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Overbeck, Johann Friedrich Oil Painting Reproductions

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Overbeck, Johann Friedrich The Painter Franz Pforr oil


Overbeck, Johann Friedrich
The Painter Franz Pforr
Painting ID::  19729
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The Painter Franz Pforr
1811 Oil on canvas Nationalgalerie, Berlin.
   
   
     

Overbeck, Johann Friedrich The Miracle of the Roses of Saint Francis of Assisi oil


Overbeck, Johann Friedrich
The Miracle of the Roses of Saint Francis of Assisi
Painting ID::  19730
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The Miracle of the Roses of Saint Francis of Assisi
1829 Oil on canvas Museum of Fine Arts, Leipzig.
   
   
     

Overbeck, Johann Friedrich Italia and Germania (shulamith and Mary) (mk09) oil


Overbeck, Johann Friedrich
Italia and Germania (shulamith and Mary) (mk09)
Painting ID::  21406
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Italia and Germania (shulamith and Mary) (mk09)
1828 Oil on canvas,94.4 x 104.7 cm.Munich,Neue Pinakothek
   
   
     

Overbeck, Johann Friedrich The Triumph of Religion in the Arts oil


Overbeck, Johann Friedrich
The Triumph of Religion in the Arts
Painting ID::  29099
new3/Overbeck, Johann Friedrich-924284.jpg
The Triumph of Religion in the Arts
mk65 Oil on canvas 57x57 1/2"
   
   
     

Overbeck, Johann Friedrich Trocknende Wasche oil


Overbeck, Johann Friedrich
Trocknende Wasche
Painting ID::  82781
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Trocknende Wasche
Date 1896 cyf
   
   
     

Overbeck, Johann Friedrich Maria und Elisabeth mit dem Jesus oil


Overbeck, Johann Friedrich
Maria und Elisabeth mit dem Jesus
Painting ID::  92151
new25/Overbeck, Johann Friedrich-389853.jpg
Maria und Elisabeth mit dem Jesus
1825(1825) Medium oil on canvas Dimensions Deutsch: 146,4 X 101,7 cm cyf
   
   
     

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     Overbeck, Johann Friedrich
     German Painter, 1789-1869 German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ's Entry into Jerusalem and Christ's Agony in the Garden. Overbeck sought to make his art serve religion.

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