Earyly Chuch Fathers
mk156 c.1480 Oil on panel 216x380cm
   
   
     

PACHER, Michael The Virgin and Child Enthroned with Angels and Saints oil


PACHER, Michael
The Virgin and Child Enthroned with Angels and Saints
Painting ID::  42946
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The Virgin and Child Enthroned with Angels and Saints
mk170 1480-1490 Oil on silver 40.3x39.4cm
   
   
     

PACHER, Michael Christ in Li oil


PACHER, Michael
Christ in Li
Painting ID::  52050
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Christ in Li
1460s Tempera on pine panel, 85 x 71,5 cm
   
   
     

PACHER, Michael Altarpiece of the Church Fathers oil


PACHER, Michael
Altarpiece of the Church Fathers
Painting ID::  52175
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Altarpiece of the Church Fathers
c. 1483 Wood, 212 x 200 cm
   
   
     

PACHER, Michael Mary of Burgundy oil


PACHER, Michael
Mary of Burgundy
Painting ID::  52210
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Mary of Burgundy
c. 1490 Oil on wood, 47,5 x 35 cm
   
   
     

PACHER, Michael Christ in Limbo oil


PACHER, Michael
Christ in Limbo
Painting ID::  63695
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Christ in Limbo
85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious
   
   
     

PACHER, Michael Christ in Limbo oil


PACHER, Michael
Christ in Limbo
Painting ID::  63696
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Christ in Limbo
1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious
   
   
     

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     PACHER, Michael
     Austrian Northern Renaissance Painter, ca.1430-1498

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